All posts by Hallgeir

December 1: Bob Dylan live in Toronto, Canada 1975

bob dylan toronto 1975

The evening show is at Toronto’s Maple Leaf Gardens. In a terrific 22- song set, Dylan does a three-song solo spot that includes the first 197 5 version of “It’s All Over Now, Baby Blue.” Dylan’s mother, Beatty, joins her son on stage for the encore.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Maple Leaf Gardens
Toronto, Ontario, Canada
1 December 1975

  • Bob Dylan (vocal, guitar)
  • Bob Neuwirth (guitar)
  • T-bone J. Henry Burnett (guitar)
  • Roger McGuinn (guitar)
  • Steven Soles (guitar)
  • Mick Ronson (guitar)
  • David Mansfield (steel guitar, violin, mandolin ,dobro)
  • Rob Stoner (bass)
  • Howie Wyeth (piano, drums)
  • Luther Rix (drums, percussion)
  • Ronee Blakeley (vocal)

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Bob Dylan Covers: Johnny Cash and June Carter Cash – It Ain’t Me, Babe

johnny and June

The Best Dylan Covers: Johnny Cash and June Carter Cash – It Ain’t Me, Babe

It Ain’t Me Babe is a song by Bob Dylan that originally appeared on his fourth album Another Side of Bob Dylan, which was released in 1964. According to music critic Oliver Trager, this song, along with others on the album, marked a departure for Dylan as he began to explore the possibilities of language and deeper levels of the human experience.

Bob_Dylan_-_Another_Side_Of_Bob_Dylan

Within a year of its release, the song was picked up as a single by artists who were forging the folk rock movement, including The Turtles ,The Byrds and Johnny Cash with June Carter Cash.

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November 29: Bob Dylan – Third (last) session for John Wesley Harding 1967

bob-dylan-john-wesley-harding-1967

JW: John Wesley Harding – why did you call the album that?
BD: We… I called it that because I had that song John Wesley Harding. It didn’t mean anything to me. I called it that, Jann, ‘cause I had the song John Wesley Harding, which started out to be a long ballad. I was gonna write a ballad on… Like maybe one of those old cowboy… You know, a real long ballad. But in the middle of the second verse, I got
tired. I had a tune, and I didn’t want to waste the tune, it was a nice little melody, so I just wrote a quick third verse, and I recorded that. But it was a silly little song….
~Bob Dylan to Jann Wenner November 29, 1969

This quiet masterpiece, which manages to sound both authoritative and tentative (a mix that gave it a highly contemporary feel), is neither a rock nor a folk album—and certainly isn’t folk-rock. It isn’t categorisable at all.
~Michael Gray (The Bob Dylan Encyclopedia)

47 years ago Bob Dylan entered Columbia Studio A, Nashville Tennessee tempting his third (and final) recording session for “John Wesley Harding”.

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November 29: Bob Dylan released Real Live in 1984

bob dylan real live

Martha Quinn: Will this tour help you reach a new generation?
Bob Dylan: I don’t reach anybody. They find me. They find me. It’s not for me to go out and reach
somebody. If they can find me, they find me, and if they don’t, they don’t. That’s the
way it’s always been. I don’t think it’s gonna change now just because I’m such an old
man and it’s nineteen-eighty… what is it?
– Martha Quinn interview for MTV, backstage Wembley Stadium, 7 July 1984

Highway 61 Revisited (video from Wembley, London – Real Live performance):

Wikipedia:

Released November 29, 1984
Recorded mid-1984
Genre Hard rock
Length 50:15
Label Columbia
Producer Glyn Johns

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The best songs: Bob Dylan’s Call Letter Blues

Bob Dylan call letter blues

The children cry for mother
I tell ’em, “Mother took a trip.”
Well, the children cry for mother
I tell ’em, “Mother took a trip.”
Well, I walk on pins and needles
I hope my tongue don’t slip.
~Bob Dylan (Call Letter Blues)

Such self-consciously autobiographical imagery probably told for it in the end. I just can’t imagine Dylan releasing the line ‘Children ask for mother, I tell ’em mother took a trip’ into the world back in 1974. But at least he got as far recording this one with Weissberg’s band on that first night, cutting it in three takes, before deciding that he would rather replace it with an entirely fanciful morning blues, a.k.a. ‘Meet Me In The Morning’. The tune, he kept. Literally. As the 1991 release of ‘Call Letter Blues’ fully revealed.
~Clinton Heylin (Still on the Road: The Songs of Bob Dylan Vol. 2, . 1974-2008)

Spotify:

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