Stephen Simmons live in Haugesund 20 Nov 2013

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“This album really started with me and my friends getting together late at night, trying to recreate that ‘70s country feel of a classic Don Williams album,” he says. “I’d bring a bottle of Irish Whiskey, we’d listen to some records, then I’d pull out a song I’d written that fit that era. We’d all play it live, two or three times, and that was it.  It really started out just for fun.”
– Stephen Simmons on his latest release, Hearsay

Last night I went to Haugesund to catch a concert with the singer/songwriter Stephen Simmons. He didn’t disappoint, it was a very nice evening out. We were too few, but we were very happy with the show.

I got to have a little chat with him, what a nice guy. I taped three of the songs on my camera and Stephen Simmons said I could post them here, but first a short bio from his website (in between some pictures from the concert):

Growing up in a small town in central Tennessee, Stephen Simmons kept his radio tuned to the country station, where the sounds of Don Williams and Waylon Jennings were never more than a few tunes away.  Simmons treated those songwriters like school teachers, showing Simmons how to deliver a story, turn a phrase and pack a punch. By the time he released his debut album in 2004, though, Simmons had also learned how to rock.

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Years later, Simmons has a few more roots-rock albums under his belt… as well as a new one, Hearsay, that doesn’t fall into the same category. Full of old-school twang and classic storytelling, it’s the sound of an artist getting back to his roots.

I prefer his country/folk tinged stuff to his more heartland rock. Here is a first taste, the wonderful  I ain’t lonely (I’m just lonesome) from the new album Hearsay:

Continue reading Stephen Simmons live in Haugesund 20 Nov 2013

Video: The South covers Grateful Dead – Scarlet Begonias

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The South (Tou Scene, Stavanger 2013)

She had rings on her fingers and bells on her shoes.
And I knew without askin’ she was into the blues.
She wore scarlet begonias tucked into her curls,
I knew right away she was not like other girls, other girls.

This is a very fine interpretation of The Dead’s Scarlet Begonias. We’ve seen them do it live (they work it into Allman Brothers’ Jessica, it works!) and it is a fitting honor to The Grateful Dead. They have made it a bit more “swampy”, they have made their own original take on it. Here it is live in studio.

The South – Scarlet Begonias:

Let us include the original as a bonus.

The Grateful Dead – Scarlet Begonias (New Years eve, 1978):

– Hallgeir

Today: Live Rust by Neil Young and Crazy Horse was released in 1979

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Live Rust is a live album by Neil Young & Crazy Horse, recorded during his fall 1978 Rust Never Sleeps tour.

Live Rust composed of performances recorded at several venues, including the Cow Palace outside San Francisco. Young also directed a companion film, Rust Never Sleeps, under his directorial pseudonym “Bernard Shakey”, which consisted of footage from the Cow Palace  (Young had wanted to give the live album the same title, but Reprise vetoed the idea, fearing confusion with the earlier album, Rust Never Sleeps).

The CD version of the album was slightly edited to fit on a single compact disc, which were limited to 74 minutes at the time this album was first issued on CD. To adhere to the time limit, a little over one minute of the guitar solo “Cortez the Killer” was eliminated.

To take out a whole minute from one of those rare perfect songs, it is just wrong! …and it is the shortened version that is available on Spotify as well.

Cortez The Killer (with the entire solo!):

Live Rust repeat four songs from Rust Never Sleeps (album) and Neil Young was accused of releasing the same material over again (He had also released the compilation album Decade in 1977).

I like that he did release it and Live Rust is an excellent concert album, one of the best. He gave us a fantastic document from a great tour.

The album goes from slow, folksy tunes to raging rockers, Young’s versatility is astonishing.

.. and we don’t have those fucking goblins from the concert film running around.

Live Rust on Spotify:

– Hallgeir

Today: Van Morrison released His Band and the Street Choir in 1970

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“Why did you leave America
Why did you let me down,
And now that things seem better off,
Why do you come around,
You know I just can’t see you know,
In my new world crystal ball,
You know I just can’t free you now,
That’s not my job at all.”

– Van Morrison 

His Band and the Street Choir is another beautiful phase in the continuing development of one of the few originals left in rock. In his own mysterious way. Van Morrison continues to shake his head, strum his guitar and to sing his songs. He knows it’s too late to stop now and he quit trying to a long, long time ago. Meanwhile, the song he is singing keeps getting better and better.”

– John Landau, Rolling Stone Magazine (1971)

Continue reading Today: Van Morrison released His Band and the Street Choir in 1970