Category Archives: Sound

Today: Bobby Bland was born in 1930

Bobby Bland 1

Robert Calvin “Bobby” Bland (born January 27, 1930), is also known as Bobby “Blue” Bland. He is an original member of the Beale Streeters, and is sometimes referred to as the “Lion of the Blues”. Along with such artists as Sam Cooke, Ray Charles, and Junior Parker, Bland developed a sound that mixed gospel with the bluesand R&B.

It’s my own fault, B.B. King and Bobby Bland live on Soul Train:

Bobby Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and received the Grammy Lifetime Achievement Award in 1997. He was also inducted into The Memphis Music Hall of Fame in 2012.

Happy birthday Bobby Bland!

 

bobby_blue_bland_elvis_presley_december_7_1956

This great picture was taken when Elvis returned to the WDIA Goodwill Revue on December 6, 1957, it’s a stylish shot of him ‘talking shop’ withLittle Junior Parker and Bobby ‘Blue‘ Bland and appeared in Memphis’s mainstream afternoon paper, ‘The Press-Scimitar’, accompanied by a short feature that made Elvis’ feelings abundantly clear. ‘It was the real thing’, he said, summing up both performance and audience response. ‘Right from the heart’ (Elvis Australia)

Allmusic.com (Bill Dahl):

Bobby Bland earned his enduring blues superstar status the hard way: without a guitar, harmonica, or any other instrument to fall back upon. All Bland had to offer was his magnificent voice, a tremendously powerful instrument in his early heyday, injected with charisma and melisma to spare. Just ask his legion of female fans, who deemed him a sex symbol late into his career. (Read More)

My Favourite Bobby Bland track is his version of St. James Infirmary, and thankfully it is part of today’s Spotify album, but here is a very nice live version:

From Wikipedia:

Bland was born in the small town of Rosemark, Tennessee. Later moving to Memphis with his mother, Bland started singing with local gospel groups there, including amongst others The Miniatures. Eager to expand his interests, he began frequenting the city’s famous Beale Street where he became associated with an ad hoc circle of aspiring musicians named, not unnaturally, the Beale Streeters.

Bland’s recordings from the early 1950s show him striving for individuality, but any progress was halted by a spell in the U.S. Army. When the singer returned to Memphis in 1954 he found several of his former associates, including Johnny Ace, enjoying considerable success, while Bland’s recording label, Duke, had been sold to Houston entrepreneur Don Robey.

In 1956 Bland began touring with Junior Parker. Initially he doubled as valet and driver, a role he reportedly fulfilled for B. B. Kingand Rosco Gordon. Simultaneously, Bland began asserting his characteristic vocal style. Melodic big-band blues singles, including “Farther Up the Road” (1957) and “Little Boy Blue” (1958) reached the US R&B Top 10, but Bobby’s craft was most clearly heard on a series of early 1960s releases including “Cry Cry Cry”, “I Pity The Fool” and the sparkling “Turn On Your Love Light”, which became a much-covered standard.

Todays chosen album is the classic, Two Steps From The Blues:

Bobby Bland Two Steps from the Blues

Other 27. January:

Continue reading Today: Bobby Bland was born in 1930

Today: Bob Dylan’s film Renaldo And Clara was released in 1978

Renaldo and Clara

This nearly four-hour surrealist odyssey (232 m.)  is written, directed and starring Bob Dylan himself.

Directed by Bob Dylan
Produced by Mel Howard
Written by Bob Dylan, Sam Shepard
Starring Bob Dylan, Sara Dylan, Joan Baez
Music by Various artists
Cinematography Howard Alk, David Meyers, Paul Goldsmith
Editing by Bob Dylan, Howard Alk
Distributed by Circuit Films
Release date(s) January 25, 1978
Running time 232 minutes
Country United States
Language English

There is a myth about this film, it is considered to be incoherent and confusing, well, it isn’t. Everytime I see it, it strikes me as a unified vision, one man’s vision, where he puts different kind of film stocks and styles together to create an entertaining and, yes, demanding movie.  The film is a mixture of fantastic concert footage, documentary style film (dealing with the Hurricane Carter case), and ficitonal, seemingly improvised  footage.

Never let me go:

Drawing structural and thematic influences from the classic  film Les Enfants du Paradis, Dylan infuses Renaldo & Clara with lots of shifting styles, tones, and narrative ideas. Similarities between the two films include the use of whiteface , the recurring flower, the woman in white (Baez), the on-stage and backstage scenes, and the dialogue of both films’ climactic scenes.

lesenfant_dylan

Also evident is the Cubist approach of the two films, allowing us to see the main characters from the different perspectives of various lovers. This also echoes some of the songs from this Dylan period (Simple twist of faith and Tangled up in blue coming to mind). Running time is also relatively similar.

