Category Archives: Country

Today: Roger Miller passed away in 1992 – 21 years ago

roger miller

The human mind is a wonderful thing, it starts working from before you’re born and doesn’t stop till you sit down to write a song
~Roger Miller

It’s one thing to have talent. It’s another to figure out how to use it.
~Roger Miller

Leavin’s Not The Only Way To Go:

From Wikipedia:

Birth name Roger Dean Miller
Born January 2, 1936
Fort Worth, Texas
Died October 25, 1992 (aged 56)
Los Angeles, California
Genres Country
Occupations Singer-songwriter
Instruments Guitar, fiddle, drums
Years active 1957–1992
Associated acts Bill Anderson, George Jones,Dean Miller, Willie Nelson,Johnny Paycheck, Minnie Pearl,Ray Price, Jim Reeves, Sheb Wooley, Dwight Yoakam, Faron Young
Website www.rogermiller.com

Roger Dean Miller (January 2, 1936 – October 25, 1992) was an American singer, songwriter, musician and actor, best known for his honky tonk-influenced novelty songs. His most recognized tunes included the chart-topping country/pop hits “King of the Road”, “Dang Me” and “England Swings”, all from the mid-1960s Nashville sound era.

roger miller

After growing up in Oklahoma and serving in the United States Army, Miller began his musical career as a songwriter in the late 1950s, penning such hits as “Billy Bayou” and “Home” for Jim Reeves and “Invitation to the Blues” for Ray Price. He later started a recording career and reached the peak of his fame in the late 1960s, but continued to record and tour into the 1990s, charting his final top 20 country hit “Old Friends” with Willie Nelson in 1982. Later in his life, he wrote the music and lyrics for the 1985 Tony-award winning Broadway musical Big River, in which he also acted.

Miller died from lung cancer in 1992, and was posthumously inducted into the Country Music Hall of Fame three years later. His songs continued to be recorded by younger artists, with covers of “Tall, Tall Trees” by Alan Jackson and “Husbands and Wives” by Brooks & Dunn, each reaching the number one spot on country charts in the 1990’s. The Roger Miller Museum in his home town serves as a tribute to Miller.

You Can’t Roller Skate In A Buffalo Herd & Chug-a-lug:

From allmusic.com – Stephen Thomas Erlewine:
Roger Miller is best known for his humorous novelty songs, which overshadow his considerable songwriting talents as well as his hardcore honky tonk roots. After writing hits for a number of artists in the ’50s, Miller racked up a number of hits during the ’60s which became not only country classics, but popular classics as well.
….read more @ allmusic.com 

Album of the day – All Time Greatest Hits (2003):

roger miller All Time Greatest Hits

From allmusic.com – Stephen Thomas Erlewine:
There have been many collections of Roger Miller’s hitmaking peak on Mercury over the years, but few have been as comprehensive or as good as Mercury/Chronicle’s 2003 CD, All Time Greatest Hits. Spanning 20 tracks over the course of one CD, this contains all the big songs: “Dang Me,” “Chug-a-Lug,” “Do Wacka Do,” “In the Summertime (You Don’t Want My Love),” “King of the Road,” “You Can’t Roller Skate in a Buffalo Herd,” “Kansas City Star,” “England Swings,” and “Husbands and Wives,” among others. All but one track from the seminal 1965 collection Golden Hits is here (“Atta Boy Girl” is the missing culprit — a good song but not enough to tip the scales in favor of the 38-year-old collection), and it spans further than that record, collecting hits from 1967-1970 and ending with the 1986 hit “River in the Rain.” While that final song isn’t quite of the standard of what preceded it, it provides a nice closer to a set of songs that unequivocally proves Miller’s genius. ….read more @ allmusic

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Today: Laura Cantrell released Not the tremblin kind in 2000

CantrellLNotthe

“It is my favourite record of the last ten years and possibly my life”
– John Peel

This is a good album, a very good debut!

It’s a mix of Cantrell’s own compositions and songs from other very gifted songwriters. THey are performed in a sincere and fresh style. It sounds traditional and fresh at the same time, just what the country scene needed. Laura Cantrell is a great interpreter, she has an expressive voice and she knows how to get a story across.

Laura Cantrell – Not the tremblin’ kind, St Andrews in The Square in Glasgow, October 2013 – part of the Glasgow Americana festival:

“Cantrell reclaims the essence of country songwriting, but she also puts subtle twists on familiar slice-of-life songs about whiskey drinkin’, relationships gone sour, livin’ on the road, and simple girl-wants-boy longing. Her music, whether inherently sad or jubilant, is always delivered with convincing sincerity. She’s also not afraid to explore uncomfortable psychological truths in intimate and eloquent detail.”
– Michael Sandlin (Pitchfork)

Laura_Cantrell-Not_The_Tremblin_Kind-Interior_Frontal

I bought this album on the strength of hearing just one track on Bob Dylan’s Theme Time Radio Hour, When the roses bloom. I bought everything I could find of hers, she is a great country singer and songwriter. I play her albums a lot, she reminds me of Kitty Wells in her singing and Dolly Parton in her songwriting, yes, she is that good!

