One of the greatest albums ever…
The Beatles had initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind.
~Ian MacDonald (Revolution in the Head: The Beatles’ Records and the Sixties)
Check out: August 5: The Beatles released “Revolver” in 1966
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There are many fine cover versions of the songs from this album.
Here are some of my favorites:
Continue reading The Beatles: Revolver covered →
“twice as good and four times as startling as Rubber Soul, with sound effects, Oriental drones, jazz bands, transcendentalist lyrics, all kinds of rhythmic and harmonic surprises, and a filter that made John Lennon sound like God singing through a foghorn.”
~Robert Christgau
The Beatles had initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind.
~Ian MacDonald (Revolution in the Head: The Beatles’ Records and the Sixties)
….. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.
~Stephen Thomas Erlewine (allmusic.com)
Released |
5 August 1966 |
Recorded |
6 April – 21 June 1966,
EMI Studios, London |
Genre |
Rock, psychedelic rock |
Length |
35:01 |
Label |
Parlophone (UK), Capitol (US) |
Producer |
George Martin |
Continue reading August 5: The Beatles released “Revolver” in 1966 →
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August 5: The Beatles released “Revolver” in 1966 (read more)
The Beatles had initiated a second pop revolution – one which while galvanising their existing rivals and inspiring many new ones, left all of them far behind.
~Ian MacDonald (Revolution in the Head: The Beatles’ Records and the Sixties)
….. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.
~Stephen Thomas Erlewine (allmusic.com)
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Sammi Smith (August 5, 1943 – February 12, 2005) was an American country music singer and songwriter. Born Jewel Faye Smith, she is best known for her 1971 country/pop crossover hit, “Help Me Make It Through the Night”, which was written by Kris Kristofferson. She became one of the few women in the outlaw country movement during the 1970s. |
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Luther Monroe Perkins (January 8, 1928 – August 5, 1968) was an American country music guitarist and a member of the Tennessee Three, the backup band for singer Johnny Cash. Perkins was an iconic figure in what would become known as rockabilly music. His creatively simple, sparsely-embellished, rhythmic use of Fender Esquire, Jazzmaster and Jaguar guitars is credited for creating Cash’s signature “boom-chicka-boom” style. |
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The Stooges is the self-titled debut studio album by American rock band The Stooges, released 5 August 1969 on Elektra Records. Two songs, “I Wanna Be Your Dog” and “1969”, were released as singles and the album peaked at #106 on the Billboard album charts. It is widely considered one of the best proto-punk albums. With Ron Asheton’s walls of distortion, and distorted wah wah solos, textures and power chord riffs, it is also considered to have had an impact on hard rock. |
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On August 5, 1951, after a Sonny Boy Williamson II recording session, Elmore James recorded “Dust My Broom” at Ivan Scott’s Radio Service Studio in Jackson, Mississippi. James, who provided the vocals and amplified slide guitar, is accompanied by Williamson on harmonica, Leonard Ware on bass, and Frock O’Dell on drums. The recording studio had not made the transition to tape technology, so the group was recorded direct-to-disc using one microphone. It was the only song recorded by James; Trumpet’s McMurray felt that his other songs were not suitable for recording |
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Spotify Playlist – August 5
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“I had discovered I was paying a huge amount of money to the taxman. You are so happy that you’ve finally started earning money – and then you find out about tax.
In those days we paid 19 shillings and sixpence (96p) out of every pound, and with supertax and surtax and tax-tax it was ridiculous – a heavy penalty to pay for making money. That was a big turn-off for Britain. Anybody who ever made any money moved to America or somewhere else.”
– George Harrison (Anthology)
Wikipedia:
“Taxman” |
Song by the Beatles from the album Revolver |
Released |
5 August 1966 |
Recorded |
20–22 April, 16 May
and 21 June 1966,
EMI Studios, London |
Genre |
Hard rock, psychedelic
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Length |
2:39 |
Label |
Parlophone |
Writer |
George Harrison |
Producer |
George Martin |
“Taxman” is a song written by George Harrison released as the opening track on the Beatles’ 1966 album Revolver. Its lyrics attack the high levels of progressive tax taken by the British Labour government of Harold Wilson.
The Beatles – Taxman:
Continue reading The Beatles 40 best songs: at 38 “Taxman” →
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