Rockefeller concert venue looked different this chilly night in october, the lights were dimmed and the stage was put in the middle of the room, there were draperies and burning candles. It was like coming into someone’s home. I could sense the anticipation from the audience, they were expecting something special. Dixie Chics softly on the speakers.
Continue reading An acoustic evening with Ida Jenshus – photo special
[blockquote cite=” short bio from RodPicott.com” type=”left, center, right”]The son of a welder from rural New England, Rod Picott is a masterful songwriter and soulful singer who carries with him as fine a suitcase of songs as you’ll find anywhere. Slaid Cleaves, Ray Wylie Hubbard and Fred Eagelsmith have recorded Rod Picott songs. A former construction worker who hung up his tools when he released his debut CD in 2000, Picott has carved a career for himself with a run of 6 beautifully crafted self released CDs over the last 13 years and a well earned reputation as a engaging, emotion fueled performer..[/blockquote]
I drove up to Haugesund at 11:30 on Friday Sep 26, plenty of time to find a place to park before I would get to talk to the great singer/songwriter, Rod Picott. Or so i thought, but there where nowhere to park, I had no coins to put on the meter and I when I finally found parking space I had to run to get to Amanda Hotel where Mr. Picott was waiting. I hurried in to the hotel lobby and found Rod Picott sitting and smiling in a sofa in the lobby. We said hello (I was a bit stressed out and even forgot to tell him my name) and we started to talk.
I must also say that I saw Rod Picott in concert later the same day at Smio, Vea, Karmøy. He gave a fantastic, intimate and funny show, exceeded all expectations. I will post picture from the concert all through this interview.
Alldylan (A): I’ve been listening a lot to your records lately, and in the car on the way over I listened to your latest album…
Rod Picott (R): Does it work in the car? (smiling)
A: … oh yeah, especially the car-song, 65 Falcon. The car is of course a metaphor.
R: Yes
65 Falcon:
A: … a metaphor for freedom just as Springsteen’s Thunder Road..
Rod Picott laughs and says: but not as elegant
A: Oh, it is very good and it rings very true. Most people in these parts has a strong connection to USA and understands the significance of cars, not just to get from A to B.
R: The song is a bit of a throwback, there aren’t many car songs right now, but I love songs that paints pictures. It’s a small song with many details, I really like those kinds of songs. To me it speaks of freedom and a little rebellion, You know, in the states a car, in some ways, communicate who you are. Not just in a matter of finances, it communicates other things…a sense of how you see the world. I used to have a 65 Falcon. So it’s all true.
Continue reading Rod Picott: An interview and some pictures from Smio 2014
“I’m a loser baby, so why don’t you kill me?”
Beck Hansen (born Bek David Campbell, July 8, 1970) , singer-songwriter and multi-instrumentalist, is known by the stage name Beck.
The four-time platinum artist rose to underground popularity with his early works, which combined social criticism with musical and lyrical experimentation. He first earned wider public attention for his breakthrough single “Loser”, a 1994 hit. Beck is known for creating musical collages of a wide range of styles.
Loser (official video):
Beck’s 1996 album Odelay was awarded Album of the Year by the American magazine Rolling Stone and by UK publications NME and Mojo. Odelay also received a Grammy nomination for Album of the Year. Both Odelay and Sea Change appeared on Rolling Stone’s list of the 500 Greatest Albums of All Time.
I got to know Nanci Griffith through the seminal music paper Beat (norwegian music magazine), this music magazine has been extremely important in my musical upbringing. They made it ok to say that you loved country music. This was a big step for us rock/punk youth. Anyway, they praised Nanci Griffith very early and we listened and we agreed, this was very special indeed.
Her voice, her way of singing, especially other people’s’ songs, it was and is beautiful. My first entry into her world was John Prine’s The Speed of The Sound of Loneliness, it is still the best song in her catalogue. Hell, it would be the best song in almost anybody’s catalogue!
Speed of the sound of Loneliness (with John Prine who wrote this masterpiece):
Nanci Griffith, (born Nanci Caroline Griffith, July 6, 1953, Seguin, Texas) is an American singer, guitarist, and songwriter based in Austin, Texas.
Allmusic: Straddling the fine line between folk and country music, Nanci Griffith has become as well-known for her brilliant, confessional songwriting as her beautiful voice. A self-styled “folkabilly” singer, Griffith began as a kindergarten teacher and occasional folksinger. The country scene took her to heart in the mid-’80s, giving her a reputation as a quality songwriter through hit covers of Griffith’s songs by Kathy Mattea and Suzy Bogguss. Finding no luck with commercial country radio however, Griffith recorded several pop-oriented albums and then returned to her folk roots by the mid-’90s.
Continue reading July 6: Nanci Griffith is 61 Happy Birthday
“Well, at first the band were simply called Horsepower, but a lot of people thought that was something to do with heroin. That really pissed me off, so I decided to put something in front of it to distract them. “I got ’16’ from a traditional American folk song, where a man is singing about his dead wife and 16 black horses are pulling her casket up to the cemetery. I liked the image of 16 working horses.”
– David Eugene Edwards (NME, 1996)
16 Horsepower originated out of the “Denver scene” around 1992. Edwards teamed up with bassist Keven Soll and drummer Jean-Yves Tola (yeah he is French), and the trio soon discovered a common love for country music, traditional music (from all corners of the world), and the darker bands of the ’80s, like Joy Division, the Gun Club, and Nick Cave & the Bad Seeds.
They toured extensively the first years, sometimes as opening act for bands like Morphine, Los Lobos and the Violent Femmes.
Edwards said at the time that he regularly checked out Library of Congress records, old Appalachian music, and that he just listen to it for hours and hours. He expressed his for love Irish and Cajun music too, and how he saw it as all interconnected. All this seeped into Sackcloth ‘n’ Ashes.
When Edwards was writing about early America, he was referring to the darkest aspects of USA’s past: the slavery, the war with native americans and the rape of a fertile land. He’s also thinking of the moral decline and violence of the Wild West that found sinners having to answer to a form of justice much higher than that of Man’s. He writes about a young and more primitive country, he write about the punishments for wrong-doing that were much more severe and eagerly executed than today. The word of God was also the word of the state and the executioner. Edwards and the songs he wrote with Sixteen Horsepower existed in that world.
16 Horsepower – Haw (official video):
“The music of the church was the most important thing to me , that’s where I learned the doctrine, where it came to me. That was how I was spoken to.”
– Edward Eugene Edwards (grandson of a Nazarene minister)
Continue reading Today: 16 Horsepower released Sackcloth ‘n’ Ashes in 1996