All posts by Hallgeir

Video of the day: Hotel California LA from the Byrds to the Eagles BBC documentary


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First broadcast on 27 May 2007
Produced and Directed by Chris Wilson

The music and mythology of a golden era in the culture of California is explored in this feature-length documentary.

At the start of the 1960s Los Angeles was a kooky backwater, barely visible on the musical map. By the end of the 1970s it was the artistic and industrial hub of the American music industry. This film explores how the socially-conscious folk rock of young hippies with acoustic guitars was transformed into the coked-out stadium excesses of the late 70s, and the biggest-selling album of all time.

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Alongside never before seen archive footage, the programme features first-hand accounts of the key figures including musicians, David Crosby, Graham Nash, JD Souther, Bernie Leadon, Bonnie Raitt, Andrew Gold, Mark Volman and Van Dyke Parks, and music industry bosses, David Geffen, Jac Holzman, Ron Stone and Peter Asher, and legendary LA scenesters including Henry Diltz, Pamela Des Barres and Ned Doheny.

Set amongst the sun-dappled porches of Laurel Canyon and perched above LA’s iconic Sunset Strip, this is an epic tale of drugs, genius and greed – all set to a terrific soundtrack.

This fascinating documentary from BBC4, Hotel California: LA from The Byrds to The Eagles charts the evolution of the Southern California/Laurel Canyon rock scene of the sixties thru the seventies. … but it is also the sad story of the transformation into a corporate and money-driven scene in a relatively brief period of time.The film is very blunt in presenting criticisms of the Eagles from a number of different musicians for their approach to music.

David Crosby: “They’re boring, they take no chances, ever!”

It is based on Barney Hoskin’s book of the same name.

Hotel California L.A. from the Byrds to the Eagles BBC documentary:

– Hallgeir

June 4 in music history

30 year anniversary for Bruce Springsteen’s Born in the USA (read more)

Born in the U.S.A. is the seventh studio album by  Bruce Springsteen, it was released on June 4, 1984. A critical and commercial triumph, it found Springsteen marking a departure in his sound.

While the predecessor, the dark and acoustic Nebraska featured songs of pessimism and isolation, Born in the U.S.A.’s lyrics expressed signs of hope in the daily fight of the standard American in following the American Dream, a new feeling complemented by synthesized arrangements and a pop-flavored, radio-oriented sound that helped Springsteen to extend his popularity and appeal to mainstream audiences.

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45 year anniversary for Johnny Cash’s Live at San Quentin (read more)

At San Quentin is the 31st overall album and a recording of a live concert given by Johnny Cash to the inmates of San Quentin State Prison. As well as being released on record the concert was filmed by Granada Television.

The album was a follow-up to Cash’s previous live album, the critically acclaimed and commercially successful At Folsom Prison.

On the original LP release, the song order was changed and several songs were cut, probably for space reasons. Despite the title of the version released on CD in 2000 – At San Quentin (The Complete 1969 Concert) – the CD does not contain the entire concert uncut, but does feature additional tracks and running order that parallels the actual set list.

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The Ballad of John and Yoko” released Jun 4, 1969, in the US (May 30 in the UK)

a song written by John Lennon, attributed to Lennon–McCartney as was the custom, and released by the Beatles as a single in May 1969. The song, chronicling the events surrounding Lennon’s marriage to Yoko Ono, was the Beatles’ 17th and final UK number one single

The song was recorded without George Harrison (who was on holiday) and Ringo Starr (who was filming The Magic Christian). In his biography, McCartney recalls that Lennon had a sudden inspiration for the song and had suggested that the two of them should record it immediately, without waiting for the other Beatles to return. Reflecting this somewhat unusual situation, the session recordings include the following exchange:

 

Lennon (on guitar): “Go a bit faster, Ringo!”
McCartney (on drums): “OK, George!”

 

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Kasey Chambers (born 4 June 1976)

Australian country singer-songwriter. She is the daughter of steel guitar player Bill Chambers, and the sister of musician and producer Nash Chambers.

Chambers was born in Mount Gambier, South Australia. She grew up on the Nullarbor Plain where her family lived seven to eight months a year until 1986.

In late 2005, Chambers married Australian singer-songwriter Shane Nicholson.

