Category Archives: Great albums

30 best live albums countdown: 18 – At Fillmore East by The Allman Brothers Band

ABB fillmore color

“Okay, The Allman Brothers Band…”
– the announcer

At Fillmore East – The Allman Brothers Band (1971)

At Fillmore East by The Allman Brothers Band is my number 18 on the countdown of the 30 best live albums in the world. It was the band’s breakthrough success, it was released in July 1971. It ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All Time. It was one of 50 recordings chosen in 2004 by the Library of Congress to be added to the National Recording Registry. The song “Whipping Post” is part of the The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll list

I love the way it presents all these different aspects of the blues, chicago- blues, Mississippi delta- blues, Texas-blues, Jazzy blues and monumental blues jams. It includes cover songs and original composition and the album is put together in a way that feels natural.

It was recorded at the Fillmore East concert hall on Friday and Saturday March 12, 1971 and March 13, 1971.

ABB greg and duane

2003 saw the release of a two-disc edition entitled At Fillmore East Deluxe Edition. It compiled all the released versions of the Fillmore material, some material from the collection Duane Allman: An Anthology and the Dreams box set, and remixed the material with a better soundstage than the 1992 release. That’s the one to get.

“The Allman Brothers had many fine moments at the Fillmores, and this live double album (recorded March 12th and 13th of this year) must surely epitomize all of them.”

– George Kimball (Review, Rolling Stone Magazine)

I need to include One Way Out from the rlease, The Fillmore Concerts. Just because it is so damn good, and would be a great addition to the original album.

It gives us Duane Allman’s tight slide guitar up against and weaving into Richard Betts’ round and loose lead guitar, it also has Dicky Betts’ best recorded guitar solo.

Whipping Post (Live Fillmore, 9/23/70):

The connection between the two lead guitarists and the two drummers is extraordinary! Also, listen to Barry’s bass lines, incredible, and Greg’s vocals (and jazzy organ) and you have band for the ages.

This album is for me, the crowning achievement of the ultimate southern-rock band.

We’ve posted this documentary before, but t is so good and give us such insight that everyone should see it again.

Sweet Home Alabama – The Story of southern Rock:

Continue reading 30 best live albums countdown: 18 – At Fillmore East by The Allman Brothers Band

Today: Gillian Welch released The Harrow & The Harvest in 2011 – 2 years ago

gillian welch harrow harvest

The Harrow & the Harvest is stunning for its intimacy, its lack of studio artifice, its warmth and its timeless, if hard won, songcraft.
~Thom Jurek (allmusic.com)

The Harrow & The Harvest is simply one of the richest, most expansive roots albums to be released in some time.
~Douglas Heselgrave (pastemagazine.com)

My fav song from the album:

Tennessee (live):

Wikipedia:

Released June 28, 2011
Recorded February 2011
Genre Folk
Label Acony
Producer David Rawlings

The Harrow & The Harvest is a 2011 album released by American musician Gillian Welch. It was Welch’s first album in eight years and was released on June 28, 2011.

gillian welch

The eight years since the release of 2003’s Soul Journey marked the longest period of time between album releases for Welch. In explaining the relatively long recording absence, Welch said, “The sad truth is we never liked anything enough to put it out, which is not a pleasant place to be.” She added, “over the course of that time that we were quiet we probably had enough songs to put out two or three records. Actually we made a few tentative steps at trying to record, but inevitably the heart would go out of it when we realised that we simply didn’t like the material enough to go on with it.” Welch frequently performed the song “The Way It Will Be” in years prior to the release of the album. Welch explains that this tense time period inspired the album title: “Our songcraft slipped and I really don’t know why. It’s not uncommon. It’s something that happens to writers. It’s the deepest frustration we have come through, hence the album title.” The writing process involved “this endless back and forth between the two of us,” Welch said, stating that “It’s our most intertwined, co-authored, jointly-composed album.”

The Way It Goes (Live Nov. 2011):

Tracks:

All songs written and composed by Gillian Welch and David Rawlings.

  1. “Scarlet Town” 3:38
  2. “Dark Turn of Mind” 4:07
  3. The Way It Will Be” 4:47
  4. The Way It Goes” 4:01
  5. Tennessee” 6:35
  6. “Down Along the Dixie Line” 4:49
  7. “Six White Horses” 3:38
  8. “Hard Times” 4:52
  9. “Silver Dagger” 3:23
  10. “The Way the Whole Thing Ends” 6:11

gillian welch dave rawlings

 The Way It Will Be:

Album of The Day:

Other June 28:

Continue reading Today: Gillian Welch released The Harrow & The Harvest in 2011 – 2 years ago

Today: Neil Young released “Tonight’s the Night” in 1975 – 38 years ago

Neil_Young_Tonight's the Night

“The record chronicles the post-hippie, post-Vietnam demise of counterculture idealism, and a generation’s long, slow trickle down the drain through drugs, violence, and twisted sexuality. This is Young’s only conceptually cohesive record, and it’s a great one.”
~Dave Marsh (The New Rolling Stone Record Guide)

