but I don’t stand missed
but you’re the one
oh you’re the child
I’m a-trustin’ you
to trust me down
just trust me too
-from “Angel of rain”
One of three new originals Dylan was threatening to play on his 1984 tour of European stadiums, this gorgeous song was worked on a number of times at pre-tour rehearsals, of which recordings remain, but was never performed or recorded at the post-tour sessions in New York.
– Clinton Heylin (The gems that Bob Dylan discarded – The Telegraph)
There was one beautiful song he played occasionally that he’d never recorded and never [fully) rehearsed with us either. It was a tricky little number, we never knew the title, but he’d launch into it from time to time, leaving us totally in the dark.
-Ian McLagen (Keyboard player – 1984 Europe tour)
“No, I don’t belong to her, I don’t belong to anybody
She’s my Christ forsaken angel but she don’t hear me cry
She’s a lone hearted mystic and she can’t carry on
When I’m there she’s alright but then she’s not when I’m gone” -from “I´m Not There”
There are times you just pick up an instrument—something will come . . . some kind of wild line will come into your head and you’ll develop that. If it’s a tune on the piano or guitar . . . you’ll write those words down. And they might not mean anything to you at all, and you just go on. . . . Now, . . . if I do it, I just keep it for myself. So I have a big lineup of songs which I’ll never use.
—Dylan, Sing Out! June 1968
“..a statement that maybe you can say to make yourself feel better… as if you were talking to yourself.”
– Nat Hentoff (liner notes)
“Don’t Think Twice, It’s All Right” is a song written by Bob Dylan in 1962, recorded on November 14 that year, and released on the 1963 album The Freewheelin’ Bob Dylan and as a single.
“It’s hard to overestimate the importance of The Freewheelin’ Bob Dylan, the record that firmly established Dylan as an unparalleled songwriter, one of considerable skill, imagination, and vision. At the time, folk had been quite popular on college campuses and bohemian circles, making headway onto the pop charts in diluted form, and while there certainly were a number of gifted songwriters, nobody had transcended the scene as Dylan did with this record…”
– Stephen Thomas Erlewine (Allmusic.com)