Category Archives: Elvis Presley

Always on my Mind is seldom considered among the best of Elvis’ 70’s output, but if you ask me it’s at the top of the list. The recording sessions was great, it included Burnin Love and For the good times. I almost cry when I listen to it, it embodies everything, everything I love about Elvis, heartbreak, slow ballads, emphathy and true feelings. What a voice!

Peter Guralnick writes in his book Careless Love:

The trouble was, he (Elvis) wasn’t interested in cutting a hit record. “He was trying to get something out of his system.”

…

On the second night Felton finally got his way, but he was under no illusion that Elvis was doing it for any other reason than to indulge his producer. With encouragement from Joe Esposito and Jerry Schilling, and with Charlie pounding away on acoustic guitar, they got a good, energetic version of “Burning love”, the song Felton had brought to the session, but it was tossed off in six quick takes, in almost throwaway style, and everyone could see that Elvis’ heart wasn’t really in it. They kept working till four in the morning but got only one more song that night and two the following night, including “Always on my mind”…

Elvis seems very wore down after his divorce from Pricilla and in no mood for Rock’n Roll, but he really let it all out in this great ballad.

Maybe I didn’t love you
Quite as often as I could have
Maybe I didn’t treat you
Quite as good as I should have
If I made you feel second best
Girl I’m sorry I was blind

Always on my mind recorded by Elvis:

The feeling embodied in that song is tremendous, how a man can put this much feeling into a song is hard to conceive!

Here’s another version recorded by Elvis on the 29th of March in 1972:

From Wikipedia:

“Always on My Mind” is an American country music song by Johnny Christopher, Mark James and Wayne Carson.

Elvis Presley recorded his version of “Always on My Mind” on March 29, 1972, a few weeks after his February separation from wifePriscilla. The song was released as the B-side of the “Separate Ways” single, which reached Gold status in the U.S for sales of over half a million copies. It was listed as a double sided hit reaching number 16 on Billboard magazine’s Hot Country Singles chart in November 1972. In the UK “Always on My Mind” was the hit song and “Separate Ways” was the B-side.

Other Mar-29:

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Elvis Presley, Great albums, List, Live, Video

30 Best live albums countdown: 27 – On Stage by Elvis Presley

March 8, 2013 Hallgeir 6 Comments

My choice at number 27 is Elvis‘ excellent live record On Stage.

I missed the closeness of a live audience. So just as soon as I got out of the movie contracts I started to do live performances again.
~Elvis Presley (NYC press conference – june 9, 1972)

This is an absolutely stunning live album and the best official live album from Elvis , better than That’s the Way It Is.

The album was recorded Feb 17-19 in 1970, Elvis was just starting his Las Vegas run (the “Vegas years” – 1969-76) & the Band & backing groups sounded great.

Released	June 1970
Recorded	February 17-19, 1970 International Hotel, Las Vegas, Nevada
Genre	Rock
Length	31:57
Label	RCA

Elvis’ idea of bringing in white gospel singers with black soul singers was really genius on his part because he covered the whole gamut of music
~Joe Moscheo (The Imperials)

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Elvis Presley, Great albums

Great Albums: Elvis Presley – On Stage

February 16, 2013 Egil

I missed the closeness of a live audience. So just as soon as I got out of the movie contracts I started to do live performances again.
~Elvis Presley (NYC press conference – june 9, 1972)

This is an absolutely stunning live album, the best official live album from Elvis (slightly better than “That’s the Way It Is”).

The album was recorded Feb 17-19 in 1970, Elvis was just starting his Las Vegas run (the “Vegas years” – 1969-76) & the Band & backing groups sounded great.

