Tag Archives: Bob Dylan

February 1: Bob Dylan @ CBC TV Studios, Toronto 1964 (Video)

bob dylan quest 1964

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]Dylan records a half-hour program as part of the CBC-TV series “Quest.” The half a dozen songs he sings-“Talkin’ World War III Blues,” “Hard Rain’s a-Gonna Fall,” “Girl from the North Country,” “The Times They Are a-Chang in’,” “The Lonesome Death of Hattie Carroll,” and “Restless Farewell”-are all performed within the most incongruous of settings, a log cabin filled with working men pretending to pay attention.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)[/vc_message][/vc_column][/vc_row]

CBC TV Studios
Toronto, Ontario, Canada
1 February 1964
Produced by Daryl Duke.

  1. The Times They Are A-Changin’
  2. Talking World War III Blues
  3. The Lonesome Death Of Hattie Carroll
  4. Girl From The North Country
  5. A Hard Rain’s A-Gonna Fall
  6. Restless Farewell

Continue reading February 1: Bob Dylan @ CBC TV Studios, Toronto 1964 (Video)

Bob Dylan’s Best Songs: Isis

Redirecting to a newer version of this post….

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]I married Isis on the fifth day of May
But I could not hold on to her very long
So I cut off my hair and I rode straight away
For the wild unknown country where I could not go wrong

[about Isis] Hm… Well, it’s kind of like a journey, you know, like sort of a journey type trip. I wrote that with another person and I think half the verses were mine and half the verses were his, and it just sort of ended up being what it was. I don’t really know too much in depth what it would mean.
-Bob Dylan (Rockline Interview, Hollywood, California – June 17, 1985)[/vc_message][/vc_column][/vc_row]

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The only reason that ‘Isis’ was chosen as the song to work together on was that we were at my loft apartment and Bob didn’t have a guitar with him… but I had a piano, and ‘Isis’ was the one song that he had started to write on the piano… We are sitting at a piano together and we are writing these verses in an old Western ballad kinda style.
-Jacques Levy[/vc_message][/vc_column][/vc_row]

Vimeo:

Spotify:

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January 30:Bob Dylan Theatre du Grand Rex Paris, France – 1990 (audio)

bob dylan paris 1990_3

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]If the first night was energetic, the second is positively frenetic. The Parisians are rewarded for their enthusiasm with four songs from Oh Mercy.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)[/vc_message][/vc_column][/vc_row]

Theatre du Grand Rex
Paris, France
30 January 1990

  • Bob Dylan (vocal & guitar)
  • G. E. Smith (guitar),
  • Tony Garnier (bass)
  • Christopher Parker (drums)

Continue reading January 30:Bob Dylan Theatre du Grand Rex Paris, France – 1990 (audio)

Bob Dylan’s Best Songs: Tryin’ To Get To Heaven





[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The air is getting hotter
There’s a rumbling in the skies
I’ve been wading through the high muddy water
With the heat rising in my eyes
-Bob Dylan (Tryin’ To Get To Heaven)

Environment affects me a great deal,a lot of the songs were written after the sun went down. And I like storms, I like to stay up during a storm. I get very meditative sometimes, and this one phrase was going through my head: ‘Work while the day lasts, because the night of death cometh when no man can work. ‘ I don’t recall where I heard it. I like preaching, I hear a lot of preaching, and I probably just heard it somewhere. Maybe it’s in Psalms, it beats me. But it wouldn’t let me go. I was, like, what does that phrase mean? But it was at the forefront of my mind, for a long period of time, and I think a lot of that is instilled into this record.
-Bob Dylan – about “Time Out Of Mind” (to John Pareles, Sept 1997[/vc_message][/vc_column][/vc_row]

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]The life here is drained, vampire-like, from a whole slew of blues songs, it’s title probably taken from the American Folk Song “The Old Ark’s A-Moverin”.. This is “Blind Willie McTell” with a hangover, a picture of the old south, “riding in a buggy with Miss Mary-Jane” and shaking the sugar down.
There is an extraordinary harmonica break, like the best of Dylan, where it carries on the sense of the lyrics into a place where language no longer works.
-Brian Hinton (Bob Dylan Complete Discography)[/vc_message][/vc_column][/vc_row]

Studio version:

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Jan 25: Bob Dylan’s film Renaldo And Clara was released in 1978





Renaldo and Clara

Bob Dylan’s film Renaldo And Clara was released January 25, 1978

This nearly four-hour surrealist odyssey (232 m.)  is written, directed and starring Bob Dylan himself.

Directed by Bob Dylan
Produced by Mel Howard
Written by Bob Dylan, Sam Shepard
Starring Bob Dylan, Sara Dylan, Joan Baez
Music by Various artists
Cinematography Howard Alk, David Meyers, Paul Goldsmith
Editing by Bob Dylan, Howard Alk
Distributed by Circuit Films
Release date(s) January 25, 1978
Running time 232 minutes
Country United States
Language English

There is a myth about this film, it is considered to be incoherent and confusing, well, it isn’t. Every time I see it, it strikes me as a unified vision, one man’s vision, where he puts different kind of film stocks and styles together to create an entertaining and, yes, demanding movie.  The film is a mixture of fantastic concert footage, documentary style film (dealing with the Hurricane Carter case), and fictional, seemingly improvised  footage.

Never let me go:

Drawing structural and thematic influences from the classic  film Les Enfants du Paradis, Dylan infuses Renaldo and Clara with lots of shifting styles, tones, and narrative ideas. Similarities between the two films include the use of whiteface , the recurring flower, the woman in white (Baez), the on-stage and backstage scenes, and the dialogue of both films’ climactic scenes.

lesenfant_dylan

Also evident is the Cubist approach of the two films, allowing us to see the main characters from the different perspectives of various lovers. This also echoes some of the songs from this Dylan period (Simple twist of faith and Tangled up in blue coming to mind). Running time is also relatively similar.

It’s a free associating epic that feels pulled straight from Bob Dylan’s brain, Renaldo and Clara is a work of misunderstood genius.

Continue reading Jan 25: Bob Dylan’s film Renaldo And Clara was released in 1978