All posts by Hallgeir

Today: A Hard Days Night by The Beatles was released in 1964

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“We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

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In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

“…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”

– Tom Ewing, Pitchfork

A Hard Day’s Night (Paris, 1965):

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I saw the movie before I bought the album, and the pictures roll before my eyes as I listen to the album. The film is a masterpiece and so is the album.
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“Considering the quality of the original material on With the Beatles, it shouldn’t have been a surprise that Lennon & McCartney decided to devote their third album to all-original material. Nevertheless, that decision still impresses, not only because the album is so strong, but because it was written and recorded at a time when the Beatles were constantly touring, giving regular BBC concerts, appearing on television and releasing non-LP singles and EPs, as well as filming their first motion picture. In that context, the achievement of A Hard Day’s Night is all the more astounding.”
– Allmusic (Stephen Thomas Erlewine)

It was my first Beatles album, and even if it has lost it’s top spot on my Beatles list, I love it dearly. It always makes me happy when i put it on.

John Lennon was the main contributor to the album. He wrote A Hard Day’s Night,  I Should Have Known Better, Tell Me Why, Any Time At All, I’ll Cry Instead, When I Get Home and You Can’t Do That.

He also wrote the majority of If I Fell and I’ll Be Back, and wrote I’m Happy Just To Dance With You with McCartney.

I Should Have Known Better (my favorite song on the album):

That doesn’t mean that Paul McCartney was  left off the record. He wrote the  ballads Things We Said Today plus And I Love Her , and lets not forget the lovely single Can’t Buy Me Love.

Can’t Buy Me Love:

As always the lines blur on some of the songs, but there are a lot of indications that this was the way the songs were composed, or rather, who wrote the songs.

“When we knew we were writing for something like an album John would write a few in his spare moments, like this batch here. He’d bring them in, we’d check ’em. I’d write a couple and we’d throw ’em at each other, and then there would be a couple that were more co-written. But you just had a certain amount of time.”
– Paul McCartney

A Hard Day’s Night is classic album that is a true testament to their collaborative writing powers, and, man, they had become a tight band!

– Hallgeir

Sources: Wikipedia, Allmusic, Pitchfork, John Lennon Interview with David Sheff in 1980, Many Years From Now by Barry Miles (book)

Today: Mavis Staples is 74 – Happy Birthday

Mavis Staples
Mavis Staples  was born July 10, 1939 in Chicago, Illinois she is an American rhythm and blues and gospel singer, actress and civil rights activist who recorded with The Staple Singers, her family’s band.

The Staple Singers were an American gospel, soul, and R&B singing group. Roebuck “Pops” Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), Yvonne (b. 1936), and Mavis (b. 1939). They are best known for their 1970s hits “Respect Yourself”, “I’ll Take You There”, “If You’re Ready (Come Go with Me)”, and “Let’s Do It Again”.

Biography from Allmusic (Rob Bowman):

She first recorded solo for Stax subsidiary Volt in 1969. Subsequent efforts included a Curtis Mayfield-produced soundtrack on Curtom, a disappointing nod to disco for Warner in 1979, a misguided stab at electro-pop with Holland-Dozier-Holland in 1984, and an uneven album for Paisley Park. Staples has a rich contralto voice that has neither the range of Aretha Franklin nor the power of Patti LaBelle. Her otherworldly power comes instead from a masterful command of phrasing and a deep-seated sensuality expressed through timbre manipulation.

Both the Staple Singers andMavis found fresh audiences stemming from their participation on the CD Rhythm Country and Blues, and in 1996 she issued Spirituals & Gospel: Dedicated to Mahalia Jackson. Her next recording project didn’t land for another eight years, although Have a Little Faith on Alligator became her highest-profile release in years. We’ll Never Turn Back appeared three years later in 2007.

Staples teamed up with Wilco’s Jeff Tweedy as producer for 2010’s You Are Not Alone, which won the 2011 Grammy Award in the category of Best Americana Album. One True Vine, released in 2013, was also produced by Tweedy and featured a mix of old and new songs written by the likes of George Clinton, Alan Sparhawk (Low), and Nick Lowe.

Mavis Staples with Jeff Tweedy

The Weight – The Band with The Staple Singers (from The Last Waltz):

Album of Today is Mavis’ fantastic new record, One True Vine:
one true vine

Other 10 July:
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30 best live albums countdown: 18 – At Fillmore East by The Allman Brothers Band

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“Okay, The Allman Brothers Band…”
– the announcer

At Fillmore East – The Allman Brothers Band (1971)

At Fillmore East by The Allman Brothers Band is my number 18 on the countdown of the 30 best live albums in the world. It was the band’s breakthrough success, it was released in July 1971. It ranks Number 49 among Rolling Stone magazine’s 500 Greatest Albums of All Time. It was one of 50 recordings chosen in 2004 by the Library of Congress to be added to the National Recording Registry. The song “Whipping Post” is part of the The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll list

I love the way it presents all these different aspects of the blues, chicago- blues, Mississippi delta- blues, Texas-blues, Jazzy blues and monumental blues jams. It includes cover songs and original composition and the album is put together in a way that feels natural.

