Hello darkness, my old friend
I’ve come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence
Continue reading June 6: Bob Dylan and Paul Simon – The Sound Of Silence, Colorado Springs, 1999
“Spanish is the Loving Tongue” is a song based on the poem “A Border Affair” written by Charles Badger Clark in 1907. Clark was a cowboy poet who lived throughout the American West, and was named the Poet Laureate of South Dakota in 1937. The poem was set to music in 1925 by Billy Simon. Over the years, the song was recorded by many top recording artists, including Bob Dylan, Ian and Sylvia, Tom Paxton, Judy Collins, Marianne Faithfull, Emmylou Harris, Michael Martin Murphey, and The Chad Mitchell Trio (under the name “Adios, mi Corazon”).
Continue reading Bob Dylan “Spanish is The Loving Tongue” – Three Great and One Awesome Version
Mama, take this badge off of me
I can’t use it anymore
It’s gettin’ dark, too dark for me to see
I feel like I’m knockin’ on heaven’s door
Knock, knock, knockin’ on heaven’s door
Knock, knock, knockin’ on heaven’s door
Knock, knock, knockin’ on heaven’s door
Knock, knock, knockin’ on heaven’s door
Continue reading June 4: Bob Dylan and Bono Knockin’ On Heaven’s Door live in Dublin 1989
Dylan prepares for his first European tour in 12 years with the first of seven dates at the Universal Amphitheatre. Dylan introduces two songs from his forthcoming album, “Baby Stop Crying” replacing “I Threw It all Away,” and “Senor” replacing “Don’t Think Twice, It’s Alright, Ma” Also introduced are the two arrangements that come in for such critical praise on his European visit, the torch ballad version of “Tangled Up in Blue” with just guitar, saxophone, and keyboard; and the hard-rock version of “Masters of War,” the fury of the backing for once matching the venom of the words. “Tangled Up in Blue” replaces a similar arrangement of”Girl from the North Country,” “Masters of War” replaces “Oh Sister.” The set’s finale is condensed down to: “The Man in Me,” “It’s Alright, Ma,” “Forever Young,” and a single encore, “The Times They Are a-Changin’.”
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
Continue reading June 1: Bob Dylan live at Universal Amphitheater, Los Angeles, California 1978
Dylan records two 35-minute TV programs for the BBC, which had outbid Granada for a Dylan TV special, only to then have a delay brought on by Dylan’s illness. During the rehearsals for the show, he tries an acoustic “Maggie’s Farm,” but decides not to attempt it for the shows. The BBC film one of the songs at rehearsal, “Mr. Tambourine Man,” but the footage is later destroyed. The two programs feature 12 songs, including three not featured in the then-current repertoire: “Ballad of Hollis Brown,” “One Too Many Mornings,” and “Boots of Spanish Leather.” Except for these three songs, the shows concentrate on newer material, featuring only “The Lonesome Death of Hattie Carroll” and “It Ain’t Me, Babe” from the first four albums.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995
..recording two half-hour TV shows for the BBC on June I; the twelve acoustic performances survive on audio but not videotape. The performances are fairly routine, uninspired, with the exception of “One Too Many Mornings” which is fresh and passionate. Dylan must have really felt a thousand miles behind by this point.
In hindsight, the BBC-TV filming was the last stand of Bob Dylan, folk star. When he arrived back in the States the Byrds’ version of “Mr. Tambourine Man” was at the top of the charts.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)