 

Not the tremblin’ kind on Spotify:

– Hallgeir

Today: Dwight Yoakam is 57 Happy Birthday

dwight yoakam

The primary purpose in [performing] is to receive that pure inspiration that I derived from it when I was a kid the first time I saw one of those guitar slingers on television cock his leg and throw that guitar down and start doing a song and became completely infatuated with that and the moment that I was able to transport myself to another place, another plane of existence, by doing it alone in a room, you know, and realizing the enormous satisfaction from doing that … I don’t ever want to risk losing that as the primary catalyst for what I do musically.~
~Dwight Yoakam

From Wikipedia:

Birth name Dwight David Yoakam
Born October 23, 1956 (age 57)
Pikeville, Kentucky,United States
Origin Columbus, Ohio, United States
Genres Country Rock
Occupations Singer-songwriter, actor, director
Instruments Guitar, vocals
Years active 1984–present
Labels Reprise
Audium
New West
Warner Bros. Nashville
Associated acts Buck Owens
Website http://www.dwightyoakam.com/

Dwight David Yoakam (born October 23, 1956) is an American singer-songwriter, actor and film director, most famous for his pioneering country music. Popular since the early 1980s, he has recorded more than twenty-one albums and compilations, charted more than thirty singles on the Billboard Hot Country Songs charts, and sold more than 25 million records.

Guitars, Cadillacs:

From allmusic.com – Stephen Thomas Erlewine:

With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakamhelped return country music to its roots in the late ’80s. Like his idols Buck Owens, Merle Haggard, andHank Williams, Yoakam never played by Nashville’s rules; consequently, he never dominated the charts like his contemporary Randy Travis. Then again, Travis never played around with the sound and style of country music like Yoakam. On each of his records, he twists around the form enough to make it seem like he doesn’t respect all of country’s traditions. Appropriately, his core audience was composed mainly of roots rock and rock & roll fans, not the mainstream country audience. Nevertheless, he was frequently able to chart in the country Top Ten, and he remained one of the most respected and adventurous recording country artists well into the ’90s.
…read more over @ allmusic.com 

a medley performed @ The Grand Ole Opry:

Album of the day – Guitars, Cadillacs, etc etc (1986):

dwight yoakam Guitars-Cadillacs

From allmusic.com – Thom Jurek:
Dwight Yoakam’s Guitars, Cadillacs, Etc., Etc. began as an EP issued on the California Oak label. When Reprise signed him, they added four more tracks to the mix to round it out as an album. Yoakam, a Kentuckian, brought country music back into its own medium by reviving the classic Bakersfield sound with the help of his producer and lead guitarist, former Detroiter Pete Anderson. As a result, the “new traditionalist” movement was born, but Yoakam was always a cut or three above the rest, as this album displays in spades. Guitars, Cadillacs, Etc., Etc. kicks off with a smoking cover of Johnny Horton’s “Honky Tonk Man,” a song now so closely associated with Yoakam, the original has all but been forgotten. But this is only the beginning. Yoakam’s own songs such as “Bury Me,” a duet with Maria McKee, and “South of Cincinnati” reference both the pastoral and dark sides of his native state. “South of Cincinnati” is a paean to those who left Kentucky for Ohio in search of jobs, and “Bury Me” celebrates the land itself. In addition, the title track, with Anderson’s Don Rich-influenced guitar style, walks the Buck Owens line until the line extends to Yoakam. With fiddles and backing vocals, Yoakam’s street poetry is both poignant and profound, built into a barroom anthem. In addition to this there is the gorgeous “Miner’s Prayer,” an acoustic number powered by dobro (courtesy of David Mansfield), flat-picked guitar, and Yoakam’s singing of his grandfather and generations like him who lived and died in the mines of Kentucky. Here Bill Monroe meets Ralph Stanley meets Bob Dylan.  .. read more @ allmusic.com

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Look out for: Rod Picott – new album and tour

rod picott

The great Rod Picott is currently touring in Norway, go see him!

Mr. Picott is not new on the scene, but he has not gotten the attention he deserves. He is a very good singer and songwriter.

Bio (from rodpicott.com):
The son of a welder from rural New England, Rod Picott is a masterful songwriter and soulful singer who carries with him as fine a suitcase of songs as you’ll find anywhere. Slaid Cleaves, Ray Wylie Hubbard and Fred Eagelsmith have recorded Rod Picott songs. A former construction worker who hung up his tools when he released his debut CD in 2000, Picott has carved a career for himself with a run of 6 beautifully crafted self released CDs over the last 13 years and a well earned reputation as a engaging, emotion fueled performer.

He is touring in Europe right now, promoting his new album (his 7th), Hang Your Hopes On A Crooked Nail. The album is produced by RS Field, who has also worked with Billy Joe Shaver, Justin Townes Earle and Hayes Carll.

I Might Be Broken Now (official video):

Hang Your Hopes On A Crooked Nails is a very fine album, and a natural successor to his last album (the great Weldig Burns). Rod Picott is a songwriter that tells us about life as he sees it, and he is a good storyteller. He tells everyday stories, he has a keen eye for the “small stuff”. I think he is a great observer of what is important in our everyday life. He sometimes remind me of Springsteen or Steve Earle.

