Category Archives: Great albums

December 14: London Calling by The Clash was released 35 years ago

London-calling

The ice age is coming, the sun is zooming in
Engines stop running and the wheat is growing thin
A nuclear error, but I have no fear
London is drowning-and I live by the river

I walked home from the local grocery store Ringdal exactly 35 years ago today with a plastic bag containing this double album by The Clash. It was priced as a single LP but had two vinyl records tucked inside. It was a frosty day, and when I was half way home I had to take off the plastic wrapping. To this day I can remember the smell, that wonderful smell of new vinyl on a frosty day.

The inner sleeves had “hand written” lyrics and it has to be the lyrics I’ve read most often. As a 13 year old boy from norway this was much more important in learning the english language than any class at school. Both historically and personally  The Clash, London Calling was massively crucial.

Clash-London-Calling-inner sleeves

Released 14 December 1979
Recorded August–September and November 1979, Wessex Sound Studios, London
Length 65:07
Label CBS, Epic, Legacy
Producer Guy Stevens and Mick Jones

London Calling is the third studio album by the English rock band The Clash. It was released in the United Kingdom on 14 December 1979 through CBS Records, and in the United States in January 1980 through Epic Records. The album represented a change in The Clash’s musical style, featuring elements of ska, funk, pop, soul, jazz, rockabilly, and reggae more prominently than in their previous two albums.

London Calling is widely regarded as one of the greatest albums of all time. In 1987, it was ranked number 14 on Rolling Stone magazine’s “100 Best Albums of the Last Twenty Years”. Rolling Stone also ranked London Calling at number one on its 1989 list of the 100 best albums of the 80’s (it was released in December 1979 in the UK, but in January 1980 in the US, thus qualifying as an 80’s album for the US published magazine). In 1993, NME ranked the album at number six on its list of The Greatest Albums of the ’70s. Vibe magazine included the double album on its list of the 100 Essential Albums of the 20th Century. Q magazine ranked London Calling at number four on its 1999 list of the 100 Greatest British Albums, and, in 2002, included the album in its list of the 100 Best Punk Albums. (wikipedia – read more)

London Calling (Official video):

From allmusic.com:

…London Calling is a remarkable leap forward, incorporating the punk aesthetic into rock & roll mythology and roots music. Before, the Clash had experimented with reggae, but that was no preparation for the dizzying array of styles on London Calling. There’s punk and reggae, but there’s also rockabilly, ska, New Orleans R&B, pop, lounge jazz, and hard rock; and while the record isn’t tied together by a specific theme, its eclecticism and anthemic punk function as a rallying call. While many of the songs — particularly “London Calling,” “Spanish Bombs,” and “The Guns of Brixton” — are explicitly political, by acknowledging no boundaries the music itself is political and revolutionary. But it is also invigorating, rocking harder and with more purpose than most albums… (read more)

Continue reading December 14: London Calling by The Clash was released 35 years ago

December 11: John Lennon/Plastic Ono Band (1970)

john-lennon-plastic-ono-band

… Lennon presents everything on the surface, and the song titles — “Mother,” “I Found Out,” “Working Class Hero,” “Isolation,” “God,” “My Mummy’s Dead” — illustrate what each song is about, and charts his loss of faith in his parents, country, friends, fans, and idols. It’s an unflinching document of bare-bones despair and pain, but for all its nihilism, it is ultimately life-affirming; it is unique not only in Lennon’s catalog, but in all of popular music. Few albums are ever as harrowing, difficult, and rewarding as John Lennon/Plastic Ono Band.
~Stephen Thomas Erlewine (allmusic.com)

I don’t believe in Beatles
~John Lennon (“God”)

Mother:

Continue reading December 11: John Lennon/Plastic Ono Band (1970)

December 6: The Rolling Stones Beggars Banquet was released in 1968

Rolling-Stones-Beggars-Banquet

December 6: The Rolling Stones Beggars Banquet was released in 1968

Beggars Banquet is the seventh British and ninth American studio album The Rolling Stones. It was released 6th December 1968 by Decca Records in the United Kingdom and London Records in the United States. The album was a return to a more rootsy rock for the band after the psychedelic “experiment”, Their Satanic Majesties Request.

The Rolling Stones – No Expectations (live Hyde Park, 1969):

In 2003, the album was ranked number 57 on Rolling Stone magazine’s list of the 500 greatest albums of all time. In the same year the TV network VH1 named Beggars Banquet the 67th greatest album of all time.

Continue reading December 6: The Rolling Stones Beggars Banquet was released in 1968

December 5: Rolling Stones Let it Bleed was released in 1969 45 years ago

the-rolling-stones-let-it-bleed

“Rape, murder, it’s just a shot away, it’s just a shot away.”

Rolling Stones Let it Bleed 1969

Let It Bleed is the eighth British and tenth American album by  The Rolling Stones, released 5th December 1969. Released shortly after the band’s 1969 American Tour, it is the  last album by the band to feature Brian Jones as well as the first to feature Mick Taylor.

Released 5 December 1969
Recorded November 1968, February–November 1969, Olympic Studios, London, England
Genre Blues rock, rock and roll, hard rock
Length 42:13
Language English
Label London (US), Decca (UK)
Producer Jimmy Miller

It is part of the holy quartet: Exile on Main St., Beggars Banquet, Let it Bleed and Sticky Fingers. Rightfully considered the best albums in The Rolling Stones’ discography.

Continue reading December 5: Rolling Stones Let it Bleed was released in 1969 45 years ago

December 4: The Beatles released Beatles For Sale 1964

beatles for sale

Beatles for Sale is the fourth studio album by the Beatles, it was released on 4 December 1964 and produced by George Martin. The album marked a minor turning point in the evolution of the Lennon–McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. I’m a Loser shows Lennon for the first time coming under the influence of Bob Dylan, whom he met in New York while on tour, on 28 August 1964.

John, when you were in New York, what did you like best about it?

 I just like cities, you see, and preferably big ones. That’s why I liked it. And we met some good people like Bob Dylan and Joan Baez, you know, and I enjoy meeting people I admire.

(Sept 13, 1964 via In The Life Of…The Beatles)

Beatles for Sale didn’t  produce a single for the UK – the non-album tracks I Feel Fine and She’s a Woman performed that role. Nevertheless, that coupling was followed up in the United States by Eight Days a Week, which became their seventh number one.

The Beatles – I’m a loser (live Paris, 1965):

Continue reading December 4: The Beatles released Beatles For Sale 1964