It’s a free associating epic that feels pulled straight from Bob Dylan’s brain, Renaldo and Clara is a work of misunderstood genius.

Continue reading Today: Bob Dylan’s film Renaldo And Clara was released in 1978

Today: Them Again by Them was released in 1966

THEM_again

Them Again is the second album by Them, lead by singer and songwriter Van Morrison. The album was released by Decca Records in the UK on 21 January 1966 but it failed to chart. In the U.S. it was released in April 1966 where it peaked at #138 on the Billboard charts.

Released 21 January 1966 (UK), April 1966 (USA)
Genre Rock
Length 48:21Decca (UK), Parrot PA 61008; PAS 71008 (USA)
Producer Tommy Scott

It’s a great record and often overlooked and unfavourably compared to Them’s debut. It is allmost as good. You owe it to yourself to check it out.

Two of the original Van Morrison songs included on the album, “My Lonely Sad Eyes” and “Hey Girl”, can be seen as precursors to the poetic musings of Morrison’s later Astral Weeks album, released in 1968. “My Lonely Sad Eyes” begins with the words, “Fill me my cup, and I’ll drink your sparkling wine/Pretend that everything is fine, ’til I see your sad eyes.” The title implies that the sad eyes belong to the singer but the lyrics address the singer’s love interest. It reminds me of Rolling Stones at their most soulful.

My Lonely Sad Eyes:

The song “Hey Girl” has a pastoral feel to it, enhanced by the addition of flutes and in Brian Hinton’s opinion is a “dry run for ‘Cyprus Avenue'” from Astral Weeks.

Hey Girl:

Continue reading Today: Them Again by Them was released in 1966

Today: Elvis Presley recorded Heartbreak Hotel in 1956 – 57 years ago

heartbreak_hotel_cover

From Wikipedia:

Heartbreak Hotel” is a song recorded by Elvis Presley. It was released as a single on January 27, 1956, Presley’s first on his new record label RCA Victor. His first number-one pop record, “Heartbreak Hotel” topped Billboard‘s Top 100 chart, became his first million-seller, and was the best-selling single of 1956. It was written by Tommy Durden and Mae Boren Axton.

Well, Since my baby left me

These opening words set the tone, this is not a happy-song…

I got this record from my aunt when I was about 7 or 8 years old (1973/1974), I couldn’t  comprehend the heartache and suffering in the lyrics. I just thought it was the coolest thing I had ever heard. I still got that record. It is worn and scratched and it’s still the coolest record in the world.

Heartbreak Hotel (audio):

Heartbreak Hotel credits

Heartbreak Hotel is written by Thomas Durden and Mae Axton in 1955. It was written after Durden read about a suicide in the Miami Herald. A man, who had jumped out the window,  had destroyed his identity papers and left a note saying: “I walk a lonely street.”
It was written very quickly, varying sources states that it was done from a few hours down to 22 minutes.
heartbreak-hotel-a-side

From Wikipedia:

“Axton and Durden give different accounts of how the song was written. Durden’s account is that he had already written the song and performed it with his band the Swing Billys before he presented it to Axton. Axton’s account is that Durden had only penned a few lines of the song, and asked her to help him finish it.  She says that the report of the suicide “stunned” her, and she told Durden, “Everybody in the world has someone who cares. Let’s put a Heartbreak Hotel at the end of this lonely street”. They were interrupted by the arrival of Glen Reeves, a local performer who had previously worked with Axton. The duo asked Reeves to help with the song, but after hearing the title he remarked that it was “the silliest thing I’ve ever heard”, and left them to finish it themselves.The song was written within an hour, and Durden recorded it onto Axton’s tape recorder.”

The song was offered to several artists before Elvis, many of them declined and described the song as strange and morbid . Durden and Axton offered Presley a third of the writers’ credits if he would make it a single, Elvis agreed. Presley recorded the song Jan. 10, 1956. It was his second song recorded on his new label RCA, following “I Got A Woman”. It was released 27th of January 1956.

Heartbreak Hotel, Milton Berle Show:

From the british newspaper The Independent:

“Heartbreak Hotel” started with Elvis, accompanied by a walking bass from Bill Black, reminiscent of Willie Dixon’s work with Muddy Waters. Scotty Moore played assertively and Cramer’s piano pattered like rain. Elvis broke down in each verse, effectively method acting like James Dean. The song was nailed on take seven, but sadly, most of the tapes were wiped. The influence of Johnnie Ray’s “Cry” is self-evident and the song could be a parody. Presley’s dirt-seeking bio-grapher, Albert Goldman, opined, “‘Heartbreak Hotel’, which is an extravagant and highly-exaggerated account of the blues, was more a psychodrama than a musical performance. As such, however, it was an extraordinary novelty and it moved rock music into another imaginative space.”

