Bob Dylan’s best songs – Tangled Up In Blue

A song that took me ten years to live and two years to write
~Bob Dylan

So that the story took place in the present and the past at the same time. When you look at a painting, you can see any part of it, or you see it altogether. I wanted that song to be like a painting.
~Bob Dylan

Joni Mitchell had an album out called Blue. And it affected me, I couldn’t get it out of my head. And it just stayed in my head and when I wrote that song I wondered, what’s that mean? And then I figured that it was just there, and I guess that’s what happened, y’know.
~Bob Dylan (to Craig McGregor, March 1978)

This masterpiece in number 3 on my list of Dylans 200 best songs. Listening to it almost never fails to put me in a state of flow.. time stops.. there is nothing except this beautiful piece of art occupying my attention.. best form of mindful meditation if you ask me.

It is the best song from one of his best albums: “Blood On The Tracks” (1975):

We allow our past to exist. Our credibility is based on our past. But deep in our soul we have no past. I don’t think we have a past anymore than we have a name. You can say we have a past if we have a future. Do we have a future? No. So how can our past exist if the future doesn’t exist?
~Bob Dylan (to Jonathan Cott, Dec 1977)

But we’re only dealing with the past in terms of being able to be healed by it. We can communicate only because we both agree that this is a glass and this is a bowl and that’s a candle and there’s a window here and there are lights out in the city. Now I might not agree with that. Turn this glass around and it’s something else. Now I’m hiding it in a napkin. Watch it now. Now you don’t even know it’s there. It’s the past… I don’t even deal with it. I don’t think seriously about the past, the present or the future. I’ve spent enough time thinking about these things and have gotten nowhere.
~Bob Dylan (to Jonathan Cott, Dec 1977)

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Bob Dylan & The Band: The Genuine Basement Tapes Volume 1-5 (audio)

the band basement

 

On November 4, 2014, Columbia/Legacy will issue The Bootleg Series Vol. 11: The Basement Tapes Complete, an official 6-CD box set of all Dylan’s available basement recordings, including 30 never-bootlegged tracks.

We’re warming up to this highly anticipated release here @ alldylan.com with a look at bootleg releases with material from Dylan & The Band’s recordings @ The Big Pink, West Saugerties, New York – June – October 1967

In the early 1990s, a virtually complete collection of all of Dylan’s 1967 recordings in Woodstock was released on a bootleg five-CD set, The Genuine Basement Tapes. The collection, which contains over 100 songs and alternate takes, was later remastered and issued as the four-CD bootleg A Tree With Roots. Greil Marcus showed the set to Garth Hudson, who declared, “They’ve got it all.”

Nonetheless, a handful of basement songs not available on A Tree With Roots or other bootlegs have been documented, including the Band’s “Even If It’s a Pig Part I” (which has circulated in fragmentary form) and “Even If It’s a Pig Part II”, and Dylan’s “Wild Wolf” and “Can I Get a Racehorse” (copyrighted as “You Own a Racehorse”).

the genuine basement tapes vol1

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Bob Dylan: 20 songs from the upcoming “The Basement Tapes Complete: The Bootleg Series Vol. 11” (audio)

bob dylan basement tapes

I have collected all the teasers SONY has released in one post.

They sound marvelous! Needless to say, here at alldylan.com we are shivering with excitement, this got be the most anticipated release of the bootleg series so far.

In September we got:

Odds & Ends:

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Documentary: Otis Redding – Soul Ambassador

soul ambassador

Otis Redding Soul Ambassador. Documentary from the BBC.

First-ever TV documentary about the legendary soul singer Otis Redding, following him from childhood and marriage to the Memphis studios and segregated Southern clubs where he honed his unique stage act and voice. Through unseen home movies, the film reveals how Otis’s 1967 tour of Britain dramatically changed his life and music.

After bringing soul to Europe he returned to conquer America,first with the ‘love-crowd’ at the Monterey Festival and then with Dock of the Bay, which topped the charts only after his death at just 26. Includes rare and unseen performances, intimate interviews with Otis’s wife and daughter, and with original band members Steve Cropper and Booker T Jones. Also featured are British fans whose lives were changed by seeing him, among them Rod Stewart, Tom Jones and Bryan Ferry.

– Hallgeir

4 good and one great version of Bob Dylan’s Sweetheart like you

sweetheart like you

Sweetheart Like You is a song to a woman, it sounds like a love song, but also a warning not to stray away from home/God.

It was released on the album Infidels that was released October 27, 1983.

Oliver Trager’s book, Keys to the Rain: The Definitive Bob Dylan Encyclopedia, mentions that some have criticized this song as sexist. Indeed, music critic Tim Riley makes that accusation in his book, Hard Rain: A Dylan Commentary, singling out lyrics like “…a woman like you should be at home/That’s where you belong/Taking care of somebody nice/Who don’t know how to do you wrong.” However, Trager also cites other interpretations that dispute this claim.

Some have argued that “Sweetheart Like You” is being sung to the Christian church (“what’s a sweetheart like you doing in a dump like this?”), claiming that Dylan is mourning the church’s deviation from scriptural truth. I think this is stretching the analysis a bit too far, but everyone is entitled to his/her opinions.

I love the melody, I love the song.

Let us start with the 4 good ones:

Very fine version from World party/Carl WallingerSweetheart Like You (Audio):

Continue reading 4 good and one great version of Bob Dylan’s Sweetheart like you