Category Archives: Great Concert

Jan 30: The Beatles played the Rooftop concert Apple building 1969

rooftop_cover1  “I’d like to say thank you on behalf of the group and ourselves, and I hope we passed the audition” – John Lennon 

The Beatles played the Rooftop concert Apple building January 30, 1969

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Jan 13: Johnny Cash recorded “At Folsom Prison” in 1968

 

Johnny Cash At Folsom Prison

 “Hello, I’m Johnny Cash”

Johnny Cash recorded “At Folsom Prison” January 13 in 1968

“Folsom Prison looms large in Johnny Cash’s legacy, providing the setting for perhaps his definitive song and the location for his definitive album, At Folsom Prison. The ideal blend of mythmaking and gritty reality, At Folsom Prison is the moment when Cash turned into the towering Man in Black, a haunted troubadour singing songs of crime, conflicted conscience, and jail.”
~Stephen Thomas Erlewine (allmusic.com)

One of the best live albums in recording history was taped on this date in 1968, hell, it’s one of the best albums period. Today it is it’s 46 year anniversary.

Released May 1968
October 19, 1999 (re-release)
October 14, 2008 (Legacy Edition)
Recorded Live at Folsom State Prison, January 13, 1968
Genre Country
Length 55:56 (re-release)
Label Columbia
Producer Bob Johnston (original)
Bob Irwin (re-release)

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Leonard Cohen: 1970 Isle of Wight Festival

leonard cohen-wight 1970

Tension had been rising at the festival for days. The promoters had expected a hundred and fifty thousand people but half a million more turned up, many with no intention of paying. Even after the promoters were forced to declare it a free festival, ill will remained. During a set by Kris Kristofferson, bottles were thrown and he was booed offstage. “They were booing everybody,” says Kristofferson. “Except Leonard Cohen.”
~Sylvie Simmons

First off some facts from wikipedia:

The 1970 Isle of Wight Festival was held between 26 and 31 August 1970 at East Afton Farm an area on the western side of the Isle of Wight. It was the last of three consecutive music festivals to take place on the island between 1968 and 1970 and widely acknowledged as the largest musical event of its time, greater than the attendance of Woodstock. Although estimates vary, the Guinness Book of Records estimated 600,000, possibly 700,000 people attended. It was organised and promoted by local brothers, Ronnie, Ray and Bill Foulk. Ron Smith was site manager and Rikki Farr acted as compere.

The preceding Isle of Wight Festivals, also promoted by the Foulks, had already gained a good reputation in 1968 and 1969 by featuring acts such as Jefferson Airplane, T. Rex, The Move, The Pretty Things, Joe Cocker, The Moody Blues (performed at the 1969 festival), The Who, and Bob Dylan in his first performance since his 1966 motorcycle accident.

The 1970 version, following Woodstock in the previous year, set out to move one step forward and enlisted Jimi Hendrix. With Hendrix confirmed, artists such as Chicago, The Doors, Lighthouse, The Moody Blues, The Who, Miles Davis, Joan Baez, Joni Mitchell, Jethro Tull, Sly & the Family Stone, Ten Years After, Emerson, Lake & Palmer and Free willingly took up the chance to play there. The event had a magnificent but impractical site, since the prevailing wind blew the sound sideways across the venue, and the sound system had to be augmented by Pink Floyd’s PA. There was a strong, but inconsistent line up, and the logistical nightmare of transporting some 600,000 people onto an island with a population of fewer than 100,000.

Political and logistical difficulties resulted in the organisers eventually realising that the festival would not make a profit and declaring it to be “a free festival”, although the majority of the audience had paid for tickets in advance, and the event was filmed contemporaneously. The commercial failings of the festival ensured it was the last event of its kind on the Isle of Wight for thirty-two years.

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Rod Picott: An interview and some pictures from Smio 2014

Rod-Picott-for-testpost-1

[blockquote cite=” short bio from RodPicott.com” type=”left, center, right”]The son of a welder from rural New England, Rod Picott is a masterful songwriter and soulful singer who carries with him as fine a suitcase of songs as you’ll find anywhere. Slaid Cleaves, Ray Wylie Hubbard and Fred Eagelsmith have recorded Rod Picott songs. A former construction worker who hung up his tools when he released his debut CD in 2000, Picott has carved a career for himself with a run of 6 beautifully crafted self released CDs over the last 13 years and a well earned reputation as a engaging, emotion fueled performer..[/blockquote]

I drove up to Haugesund at 11:30 on Friday Sep 26, plenty of time to find a place to park before I would get to talk to the great singer/songwriter, Rod Picott. Or so i thought, but there where nowhere to park, I had no coins to put on the meter and I when I finally found parking space I had to run to get to Amanda Hotel where Mr. Picott was waiting. I hurried in to the hotel lobby and found Rod Picott sitting and smiling in a sofa in the lobby. We said hello (I was a bit stressed out and even forgot to tell him my name) and we started to talk.

I must also say that I saw Rod Picott in concert later the same day at Smio, Vea, Karmøy. He gave a fantastic, intimate and funny show, exceeded all expectations. I will post picture from the concert all through this interview.

Alldylan (A): I’ve been listening a lot to your records lately, and in the car on the way over I listened to your latest album…

Rod Picott (R): Does it work in the car? (smiling)

A: … oh yeah, especially the car-song, 65 Falcon. The car is of course a metaphor.

R: Yes

65 Falcon:

A: … a metaphor for freedom just as Springsteen’s Thunder Road..

Rod Picott laughs and says: but not as elegant

A: Oh, it is very good and it rings very true. Most people in these parts has a strong connection to USA and understands the significance of cars, not just to get from A to B.

R: The song is a bit of  a throwback, there aren’t many car songs right now, but I love songs that paints pictures. It’s a small song with many details, I really like those kinds of songs. To me it speaks of freedom and a little rebellion, You know, in the states a car, in some ways, communicate who you are. Not just in a matter of finances, it communicates other things…a sense of how you see the world. I used to have a 65 Falcon. So it’s all true.

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Miles Davis: Around Midnight, live 1967 video

miles davis around midnight dvd

 

At its heart, jazz thrives on bold, sensitive interaction in the moment, and Live in Europe 1967 represents the pinnacle of that practice.
~Hank Shteamer (pitchfork.com)

This famous bootleg DVD was finally released as part of LIVE in Europe 1967: The Bootleg Series Vol. 1
in 2011.

Miles Davis second great quitet:

  • Bass – Ron Carter
  • Drums – Tony Williams
  • Piano – Herbie Hancock
  • Saxophone [Tenor] – Wayne Shorter
  • Trumpet – Miles Davis

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