Gene Clark and Roger McGuinn March 4 1978 Capitol Theatre (Passaic, NJ)
This is a very fine set, good songs from Gene Clark and Roger McGuinn (who also played together in The Byrds) and some very fine covers, among them three Bob Dylan songs.
My favourite line: “Oh God, can you tell me who are you singing to” as I have so many times read Dylan’s lyrics and wondered the exact same thing.
I love this song, she’s such a “fangirl”, and the way she mimics his singing style is so fitting for this song. She did her contribution to the soundtrack of I’m Not There, Stuck inside of Mobile with the Memphis blues again, in the same “Dylan-style” (included below), and she has covered several of his songs (Oh Sister and I Believe in You springs to mind).
Harold Eugene “Gene” Clark (November 17, 1944 – May 24, 1991) was an American singer-songwriter, and one of the founding members of the folk-rock group The Byrds. He did write some of The Byrds’ best songs, among them: “Feel A Whole Lot Better”, “Here Without You” and “Set You Free This Time”.
“We’re in the mud and scum of things, moaning, crying and lying At least we ain’t Lazurus and had to think twice about dying.”
– Lazurus, Ray Wylie Hubbard
“I’m very grateful. I’m an old cat, but I feel very fortunate to have seen Lightnin’ Hopkins and Freddie King. I saw Ernest Tubb play and Gary Stewart, so it’s kind of a combination of not just the different forms of music that’s influenced me, but the great musicians in that form of music. I guess it’s the ‘character’ in their songwriting that’s influenced me.”
– Ray Wylie Hubbard (to The Current)
I started writing poetry before I started writing songs. In my checkered college past I was a creative writing major at Long Beach State University, which had a great writing program, and that’s where I learned all the nuts and bolts that helped me out in songwriting. They forced us to write in traditional forms — sonnets, iambic pentameter — just so we could understand that writing wasn’t just splaying free verse all over the page. But then the more songs I wrote using all those poetic forms, the more my poetry become like prose, almost to the point of journalism…