Released	June 1970
Recorded	February 17-19, 1970 International Hotel, Las Vegas, Nevada
Genre	Rock
Length	31:57
Label	RCA

Elvis’ idea of bringing in white gospel singers with black soul singers was really genius on his part because he covered the whole gamut of music
~Joe Moscheo (The Imperials)

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Elvis Presley, Memphis, Music Calendar

Today: Elvis Presley recorded “Long Black Limousine” in 1969 – 44 years ago

January 13, 2013 Egil

..But it is “Long Black Limousine” and “I’ll Hold You in My Heart” which mark the high point of the album and indeed may mark the high point of Elvis’ career to date. “Long Black Limousine” is the almost quintessential C&W ballad, whose melody bears traces of such mournful standards as “Old Shep” and “Green, Green Grass of Home”.
~Peter Guralnick (Rollingstone Magazien – Aug 1969)

One of the strongest songs from one of the best albums ever released… nothing less.

Wikipedia

Released	June 17, 1969
Genre	Rhythm and blues
Length	3:44
Label	RCA Victor
Writer	Vern Stovall, Bobby George
Producer	Chips Moman, Felton Jarvis

Long Black Limousine is a song written by Vern Stovall and Bobby George; the best known version is probably the one by Elvis Presley, who turned the original country tune into a soulful rhythm and blues song.

Stovall and George, country musicians based in southern California, probably wrote the song in 1958, when it was first recorded (but not released until many years later) by Wynn Stewart. The first released version was Stovall’s, in 1961, followed by Glen Campbell’s in 1962. The only charting single of the song (in 1968 it reached #73 on the US country charts) was Jody Miller’s, her version was also on her 1968 album The Nashville Sound of Jody Miller. O. C. Smith’s version was released as the B-side of his million-selling crossover hit “Little Green Apples” in 1968. Elvis Presley’s version appeared on his classic 1969 From Elvis in Memphis album.

The sound produced at American had little to do with high-tech equipment and everything to do with its stable of musicians, who had developed a heavily R&B-influenced style that far transcended any bluesy edges the Nashville players might have boasted.
~Ernst Jorgensen (Elvis Presley – A life in music)

Elvis & Chips Moman

All southerners, all close to Elvis’s age, they shared a musical heritage that blended country, gospel, and rhythm and blues.
To the musicians Chips Moman was a godfather-like figure in the studio, who would tolerate nothing less than total commitment.
~Ernst Jorgensen (Elvis Presley – A life in music)

An even better version – Long Black Limousine (Take 6):

Lyrics

There’s a long line of mourners driving down our little street
Their fancy cars are such a sight to see, oh, yeah
They’re all of your rich friends who knew you in the city
And now they’ve finally brought, brought you home to me

When you left you know you told me that some day you’d be returnin’
In a fancy car all the town to see, oh, yeah
Well, now everyone is watching you, you finally had your dream
Yeah, and you’re ridin’ in a long black limousine

You know the papers told of how you lost your life, oh, yeah
The party, the party and the fatal crash that night
Well, the race upon the highway, oh, the curve you didn’t see
When you’re riding in that long black limousine

You’re riding in that long black limousine

Through tear filled eyes I watch as you ride by, oh, yeah
A chauffeur, a chauffeur at the wheel dressed up so fine
Well, I never, I never, never, never, oh, my heart, all my dreams
Yeah, they’re with you in that long black limousine

Yeah, yeah, they’re with you in that long black limousine
Yeah, yeah, yeah, they’re with you in that long black limousine
Yeah, yeah, they’re with you in that long black limousine

Producer: Chips Moman & Felton Jarvis

Produced by Felton Jarvis and Chips Moman
Engineered by Al Pachucki
Overdubs arranged by Mike Leech and Glen Spreen
Digital Engineer: Dick Baxter

Personnel

Elvis Presley – vocals, guitar, piano
String and Horn Arrangements – Glen Spreen
Ed Kollis – harmonica
John Hughey – pedal steel guitar on “In the Ghetto”
Reggie Young, Dan Penn – electric guitar
Bobby Wood – piano
Bobby Emmons – organ
Tommy Cogbill, Mike Leech – bass
Gene Chrisman – drums

Overdubbed:

Wayne Jackson, Dick Steff, R.F. Taylor – trumpets
Ed Logan, Jack Hale, Gerald Richardson] – trombones
Tony Cason, Joe D’Gerolamo – french horns
Andrew Love, Jackie Thomas, Glen Spreen, J.P. Luper – saxophones
Joe Babcock, Dolores Edgin, Mary Greene, Charlie Hodge, Ginger Holladay, Mary Holladay Millie Kirkham, Ronnie Milsap, Sonja Montgomery, June Page, Susan Pilkington, Sandy Posey, Donna Thatcher, Hurschel Wiginton – backing vocals

Spotify:

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Elvis Presley, Sound, The Best Songs, Video

Today: Elvis Presley recorded Heartbreak Hotel in 1956 – 57 years ago

January 10, 2013 Hallgeir

heartbreak_hotel_cover

From Wikipedia:

“Heartbreak Hotel” is a song recorded by Elvis Presley. It was released as a single on January 27, 1956, Presley’s first on his new record label RCA Victor. His first number-one pop record, “Heartbreak Hotel” topped Billboard‘s Top 100 chart, became his first million-seller, and was the best-selling single of 1956. It was written by Tommy Durden and Mae Boren Axton.

Well, Since my baby left me

These opening words set the tone, this is not a happy-song…

I got this record from my aunt when I was about 7 or 8 years old (1973/1974), I couldn’t comprehend the heartache and suffering in the lyrics. I just thought it was the coolest thing I had ever heard. I still got that record. It is worn and scratched and it’s still the coolest record in the world.

Heartbreak Hotel (audio):

Heartbreak Hotel credits

Heartbreak Hotel is written by Thomas Durden and Mae Axton in 1955. It was written after Durden read about a suicide in the Miami Herald. A man, who had jumped out the window, had destroyed his identity papers and left a note saying: “I walk a lonely street.”

It was written very quickly, varying sources states that it was done from a few hours down to 22 minutes.

From Wikipedia:

“Axton and Durden give different accounts of how the song was written. Durden’s account is that he had already written the song and performed it with his band the Swing Billys before he presented it to Axton. Axton’s account is that Durden had only penned a few lines of the song, and asked her to help him finish it. She says that the report of the suicide “stunned” her, and she told Durden, “Everybody in the world has someone who cares. Let’s put a Heartbreak Hotel at the end of this lonely street”. They were interrupted by the arrival of Glen Reeves, a local performer who had previously worked with Axton. The duo asked Reeves to help with the song, but after hearing the title he remarked that it was “the silliest thing I’ve ever heard”, and left them to finish it themselves.The song was written within an hour, and Durden recorded it onto Axton’s tape recorder.”

The song was offered to several artists before Elvis, many of them declined and described the song as strange and morbid . Durden and Axton offered Presley a third of the writers’ credits if he would make it a single, Elvis agreed. Presley recorded the song Jan. 10, 1956. It was his second song recorded on his new label RCA, following “I Got A Woman”. It was released 27th of January 1956.

Heartbreak Hotel, Milton Berle Show:

From the british newspaper The Independent:

“Heartbreak Hotel” started with Elvis, accompanied by a walking bass from Bill Black, reminiscent of Willie Dixon’s work with Muddy Waters. Scotty Moore played assertively and Cramer’s piano pattered like rain. Elvis broke down in each verse, effectively method acting like James Dean. The song was nailed on take seven, but sadly, most of the tapes were wiped. The influence of Johnnie Ray’s “Cry” is self-evident and the song could be a parody. Presley’s dirt-seeking bio-grapher, Albert Goldman, opined, “‘Heartbreak Hotel’, which is an extravagant and highly-exaggerated account of the blues, was more a psychodrama than a musical performance. As such, however, it was an extraordinary novelty and it moved rock music into another imaginative space.”

“Heartbreak Hotel” became Elvis’ first gold record, staying the top of the pop charts for seven weeks in the spring of 1956.

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