“Tonight’s the Night is that one rare record I will never tire of.”
~Chris Fallon (PopMatters)

The title cut:

Wikipedia:

Released June 20, 1975
Recorded August–September 1973 at Studio Instrument Rentals, Hollywood, CA (except “Come On Baby”: Fillmore East, NYC, March 1970; “Lookout Joe”: Broken Arrow Ranch, December 1972 and “Borrowed Tune”: Broken Arrow Ranch, December 1973)
Genre Rock
Length 44:52
Label Reprise
Producer David Briggs, Tim Mulligan, Neil Young, Elliot Mazer (track 10 only)

Tonight’s the Night is the sixth studio album by Canadian musician Neil Young, released in 1975 on Reprise Records, catalogue MS 2221. It was recorded in 1973 (most of it on a single day, August 26), its release delayed for two years. It peaked at #25 on theBillboard 200. In 2003, the album was ranked number 331 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

Neil+Young+tonight's the night

Roll Another Number (For the road):

Content:

Tonight’s the Night is a direct expression of grief. Crazy Horse guitarist Danny Whitten and Young’s friend and roadie Bruce Berry had both died of drug overdoses in the months before the songs were written. The title track mentions Berry by name, while Whitten’s guitar and vocal work highlight “Come on Baby Let’s Go Downtown”; the latter was recorded live in 1970. The song would later appear, unedited, on a live album from the same concerts, Live at the Fillmore East, with Whitten credited as the sole author.

Fans have long speculated that an alternate version of Tonight’s the Night exists. Neil Young’s father, Scott Young, wrote of it in his memoir, Neil and Me:

Ten years after the original recording, David Briggs and I talked about Tonight’s the Night, on which he had shared the producer credit with Neil. At home a couple of weeks earlier he had come across the original tape, the one that wasn’t put out. “I want to tell you, it is a handful. It is unrelenting. There is no relief in it at all. It does not release you for one second. It’s like some guy having you by the throat from the first note, and all the way to the end.” After all the real smooth stuff Neil had been doing, David felt most critics and others simply failed to read what they should have into Tonight’s the Night — that it was an artist making a giant growth step. Neil came in during this conversation, which was in his living room. When David stopped Neil said, “You’ve got that original? I thought it was lost. I’ve never been able to find it. We’ll bring it out someday, that original.”

Here is “Roll Another Number” (unreleased from the Acetate tape):

neil young tonight's the night acetate

Tonight’s the Night (unreleased – from the acetate tape):

This should end any lingering doubts as to whether the real Neil Young is the desperate recluse who released two albums in the late ’60s or the sweet eccentric who became a superstar shortly thereafter. Better carpentered than Time Fades Away and less cranky than On the Beach, it extends their basic weirdness into a howling facedown with heroin and death itself. It’s far from metal machine music–just simple, powerful rock and roll. But there’s lots of pain with the pleasure, as after all is only “natural.” In Boulder, it reportedly gets angry phone calls whenever it’s played on the radio. What better recommendation could you ask? A
~Robert Christgau (robertchristgau.com)

Track listing:

All songs written and composed by Neil Young, except when noted.

Side one

  1. “Tonight’s the Night” – 4:39
  2. “Speakin’ Out” – 4:56
  3. “World on a String” – 2:27
  4. “Borrowed Tune” – 3:26 (based on “Lady Jane” by The Rolling Stones)
  5. “Come on Baby Let’s Go Downtown” (Live) – 3:35 (Whitten/Young)
  6. “Mellow My Mind” – 3:07

Side two

  1. “Roll Another Number (for the Road)” – 3:02
  2. “Albuquerque” – 4:02
  3. “New Mama” – 2:11
  4. “Lookout Joe” – 3:57
  5. “Tired Eyes” – 4:38
  6. “Tonight’s the Night—Part II” – 4:52

Musicians:

  • Neil Young – vocals, piano, guitar, harmonica, vibes
  • Ben Keith – pedal steel guitar, vocals, slide guitar
  • Nils Lofgren – guitar, piano, vocals
  • Danny Whitten – guitar, vocals
  • Jack Nitzsche – electric piano, piano
  • Billy Talbot – bass
  • Tim Drummond – bass
  • Ralph Molina – drums, vocals
  • Kenny Buttrey – drums
  • George Whitsell – vocals

Album @ spotify:

Continue reading Today: Neil Young released “Tonight’s the Night” in 1975 – 38 years ago

Today – The Grateful Dead released “Workingman’s Dead” in 1970 – 43 years ago

Grateful dead - workingman's dead

Workingman’s Dead, in part inspired by the rustic soul of the Band, ranks as the Dead’s studio masterpiece, followed closely by American Beauty. The focus is on the songs, rather than the jams, and these would provide the focal point of an era, spanning 1969–74, when the Dead played some of the most remarkable concerts in American history, virtually every one available in some incarnation thanks to the band’s dedicated tapers.
~rollingstone.com

Uncle John’s Band:

Wikipedia:

Released June 14, 1970
Recorded February 1970
Genre Country rock, rock
Length 35:33
Label Warner Bros.
Producer Bob Matthews
Betty Cantor
Grateful Dead

Workingman’s Dead is the fifth album by the rock band the Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970.