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Oliver Edward Nelson (June 4, 1932 in St. Louis, Missouri – October 28, 1975)

American jazz saxophonist, clarinetist,arranger and composer.Oliver Nelson was a distinctive soloist on alto, tenor, and even soprano, but his writing eventually overshadowed his playing skills. He became a professional early on in 1947, playing with the Jeter-Pillars Orchestra and with St. Louis big bands headed by George Hudson and Nat Towles. In 1951, he arranged and played second alto for Louis Jordan‘s big band, and followed with a period in the Navy and four years at a university. After moving to New York, Nelson worked briefly with Erskine HawkinsWild Bill Davis, and Louie Bellson (the latter on the West Coast). In addition to playing with Quincy Jones’ orchestra (1960-1961), between 1959-1961 Nelson recorded six small-group albums and a big band date; those gave him a lot of recognition and respect in the jazz world. Blues and the Abstract Truth (from 1961) is considered a classic and helped to popularize a song that Nelson had included on a slightly earlier Eddie “Lockjaw” Davis session, “Stolen Moments.” He also fearlessly matched wits effectively with the explosive Eric Dolphy on a pair of quintet sessions. But good as his playing was, Nelson was in greater demand as an arranger, writing for big band dates of Jimmy SmithWes Montgomery, and Billy Taylor, among others. By 1967, when he moved to Los Angeles, Nelsonwas working hard in the studios, writing for television and movies. He occasionally appeared with a big band, wrote a few ambitious works, and recorded jazz on an infrequent basis, but Oliver Nelson was largely lost to jazz a few years before his unexpected death at age 43 from a heart attack.
-Scott Yanow (allmusic)

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James ‘Jimmy’ McCulloch (4 June 1953 – 27 September 1979)

Scottish musician and songwriter best known for playing lead guitar in Paul McCartney’s Wings from 1974 to 1977. McCulloch was a member of the Glasgow psychedelic band One in a Million (formerly known as The Jaygars), Thunderclap Newman, and Stone the Crows.[1] He also made appearances on many albums, including John Entwistle’s Whistle Rymes in 1972, as lead guitarist playing alongside Peter Frampton on “Apron Strings” and “I Feel Better”; and onRoy Harper’s album, Bullinamingvase, and Ricci Martin’s album, Bleached, both in 1977. McCulloch also played guitar on Roger Daltrey’s album One of the boys which was released in 1977. McCulloch was a friend of The Who and a member of the band Thunderclap Newman, which was created and produced by his mentor Pete Townshend.

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Ronald Frederick “Ronnie” Lane (1 April 1946 – 4 June 1997)

English musician, songwriter, and producer who is best known as the bass guitarist and founding member of two prominent English rock and roll bands: Small Faces where he was nicknamed “Plonk” (1965–69), and, after losing the band’s frontman, Faces, with two new members added to the line-up, (from the Jeff Beck Group), who dubbed him “Three-Piece” (1969–73). It was for his work in both Small Faces and Faces that Lane was inducted posthumously into theRock and Roll Hall of Fame in 2012.

Subsequently Lane collaborated with other musicians, leading his own bands as well as pursuing a solo career while remaining close to his former bandmates. In the late 1970s he was diagnosed with multiple sclerosis and, despite charity projects and financial support from friends, former bandmates and fans, Lane, after suffering from the disease for 21 years, died at 51.

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Spotify Playlist – June 4:

Video of the day: The Joy of Country music BBC documentary

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This celebration of the history and aesthetic of country music tracks the evolution of the genre from the 1920s to the present, exploring country as both folk and pop music – a 20th century soundtrack to the lives of working-class Americans in the South, forever torn between their rural roots and a mostly urban future, between authenticity and showbiz.

Exploring many of the great stars of country from Jimmie Rodgers and Hank Williams to Johnny Cash and Dolly Parton, director Andy Humphries’s meditation on the power and pull of country blends brilliant archive and contributions from a broad cast that includes Dolly Parton, the Handsome Family, Laura Cantrell, Hank Williams III, Kd lang and many more.

If you have ever wondered about the sound of a train in the distance, the keening of a pedal steel guitar, the lure of rhinestone or the blue Kentucky hills, and if you want to know why twang matters, this is the documentary for you.

The film is a bit harsh when discussing the future of country music, but it is one of the better docus on the genre (the four part BBC series, The Lost Highway is still the benchmark).

– Hallgeir

June 03 in music history

Today: The late Curtis Mayfield was born in 1942 – 72 years ago (Read more)

Curtis Lee Mayfield (June 3, 1942 – December 26, 1999)  is best known for his anthemic music with The Impressions during the Civil Rights Movement of the 1960s and for composing the soundtrack to the blaxploitation film Super Fly, Mayfield is highly regarded as a pioneer of funk and of politically conscious African-American music. He was also a multi-instrumentalist who played the guitar, bass, piano, saxophone, and drums.

Curtis Mayfield’s songwriting and his distinct guitar playing have influenced a lot of artists.

Bob Dylan played Mayfield’s People Get Ready , and it is obvious he liked Curtis Mayfield’s work . The Impressions’s Keep On Pushing, the album, is on the Bringing It All Back Home cover.

Photo: David Reed
Photo: David Reed

Signed, Sealed, Delivered I’m Yours” is a soul single by Stevie Wonder, recorded for Motown’s Tamla label. Released June 3, 1970, the song spent six weeks at number one on the U.S. R&B chart and peaked at number three on the U.S. Pop chart. In the same year, the song was also released on the album Signed, Sealed & Delivered.

