Tag Archives: George Harrison

The Beatles Seven records of Christmas

beatles

The Beatles Seven records of Christmas

From 1963 to 1969, the Beatles recorded and released seven special Christmas singles through their fan club. These were closer to “Monty Pythonesque”-comedy than their normal releases. The first ones are whimsical, cheery and thankful for their success, but later records are more esoteric. They reflect their development as a unit, the 1969 recording is four separate pieces.

Each recording was pressed onto a 7″ flexi disc and mailed free to the British members of the Fan Club.

beatles yule copy

The results are interesting curiosities for all  Beatles fans. A compilation album (with all the 7 singles) was released in 1971 and available from the fan club between 1970 and 1972. It was never released commercially, and most  copies are bootlegs.

Continue reading The Beatles Seven records of Christmas

August 1 in music history

August 1: The late Jerry Garcia was born in 1942 (read more)

There’s no way to measure his greatness or magnitude as a person or as a player. I don’t think eulogizing will do him justice. He was that great – much more than a superb musician with an uncanny ear and dexterity. He is the very spirit personified of whatever is Muddy River Country at its core and screams up into the spheres. He really had no equal. To me he wasn’t only a musician and friend, he was more like a big brother who taught and showed me more than he’ll ever know. There are a lot of spaces and advances between the Carter Family, Buddy Holly and, say, Ornette Coleman, a lot of universes, but he filled them all without being a member of any school. His playing was moody, awesome, sophisticated, hypnotic and subtle. There’s no way to convey the loss. It just digs down really deep.
~Bob Dylan (Jerry Garcia’s Obituary – 10 August 1995)

 jerry-garcia-1

 August 1: Bob Dylan & George Harrison: New York City, New York, 1971 (Videos) – post update (read more)

This was Dylan’s first live performance in two years. Harrison had to twist his arm to get him to take part in the benefit concert, and we can be very glad he did: it’s a stunning performance (both shows), modest, confident, richly textured, with Dylan feeling and communicating genuine love for the music he’s playing (in the case of” Blowin’ in the Wind” this was his first public performance of the song in seven years). Most of all, Dylan’s voice on this midsummer afternoon and evening has a rare, penetrating beauty that is immediately noticeable to almost anyone who hears it. This is, in a very real sense, the Dylan a large part of his audience dreams of hearing; this is the voice to fit the stereotyped or mythic image of Bob Dylan, guitar strumming poet laureate of the 1960s.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

 Bob Dylan & George Harrison 1971
 Ramblin’ Jack Elliott (born Elliot Charles Adnopoz, August 1, 1931) is an American folk singer and performer.

Allmusic (Craig Harris):
Ramblin’ Jack Elliott is one of folk music’s most enduring characters. Since he first came on the scene in the late ’50s, Elliott influenced everyone from Bob Dylan and Pete Seeger to the Rolling Stones and the Grateful Dead. The son of a New York doctor and a onetime traveling companion of Woody Guthrie, Elliott used his self-made cowboy image to bring his love of folk music to one generation after another. Despite the countless miles that Elliott traveled, his nickname is derived from his unique verbiage: an innocent question often led to a mosaic of stories before he got to the answer. According to folk songstress Odetta, it was her mother who gave Elliott the name when she remarked, “Oh, that Jack Elliott, he sure can ramble.”

 Ramblin+Jack+Elliott
 Robert Cray (born August 1, 1953, Columbus, Georgia, United States) is an American blues guitarist and singer. A five-time Grammy Award winner, he has led his own band, as well as an acclaimed solo career.  robert_cray.box
 “I’m a Boy” (Recorded 31 July – 1 August 1966 – IBC Studios in London, UK) is a 1966 rock song written by Pete Townshend for his band The Who. The song, like other early recordings by the band, such as “I Can’t Explain”, “The Kids Are Alright” and “Happy Jack”, centers around the early power pop genre. The song was originally intended to be a part of a rock opera called ‘Quads’ which was to be set in the future where parents can choose the sex of their children. The idea was later scrapped, but this song survived and was later released as a single.  I'm_a_Boy_single

Spotify Playlist – August 1

50 years ago today: A Hard Days Night by The Beatles was released


A_Hard_Day's_Nigth

“We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

HDN

In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

“…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”

– Tom Ewing, Pitchfork

Continue reading 50 years ago today: A Hard Days Night by The Beatles was released

The Beatles 40 best songs: at 23 “Love Me Do”


Tollie9008Sleeve1

Love Me Do” is the Beatles‘ first single, backed by “P.S. I Love You“. When the single was originally released in the United Kingdom on 5 October 1962, it peaked at No. 17; in 1982 it was re-promoted (not re-issued, retaining the same catalogue number) and reached No. 4. In the United States the single was a No. 1 hit in 1964. In 2012, the song entered the public domain in Europe. This was my first encounter with The Beatles, I got the single from an aunt (still have it!). Love Me Do was the best song in the world for me for many years and I still love it!