Where No One Knows Your Name (live):

Picott is an experienced performer after about 12 years playing, he has a tremendous stage presence, and I urge everyone to catch one of his shows on this tour.

I am sitting here listening to his new album as I write this. I have talked about his skill as a lyricist, but what strikes me now is very fine melodies, this is a good record. I was a backer of his new album at Kickstarter.com, the album was then called Rod Picott’s Circus of Misery and Heartbreak. I like that he changed the title, it reflects the positivity and hope that is in his lyrics.

Here is his presentation from Kickstarter, very interesting and thankfully it got funded:

Highlights on the album for me (so far):
Dreams, I Might Be Broken Now, 65 Falcon, Where No One Knows My Name

The new album is not on Spotify yet, but here is a playlist from his earlier recordings:

– Hallgeir

Buy the album here

 

 

Here are his next dates in Norway:

October 2: Gillian Welch is 47

gillian welch

“Each person comes to have this musical experience, this moment with us, where they get to sink into our world for a little while. It’s this very unhurried world. It’s fairly quiet, it’s contemplative, but it can be quite panoramic. I think people think interesting thoughts at our shows, and they go rather deeply into some personal experience of their own. I’m really proud that our music seems to connect, because it’s not for everybody. But for the people that our music works for, it really gets down pretty deep in there.”
~Gillian Welch on her live shows (via Acoustic Guitar)

Gillian Welch – The way that it goes @ Cirkus, Stockholm, Sweden, 2011-11-02:

From Wikipedia:

Born October 2, 1967 (age 47)
Los Angeles, California, U.S.
Origin Nashville, Tennessee
Genres Bluegrass, Americana,Country
Occupations Singer-songwriter
Instruments singing, acoustic guitar, banjo,drums
Associated acts Dave Rawlings Machine
Website gillianwelch.com

Gillian Welch (born October 2, 1967) is an American singer-songwriter. She performs with her musical partner, guitarist David Rawlings. Their sparse and dark musical style, which combines elements of Appalachian music, Bluegrass, and Americana, is described by The New Yorker as “at once innovative and obliquely reminiscent of past rural forms”.

gillian welch

Welch and Rawlings have released five critically acclaimed albums. Their 1996 debut, Revival, and the 2001 release Time (The Revelator), received nominations for the Grammy Award for Best Contemporary Folk Album. Their 2003 album, Soul Journey, introduced electric guitar, drums and a more upbeat sound to their body of work. After a gap of eight years, they released their fifth studio album, The Harrow & The Harvest, in 2011.

Welch was an associate producer and performed on two songs of the O Brother, Where Art Thou? soundtrack, a platinum album that won the Grammy Award for Album of the Year in 2002. Welch has collaborated and recorded with distinguished musicians such as Alison Krauss, Ryan Adams, Jay Farrar, Emmylou Harris, The Decemberists, and Ani DiFranco.

“Stingy critics give Ms. Welch a hard time because she’s a California city girl, not an Appalachian coal miner’s daughter. But as Lucinda or Emmylou might attest, love of the music is not a birthright, but an earned right. Listen to Ms. Welch yodel, in a tune about that no-good “gal” Morphine, and you know she’s as mountain as they come.
~Taylor Holliday (The Wall Street Journal)

Musical Style:

Welch and Rawlings incorporate elements of early twentieth century music such as old time, classic country, gospel and traditional bluegrass with modern elements of rhythm and blues, rock ‘n’ roll, jazz, and punk rock. The New Yorker‘s Alec Wilkinson maintained their musical style is “not easily classified—it is at once innovative and obliquely reminiscent of past rural forms”.

Concert @ BBC4 St. Luke’s Full Concert August 4, 2004 London:

Setlist:

00:30 – I Want To Sing That Rock And Roll
03:47 – Make Me Down A Pallet On Your Floor
07:11 – Elvis Presley Blues
12:17 – Look At Miss Ohio
16:24 – Red Clay Halo
20:10 – My First Lover
23:58 – One Little Song
27:23 – Revelator
35:12 – By The Mark
38:51 – The Way It Will Be
45:04 – Caleb Meyer
48:40 – I’ll Fly Away
52:39 – The Weight (with Old Crow Medicine Show)

 

Quotes about Gillian Welch:

  • Geoffrey Himes of The Washington Post described Welch as “one of the most interesting singer-songwriters of her generation
  • In 2003, Tom Kielty of The Boston Globe observed that she was “quietly establishing one of the most impressive catalogs in contemporary roots music
  • in a 2007 piece in The Guardian by John Harris called Welch “one of the decade’s greatest talents
  • Critic Robert Hilburn of the Los Angeles Times wrote, “At every turn, she demonstrates a spark and commitment that should endear her to anyone from country and folk to pop and rock fans who appreciate imagination and heart.

Tennessee:

Elvis Presley Blues:

Album of the day: The Harrow & The Harvest (2011):

gillian welch harrow harvest

 

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