“Heartbreak Hotel” became Elvis’ first gold record, staying the top of the pop charts for seven weeks in the spring of 1956.

Continue reading Today: Elvis Presley recorded Heartbreak Hotel in 1956 – 57 years ago

Best albums of 2012: number 21 to 25

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21. Mumford & Sons – Babel

I think it’s a great story, the story of Babel. I think anyone can direct it as an analogy for a lot of different situations. ….. It’s such a human thing. As humans, we’re such a discontented species. We’re always trying to further ourselves, and you get all the way to the moon and then it’s just discontent. You want to go to Mars.
~Ted Dwane (rollingstone.com interv. – Aug. 2012)

The music is: uplifting, lively, intense, rootsy, Appalachian/bluegrass’ish… and driving rock @ heart (wild @ heart 😉

Reminds me of: The Avett Brothers, The Pogues & Bon Iver on steroids & a helluva string backing….

-Egil

Highlights:

  • Egil:  I Will Wait, Hopeless Wanderer & Babel
  • Hallgeir: Babel, Lover of the light and Broken Crown

 

Darrell Scott Long ride home 22

22. Darrell Scott – Long Ride Home

“…even Jesus couldn’t help me today”

Darrell Scott is one of the best songwriters i know of. I am relatively new to his work, and discovered him when he was nominated for a Grammy for, Hank Williams’ Ghost in 2007. He has since toured with Buddy Miller and Robert Plant, those men do not pick people (for the Band of Joy)  that doesn’t know what they’re doing, trust me Darrell Scott is the real deal.

Long Ride Home is his seventh album. This is great music and he some very special guests on this album, Rodney Crowell, Guy Clark, Patty Griffin and many more. These are his peers, he fits nicely in this company and that says something. The songs are incredibly strong and constantly interesting. The hour flies by.

This is storytelling at it’s richest and best.

Heartache, lost love and temptation.

– Hallgeir

Highlights:

  • Egil: It Must Be Sunday, Out In The Parking Lot & The Country Boy
  • Hallgeir: Someday, Candle for a Cowboy and Out in the parking lot (with Guy Clark)

 

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23. Marty Stuart -Nashville, volume 1: Tear the Woodpile down

Marty Stuart is back with this fabulous, but short, 30 minute album of traditional styled country. He runs through a fine bunch of songs with his touring band and some great guests, Hank3, Kenny Lovelace, Buck Trent and more. The Topics are hard core country themes: truck driving, love and loneliness. This is pure country but not slick Nashville, I think it is better to call it country & western music, and it is clearly a project that is close to Marty Stuart’s heart.

Traditional but fresh and with tremendeous technical skill

– Hallgeir

Highlights:

  • Egil: The Lonely Kind, Tear the Woodpile Down, Sundown in Nashville
  • Hallgeir: A Matter of Time, Holding on to nothing and Truck Driver’s Blues

Bobby Womack Bravest Man in the Universe 24

24. Bobby Womack – The Bravest Man  in the Universe

Bobby Womack has given us this aptly titled album this year, it is one of his best albums, and that says a lot! He has certainly been dealt a rough hand by life and he has come out triumphantly, he is a survivor, a soul survivor.

Damon Albarn plays a big role in Womack’s resurrection, first by including him on two Gorillaz albums and now by producing (along with Richard Russel) this record. He seems to have pushed Womack in the right direction and fed his creativity more than anybody has for very many years.

This is classic Bobby Womack but with a spacious, trip-hoppy sound.

– Hallgeir

Highlights:

  • Egil: Please Forgive My Heart, Dayglo Reflection, Love Is Gonna Lift You Up
  • Hallgeir: Please forgive my heart, The Bravest Man in The Universe and Whatever happened to the times

 

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25. Sharon Van Etten – Tramp

“I’m traveling, I’m female, I’m strong.”
~Sharon Van Etten (on why – Tramp)

The music is: Naked, raw, truthful, mesmerizing, demanding & often beautiful.

Reminds me of: early PJ Harvey, Liz Phair & even Emmylou Harris.

-Egil

Highlights:

  • Egil:  Give Out, All I Can & Magic Chords
  • Hallgeir: In Line, All I Can and Serpents

To the complete LIST