It was written as early as 1958:

Paul wrote the main structure of this when he was 16, or even earlier. I think I had something to do with the middle.”

“Love Me Do is Paul’s song. He wrote it when he was a teenager. Let me think. I might have helped on the middle eight, but I couldn’t swear to it. I do know he had the song around, in Hamburg, even, way, way before we were songwriters.”
– John Lennon

But Paul remembers it a bit different:

“Love Me Do’ was completely co-written. It might have been my original idea but some of them really were 50-50s, and I think that one was. It was just Lennon and McCartney sitting down without either of us having a particularly original idea. We loved doing it, it was a very interesting thing to try and learn to do, to become songwriters. I think why we eventually got so strong was we wrote so much through our formative period.

Love Me Do was our first hit, which ironically is one of the two songs that we control, because when we first signed to EMI they had a publishing company called Ardmore and Beechwood which took the two songs, ‘Love Me Do’ and P.S. I Love You, and in doing a deal somewhere along the way we were able to get them back”
– Paul McCartney

Continue reading The Beatles 40 best songs: at 23 “Love Me Do”

May 30 in Music History

Today: Bob Dylan released Down In The Groove 26 years ago (read more)

Down in the Groove is the twenty-fifth studio album by American singer-songwriter Bob Dylan, released on May 30, 1988 by Columbia Records.

A highly collaborative effort, it was Dylan’s second consecutive album to receive almost unanimous negative reviews. Released during a period when his recording career was experiencing a slump, sales were disappointing, reaching only #61 in the US and #32 in the UK.

Bob_Dylan_Down_In_The_Groove
 Benjamin David “Benny” Goodman (May 30, 1909 – June 13, 1986) was an American jazz and swing musician, clarinetist and bandleader; widely known as the “King of Swing”.
In the mid-1930s, Benny Goodman led one of the most popular musical groups in America. His January 16, 1938 concert at Carnegie Hall in New York City is described by critic Bruce Eder as “the single most important jazz or popular music concert in history: jazz’s ‘coming out’ party to the world of ‘respectable’ music.”
 benny goodman
 Nicholas Bowen “Topper” Headon (born 30 May 1955), known as “Topper” due to his resemblance to Mickey the Monkey from the Topper comic, is a British rock and roll drummer, best known for his membership in the punk rock band The Clash. He is commonly recognised as the most inspirational and technically inventive punk rock drummer of the late 1970s and early 1980s. Writing for Allmusic Greg Pato stated that record producer Sandy Pearlman dubbed Headon as “The Human Drum Machine”, due to his impeccable timing and drumming skills.  Topper headon
 Living in the Material World (released 30 May 1973 (US)) is the fourth studio album by English musician George Harrison, released in 1973 on Apple Records. As the follow-up to 1970’s critically acclaimed All Things Must Pass and his pioneering charity project, the Concert for Bangladesh, it was among the most highly anticipated releases of that year. The album was certified gold by the Recording Industry Association of America two days after release, on its way to becoming Harrison’s second number 1 album in the United States, and produced the international hit “Give Me Love (Give Me Peace on Earth)”. It also topped albums charts in Canada and Australia, and reached number 2 in Britain.  LITMW_album_cover_(clean)
 Mermaid Avenue Vol. II (released 30 May 2000) is a album of previously unheard lyrics written by American folk singer Woody Guthrie, put to music written and performed by British singer Billy Bragg and American band Wilco. It continues the project originally conceived by Guthrie’s daughter, Nora Guthrie which resulted in the release of Mermaid Avenue in 1998. Both volumes were collected in a 2012 box set along with volume three as Mermaid Avenue: The Complete Sessions.  Mermaid2

Spotify Playlist – May 30