Classic song: Bob Dylan & Joan Baez Never Let Me Go (Johnny Ace)
Just let me love you tonight.
Forget about tomorrow.
My darling, won’t you hold me tight,
And never let me go.
Dry your eyes, no tears, no sorrow.
Cling to me with all your might,
And never let me go.
The music of the late ‘50s and early ‘60s when music was at that root level—that for me is meaningful music. The singers and musicians I grew up with transcend nostalgia—Buddy Holly and Johnny Ace are just as valid to me today as then.
~Bob Dylan (to Maureen Orth, Jan 1974)
Then later I got to Woody Guthrie, which opened up a whole new world at the time. I was still only 19 or 20. I was pretty fanatical about what I wanted to do, so after learning about 200 of Woody’s songs, I went to see him and I waited for the right moment to visit him in a hospital in Morristown, New Jersey.
~Bob Dylan (to Ron Rosenbaum, Nov 1977)
Today is Woody Guthrie’s Birthday. Here are seven songs of his which Bob Dylan covers.
Ramblin’ Round Unidentified coffehouse
Ramblin’ around your city,
Ramblin’ around your town,
I never see a friend I know
As I go ramblin’ ’round boys,
As I go ramblin’ ’round.
OLD post … You’re being redirected to a newer version……
Joan Baez was born in 1941 Happy Birthday
And Joan Baez means more to me than 100 of these singers around today. She’s more powerful. That’s what we’re looking for. That’s what we respond to. She always had it and always will, power for the species, not just for a select group.
~Bob Dylan (to Neil Hickey, Sept. 1976)
“I’ve never had a humble opinion. If you’ve got an opinion, why be humble about it?”
― Joan Baez
I went to jail for 11 days for disturbing the peace; I was trying to disturb the war.
~Joan Baez (Pop Chronicles interview – 1967)
The Best Dylan Covers: Joan Baez – Farewell Angelina
“Farewell Angelina” is a song written by Bob Dylan in the mid-1960s, and recorded by Joan Baez.
Dylan attempted to record “Farewell Angelina” only once, during the first session for his 1965 album Bringing it All Back Home, and he abandoned all attempts to record the song again. Dylan’s one recording of the song was eventually issued in 1991 on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991.
Joan Baez included this song on her 1965 album Farewell Angelina. In the UK the song was issued at the same time as a single. Baez’s version, though only about half as long as Dylan’s recording, was very similar in structure and showed her moving away from pure folk music with the use of string bass accompaniment.
I love the “Appalachian feel” that Baez evokes in her interpretation.