Category Archives: Bob Dylan albums

August 10: Bob Dylan released the album Shot of Love in 1981





Bob_Dylan-Shot_Of_Love

August 10: Bob Dylan released Shot of Love in 1981

I hear the ancient footsteps like the motion of the sea
Sometimes I turn, there’s someone there, other times it’s only me
I am hanging in the balance of the reality of man
Like every sparrow falling, like every grain of sand

Shot of Love is Bob Dylan’s 21st studio album, it was released by Columbia Records in August 1981.

It is generally considered to be Dylan’s last of a trilogy of overtly religious, Christian albums. Also, it was his first since becoming born-again to focus on secular themes, from straight-ahead love songs to an ode to the deceased comedian Lenny Bruce. Arrangements are rooted more in rock’n’roll, less in gospel than on Dylan’s previous two albums. So maybe it is more of a new start than a gospel-tinged end?

Bob Dylan France 1981

Continue reading August 10: Bob Dylan released the album Shot of Love in 1981

August 8: Bob Dylan: Another Side Of Bob Dylan (album)





another side of Bob Dylan

“I wrote my fourth album [“Another Side of Bob Dylan”] in Greece, but that was still an American album.”
~Bob Dylan (to Robert Shelton June 1978)

“Tom Wilson, the producer, titled it that,” [Another Side of Bob Dylan] “I begged and pleaded with him not to do it. You know, I thought it was overstating the obvious. I knew I was going to have to take a lot of heat for a title like that and it was my feeling that it wasn’t a good idea coming after The Times They Are A- Changin’, it just wasn’t right. It seemed like a negation of the past which in no way was true. I know that Tom didn’t mean it that way, but that’s what I figured that people would take it to mean, but Tom meant well and he had control, so he had it his way. I guess in the long run, he might have been right to do what he did. It doesn’t matter now.”
~Bob Dylan (to Cameron Crowe Sept. 1985)

“His writing and control of atmosphere on songs like ‘To Ramona’ and ‘Spanish Harlem Incident’ come across as early flashes of the creative explosion that he was to go through in 1965–66. A great minor album, and his last solo album until the 1990s.”
~Michael Gray (The Bob Dylan Encyclopedia)

My Back Pages:

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June 23: Bob Dylan – Saved was released in 1980





Bob_Dylan_-_Saved

…just left it there. The mix… it was mixed wrong or something, I don’t know, it didn’t sound right to me anyway, so I… I don’t know. I must’ve told somebody at that time who was, uh, working on the album. I know I didn’t really say anything to the record company about it. But some people tell me that they saw it in the press that I’d said
~Bob Dylan (to Paul Vincent, Nov 1980)

Like Slow Train was a big album. Saved didn’t have those kind of numbers but to me it was just as big an album.
~Bob Dylan (to Dave Herman, July 1981)

The nearest thing to a follow-up album Dylan has ever made: a Slow Train Coming II, and inferior. Two stand-out tracks, nonetheless: the turbulent ‘Pressing On’ (Dylan creating convincing hot gospel) and the intelligently submissive, courageous address (including a lovely, aptly devotional harmonica) that is ‘What Can I Do For You?”
~Michael Gray (The Bob Dylan Encyclopedia)

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June 15: Bob Dylan released Street-Legal in 1978


bob dylan street-legal

 

June 15: Bob Dylan released Street-Legal in 1978

“On this album, I took a few steps backward, but I also took a bunch of steps forward because I had a lot of time to concentrate on it. I also had the band sounding like I want it to sound. It’s got that organ sound from ‘Blonde on Blonde’ again. That’s something that has been missing.”
~Bob Dylan (to Robert Hilburn – May 1978)

Jonathan Cott interview – Sept. 1978:
Jonathan Cott: What do you think of all the criticisms of Street Legal?
Bob Dylan: I read some of them. In fact, I didn’t understand them. I don’t think these people have had the experiences I’ve had to write those songs. The reviews didn’t strike me as being particularly interesting one way or another, or as compelling to my particular scene. I don’t know who these people are. They don’t travel in the same crowd, anyway. So it would be like me criticizing Pancho Villa.

bob dylan street legal2

First of all… “Street-Legal” is a fantastic album. I have never “understood” all the criticism it got.. and still gets, and I even dig the original overall sound & production.

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June 10: Empire Burlesque by Bob Dylan was released in 1985

empire1

June 10: Empire Burlesque by Bob Dylan was released in 1985

Empire Burlesque is singer-songwriter Bob Dylan’s 23rd studio album, it was released by Columbia Records 10 June 1985. The album peaked at #33 in the US and #11 in the UK.

Allmusic (Stephen Thomas Erlewine):

“Say what you want about Empire Burlesque — at the very least, it’s the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn’t quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems — the most obvious being “Tight Connection to My Heart (Has Anybody Seen My Love?),” but also “Emotionally Yours” and “Dark Eyes” — proving that his powers are still there.”

I’ll Remember You (my favorite version from the movie Masked and Anonymous):

Bob Dylan fans and music critics continue to debate the album’s merits, especially when compared to the styles he pioneered in the 1960s and 1970s. It is one of Dylan’s most discussed albums in terms of quality, having a distinct “80s style” production to the songs. There are some really great songs on this album, but they seem hidden under the “80s sound”.

The sessions for Empire Burlesque were held in New York and Hollywood from July 1984 to April 1985.

Continue reading June 10: Empire Burlesque by Bob Dylan was released in 1985