“Space Oddity” is a song written and performed by David Bowie and released as a music single in 1969. It is about the launch of Major Tom, a fictional astronaut; its title alludes to the film 2001: A Space Odyssey, released the previous year. Incidentally, the protagonist of the film is called David Bowman. The lyrics have also been seen to lampoon the failed British space programme.The song appears on the album David Bowie (also known as Space Oddity). The BBC featured the song in its television coverage of the Apollo 11 launch and lunar landing, which took place in the days following the release of the song.
Following recording of a fresh version, the single was rush-released on 11 June 1969 to coincide with the Apollo 11 moon landing.It was promoted via advertisements for the Stylophone, played by Bowie on the record. Although they initially refused to give the song airplay, the BBC played it during their coverage of the Apollo 11 launch and lunar landing. This exposure finally gave Bowie a hit, reaching #5 in the chart. In the U.S, it stalled at 124.
Chester Arthur Burnett (June 10, 1910 – January 10, 1976), known as Howlin’ Wolf, was an influential American blues singer, guitarist and harmonica player.
With a booming voice and looming physical presence, Burnett is commonly ranked among the leading performers in electric blues; musician and critic Cub Koda declared, “no one could match Howlin’ Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits.” A number of songs written or popularized by Burnett—such as “Smokestack Lightnin’“, “Back Door Man“, “Killing Floor” and “Spoonful“—have become blues and blues rock standards.
At 6 feet, 6 inches (198 cm) and close to 300 pounds (136 kg), he was an imposing presence with one of the loudest and most memorable voices of all the “classic” 1950s Chicago blues singers. This rough-edged, slightly fearsome musical style is often contrasted with the less crude but still powerful presentation of his contemporary and professional rival, Muddy Waters. Howlin’ Wolf, Sonny Boy Williamson (Rice Miller), Little Walter Jacobs, and Muddy Waters are usually regarded in retrospect as the greatest blues artists who recorded for Chess in Chicago. Sam Phillips once remarked, “When I heard Howlin’ Wolf, I said, ‘This is for me. This is where the soul of man never dies.‘” In 2004, Rolling Stone magazine ranked him #51 on their list of the “100 Greatest Artists of All Time”.
This might not be the best idea for a list, I know. We here @ JV don’t write about music we don’t like. But this is different, this is my fav artist..by far, and the 5 worst Bob Dylan albums still contains much great music. A bad Dylan album might still be a good album.
It’s always easy to write negative critique, but I chose not to comment on the 5 albums on the list… except highlighting the best song/songs.
To set the record strait: on my “all time greatest albums” list I have 3 Dylan records @ top 3:
Blonde On Blonde
Highway 61 Revisited
Blood On The Tracks
Exile on Main St. – The Rolling Stones
Born To Run – Bruce Springsteen
My rules: I’ve excluded Greatest Hits/Best of albums, but bootleg series & live albums are in. And Christmas in the Heart is also excluded from this “competition”, it’s not really a Dylan album after all.
Then we are down to 52 albums.. and here are the worst:
Best Songs: Highway 61 Revisited, Masters of War & Tombstone Blues
Here is a spotify playlist with the best songs from the worst albums:
(PS – I did not find “Dylan” on spotify… hence the missing “Mr. Bojangles”)
4 runners up:
Knocked Out Loaded (1986)
remove Brownsville Girl and it might be the very worst
Bob Dylan at Budokan (1979)
ok in small portions and contains a great Is Your Love In Vain
the tame & toothless sound nearly kills it off, still it contains some really good songs: Saved, Solid Rock, In The Garden,..
Empire Burlesque (1985)
with typical bad 80’s production (horrible drum sound), and leaving best versions of key songs in the studio. This one also have some strong songs: Emotionally Yours, Dark Eyes & Tight Connection To My Heart
Prince (born Prince Rogers Nelson; June 7, 1958) is an American singer, songwriter, musician, and actor. Prince has produced ten platinum albums and thirty Top 40 singles during his career. Prince founded his own recording studio and label; writing, self-producing and playing most, or all, of the instruments on his recordings. In addition, Prince has been a “talent promoter” for the careers of Sheila E., Carmen Electra, The Time and Vanity 6, and his songs have been recorded by these artists and others (including Chaka Khan, The Bangles, Sinéad O’Connor, and even Kim Basinger). He also has several hundred unreleased songs in his “vault”.
Earning 33 nominations, Prince has won seven Grammys. He also has had two albums − 1999 and Purple Rain − awarded the Grammy Hall of Fame Award.
1985 – Purple Rain – Best Rock Performance by a Duo or Group with Vocal
1985 – Purple Rain – Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media
1985 – I Feel You – Best R&B Song
1987 – Kiss – Best R&B Performance by a Duo or Group with Vocal
2005 – Call My Name – Best Male R&B Vocal Performance
2005 – Musicology – Best Traditional R&B Vocal Performance
2008 – Future Baby Mama – Best Male R&B Vocal Performance
John Adam Estes (January 25, 1899 – June 5, 1977), best known as Sleepy John Estes or Sleepy John, was a American blues guitarist, songwriter and vocalist, born in Ripley, Lauderdale County, Tennessee.
Despite the fact that he performed for mixed black and white audiences in string band, jug band, and medicine show formats, his music retains a distinct ethnicity and has a particularly plaintive sound. Astonishingly, he recorded during six decades for Victor, Decca, Bluebird, Ora Nelle, Sun, Delmark, and others. Over the course of his career, his music remained simple yet powerful, and despite his sojourns to Memphis and Chicago he retained a traditional down-home sound. Some of his songs are deeply personal statements about his community and life, such as “Lawyer Clark” and “Floating Bridge.” Other compositions have universal appeal (“Drop Down Mama” and “Someday Baby”) and went on to become mainstays in the repertoires of countless musicians. One of the true masters of his idiom, he lived in poverty, yet was somehow capable of turning his experiences and the conditions of his life into compelling art. — Barry Lee Pearson