It was recorded at the Fillmore East concert hall on Friday and Saturday March 12, 1971 and March 13, 1971.

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2003 saw the release of a two-disc edition entitled At Fillmore East Deluxe Edition. It compiled all the released versions of the Fillmore material, some material from the collection Duane Allman: An Anthology and the Dreams box set, and remixed the material with a better soundstage than the 1992 release. That’s the one to get.

“The Allman Brothers had many fine moments at the Fillmores, and this live double album (recorded March 12th and 13th of this year) must surely epitomize all of them.”

– George Kimball (Review, Rolling Stone Magazine)

I need to include One Way Out from the rlease, The Fillmore Concerts. Just because it is so damn good, and would be a great addition to the original album.

It gives us Duane Allman’s tight slide guitar up against and weaving into Richard Betts’ round and loose lead guitar, it also has Dicky Betts’ best recorded guitar solo.

Whipping Post (Live Fillmore, 9/23/70):

The connection between the two lead guitarists and the two drummers is extraordinary! Also, listen to Barry’s bass lines, incredible, and Greg’s vocals (and jazzy organ) and you have band for the ages.

This album is for me, the crowning achievement of the ultimate southern-rock band.

We’ve posted this documentary before, but t is so good and give us such insight that everyone should see it again.

Sweet Home Alabama – The Story of southern Rock:

Continue reading 30 best live albums countdown: 18 – At Fillmore East by The Allman Brothers Band

Today: Beck is 43 – Happy Birthday

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“I’m a loser baby, so why don’t you kill me?”

Beck Hansen (born Bek David Campbell, July 8, 1970) , singer-songwriter and multi-instrumentalist, is known by the stage name Beck.

The four-time platinum artist rose to underground popularity with his early works, which combined social criticism with musical and lyrical experimentation. He first earned wider public attention for his breakthrough single “Loser”, a 1994 hit. Beck is known for creating musical collages of a wide range of styles.

Loser (official video):

Beck’s 1996 album Odelay was awarded Album of the Year by the American magazine Rolling Stone and by UK publications NME and MojoOdelay also received a Grammy nomination for Album of the Year. Both Odelay and Sea Change appeared on Rolling Stone’s list of the 500 Greatest Albums of All Time.

Beck – Live at Union Chapel, 2003 (Full Show):

Setlist:

00:48 – The Golden Age
05:01 – It’s All In Your Mind
08:30 – Guess I’m Doing Fine
14:22 – Lonesome Tears
19:00 – Nicotine & Gravy
24:34 – Lost Cause
28:18 – Ship In A Bottle
32:54 – Fourteen Rivers, Fourteen Floods
36:48 – Loser
44:03 – Nobody’s Fault But My Own
48:53 – Lord Only Knows

My top 20 Beck songs (Spotify):

Allmusic (Stephen Thomas Erlewine):

Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. Based in the underground anti-folk and noise-rock worlds, Beck encompassed all manners of modern music, drawing in hip-hop, blues, trash-rock, pop, soul, lounge music…pretty much any found sound or vinyl dug up from a dusty crate, blurring boundaries and encapsulating how ‘90s hipsters looked toward the future by foraging through the past.

He is now finishing some new material and hopefully we’ll see a new album soon.

Other 8 July:
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Today: Bruce Springsteen played Roxy LA in 1978

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“…all them bootleggers out there in radio-land, roll your tapes!”
– Bruce Springsteen (Roxy, 1978)

One of the best concerts in the history of rock took place at the Roxy 7 July in 1978.

Some of you may already be familiar with one of the many bootlegs from this show, but for those of you who haven’t yet had the pleasure. I would strongly recommend you to seek it out, they are fairly easy to find on the web.

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When I first got a copy of “Roxy Night” I played it constantly for four days. In the house, on my discman (google it, young folks) and in the car, I couldn’t get enough. It was and still is the best bootleg I have ever heard.

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It’s a radio broadcast of a show Bruce Springsteen did at the Roxy Theater in Los Angeles in July of 1978, 8 songs from this concert were used on Bruce’s official Live 1975-85 album, albeit in an edited form (and too extensive editing in a song or two, a 5 and a half minute long “Sad Eyes” interlude was cut out of the version of this performance included on the Live 1975-85 release). Once a person hears the unedited version of “Backstreets,” they realize how much that is missing in the released/edited version. This show must be heard in its unedited entirety.

Full Concert at The Roxy 1978:

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I have more than 300 hundred Bruce Springsteen shows/bootlegs on CD/Vinyl or Hard-disk (and I’ve heard a lot more!) and this is one of my all time favorite shows.

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It’s from the so called Darkness Tour. The atmosphere is electric throughout due to the intimacy of the venue (The Roxy only held 500 people) and the fact that those who did get in are really big fans (he apologizes at the start of the concert to those poor unfortunates who had queued up all day in the heat and were still unable to get in).

Roxy 7 vinyl

The performance is incredible, and though it is true that there are bootlegs from later on in the tour that collectors often prefer because the songs from the Darkness on the edge of town album are more full, more fleshed out (such as the radio broadcast of the Winterlands show in San Francisco from 15-12-78 or the Passaic shows), but they don’t have the electric energy that runs through this set, it is a perfect Bruce Springsteen concert.

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