In 2003, the album was ranked number 262 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

GratefulDead-1970-WorkingmansDead

Of course they don’t sing as pretty as CSNY–prettiness would trivialize these songs. The sparse harmonies and hard-won melodies go with lyrics that make all the American connections claimed by San Francisco’s counterculture; there’s a naturally stoned bemusement in their good times, hard times, high times, and lost times that joins the fatalism of the physical frontier with the wonder of the psychedelic one. And the changeable rhythms hold out the promise of Uncle John’s Band, who might just save us if we’ll only call the tune. Inspirational Verse: “Think this through with me.” A
~Robert Christgau (robertchristgau.com)

Garcia has commented that much of the sound of the album comes both from his pairing with Hunter as well as the band’s friendship with Crosby, Stills and Nash. “Hearing those guys sing and how nice they sounded together, we thought, ‘We can try that. Let’s work on it a little’” commented Garcia.

Workingmans_Dead

 

Track Listing:

All songs written by Jerry Garcia and Robert Hunter except where noted.

Side one

  1. “Uncle John’s Band” 4:42
  2. “High Time” 5:12
  3. “Dire Wolf” 3:11
  4. “New Speedway Boogie” 4:01

Side two

  1. “Cumberland Blues” (Garcia, Hunter, and Phil Lesh) 3:14
  2. “Black Peter” 5:41
  3. “Easy Wind” (Hunter) 4:57
  4. “Casey Jones” 4:24

Musicians:

  • Jerry Garcia – lead guitar, pedal steel guitar, vocals
  • Bob Weir – guitar, vocals
  • Pigpen (Ron McKernan) – keyboards, harmonica, vocals
  • Phil Lesh – bass, vocals
  • Bill Kreutzmann – drums
  • Mickey Hart – drums
  • Tom Constanten – keyboards on reissue live bonus tracks “Dire Wolf”, “Black Peter”, “Easy Wind”, “Cumberland Blues”, “Mason’s Children”

Additional musicians

  • David Nelson – acoustic guitar on “Cumberland Blues”

Album @ spotify:

 Other June 14:

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Today: The Rolling Stones released Some Girls in 1978 – 35 years ago

some girls cover

Ain’t I rough enough
Ain’t I tough enough
Ain’t I rich enough
In love enough
Oooo, ooh please.

Stones-1978 1

Some Girls was released in 8 June 1978 and it was their first full album with Ronnie Wood. It’s a great album, up there with the best albums in their catalogue. They mixed in some new wave sounds, added a bit of disco and kept their soul, blues and country tinged rock’n roll. Released on the height of the punk and disco era, The Stones made this masterpiece of an album. Some Girls is very much a product of it’s time, but when Rolling Stones made a record that gave a nod to these “fads,” they did so with such anger and speed that the young people in 1978 must have been struck with envy. They certainly made an album that has stood the test of time and it’s a definitive Stones album.

The Rolling Stones prove time and again that they still have what it takes.

rolling-stones 1978 2

Here are all the songs live:

1. Miss You (1978), the eight and a half minute version, a masterpiece! The guitar work on this song (this version) is simply spectacular. I read somewhere sometimes that this was one of the songs that Prince wished he had written, and we can hear on his music that he has been influenced by this tune in a big way.

2. When the whip comes down (1978) Sleezy and cool and it kind of reminds me of Star  Star.

Yeah, mama and papa told me I was crazy to stay
I was gay in New York, a fag in L.A.
So I saved my money , and I took a plane
Wherever I go they treat me the same
When the whip comes down

3. Just My Imagination (running away with me) a soul number that fits The Stones perfectly. Very different from The Temptation version but equally good.

4. Some Girls (2008) Only The Rolling Stone s could have gotten away with these lyrics, they’re as politically incorrect as they possibly could be:

rolling stone 1978 3

White girls they’re pretty funny, sometimes they drive me mad
Black girls just wanna get fucked all night
I just don’t have that much jam
Chinese girls are so gentle, they’re really such a tease
You never know quite what they’re cookin’
Inside those silky sleeves

On “Some Girls,” Mick Jagger sounds like he’s not only singing like Bob Dylan, but about Bob Dylan: “I’ll give ya a house back in Zuma Beach/And give you half of what I owe.” (Rolling Stone Magazine)
Continue reading Today: The Rolling Stones released Some Girls in 1978 – 35 years ago