The song was a series of firsts for the 20-year-old Wonder: “Signed, Sealed, Delivered I’m Yours” was the first single Wonder produced on his own, and was also the first to feature his female backup singing group composed of Lynda Tucker Laurence (who went on to become a member of The Supremes),Syreeta Wright (who also co-wrote the song), and Venetta Fields.

During a 2008 appearance on Friday Night with Jonathan Ross, he credited the song title and chorus “signed, sealed, delivered, I’m yours” to his mother Lula, who exclaimed the words after listening to her son experiment with the melody. This song also marked Wonder’s first Grammy nomination.

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Memphis Minnie (June 3, 1897 – August 6, 1973)

American blues guitarist, vocalist and songwriter. She was the only female blues artist considered a match to male contemporaries as both a singer and an instrumentalist.

She recorded around 200 songs, some of the best known being “Bumble Bee”, “Nothing in Rambling”, and “Me and My Chauffeur Blues“. Her performances and songwriting made her well known in a genre dominated mostly by men. She died on August 6, 1973, in Memphis, Tennessee.

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Ian Hunter Patterson, (born 3 June 1939)English singer-songwriter who is best known as the lead singer of the English rock band Mott the Hoople from its inception in 1969 to its dissolution in 1974, and at the time of its 2009 reunion. Hunter was a musician and songwriter before joining Mott The Hoople, and continued in this vein after he left the band.Mott The Hoople achieved a certain level of commercial success, and attracted a small but devoted fan base. As a solo artist, Hunter charted with lesser-known but more wide-ranging works outside of the rock mainstream. His best-known solo records are “Once Bitten, Twice Shy” and “Cleveland Rocks” 800px-Ian_Hunter2009
William Norris “Billy” Powell (June 3, 1952 – January 28, 2009) American musician. He was the longtime keyboardist of Southern rock band Lynyrd Skynyrd, from 1970 until his death in 2009. 

Billy remained a member of the Skynyrd crew (as a roadie) for two years (which included, amongst the grittier shows, highlights such as Skynyrd landing a support slot for Leslie West’s “Mountain”) In his second year with them, 1972, Skynyrd played one particular gig, a show at the Bolles school prom. After his usual routine working with Kevin Elson, Billy had time to rest for a short while. In the corner he spotted a piano, so Billy went over and sat down with it. Just fooling around, Billy launches into his piano based version of Freebird for the boys in the band to listen to. Ronnie, astonished at his roadie’s hitherto secret ability said ‘You mean to tell me, you’ve been playing the piano like that and you’ve been workin’ for us for a year….’. Billy replied, “Well, you know, I’ve been classically trained most of my life.’ He was then told Skynyrd were looking for a keyboard man, and Billy was in!

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Koko Taylor, sometimes spelled KoKo Taylor (September 28, 1928 – June 3, 2009)American Chicago blues singer, popularly known as the “Queen of the Blues.” She was known primarily for her rough, powerful vocals and traditional blues stylings.  220px-KokoTaylor2006

Spotify Playlist – June 03:

Video of the day: Can Blue Men Sing The Whites BBC documentary

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Blues Britannia: Can Blue Men Sing The Whites?

Documentary telling the story of what happened to blues music on its journey from the southern states of America to the heart of British pop and rock culture, providing an in-depth look at what this music really meant to a generation of kids desperate for an antidote to their experiences of living in post-war suburban Britain.

This is the definitive documentary on the beginnings of British Rhythm and Blues.

Narrated by Nigel Planer and structured in three parts, the first, Born Under a Bad Sign, focuses on the arrival of American blues in Britain in the late 50s and the first performances here by such legends as Muddy Waters, Sonnie Terry and Brownie McGhee.

Part two, Sittin’ on Top of the World, charts the birth of the first British blues boom in the early 60s, spearheaded by the Rolling Stones and groups such as the Yardbirds, Manfred Mann, the Animals and the Pretty Things.

The final section, Crossroads, looks at the next, more hardcore British blues boom of the mid-to-late 60s, with guitarists Eric Clapton and Peter Green and the international dominance of their respective bands, Cream and Fleetwood Mac.

Featuring archive performances and interviews with Keith Richards, Paul Jones, Chris Dreja, Bill Wyman, Phil May, John Mayall, Jack Bruce, Mick Fleetwood, Ian Anderson, Tony McPhee, Mike Vernon, Tom McGuinness, Mick Abrahams, Dick Taylor, Val Wilmer, Chris Barber, Pete Brown, Bob Brunning, Dave Kelly and Phil Ryan

DURATION: 1 HOUR, 30 MINUTES

– Hallgeir