..The real prize of the collection, however, is the film included on the DVD, titled The True History of the Traveling Wilburys. Watching it makes listening to the albums a totally new experience..
~Michael Franco (popmatters.com)
..a bonus DVD featuring an amazing 24-minute documentary showing unseen footage of the Wilburys and their five video clips, filmed largely on George Harrison’s home video recorder.
~amazon.com
“I remember playing shows [with Tom Petty & the Heartbreakers in the ‘80s] and looking out [thinking] I didn’t have that many fans coming to see me,” he says. “They were coming to see Tom Petty & the Heartbreakers.”
~Bob Dylan (to Robert Hilburn, December 1997)
“Well I won’t back down No I won’t back down You can stand me up at the gates of hell But I won’t back down”
~Tom Petty (I won’t back down)
Tweeter and the Monkey Man by Bob Dylan and Tom Petty
– a great story song
The Traveling Wilburys was a “supergroup” consisting of Bob Dylan, George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty. The song is supposedly co-written by all 5 members – all of the album’s songs are credited to The Traveling Wilburys. However, it is believed that Bob Dylan was the primary writer of this song, which is one of the very few Traveling Wilburys tracks that has Dylan singing lead vocals on while the rest of the band singing backup. Roy Orbison is not singing at all on this track. Here is Goerge Harrison’s take on who wrote the song:
“‘Tweeter and the Monkey Man’ was by Tom Petty and Bob. Well, Jeff and I were there too, but we were just sitting there around in the kitchen, and he was for some reason talking about all this stuff that didn’t make much sense to me, you know, it was that Americana kinda stuff and we got a tape cassette and put it on and then transcribed everything they were saying.” – George Harrison (The Travelling Wilburys, the true story)
Tweeter and The Monkey Man – The Travelling Wilburys:
Well it was kinda cold that night She stood alone on her balcony Yeah, she could hear the cars roll by Out on 441 like waves crashin’ on the beach And for one desperate moment There he crept back in her memory God it’s so painful when something that’s so close Is still so far out of reach
Oh yeah, all right Take it easy, baby Make it last all night
– American Girl
Tom Petty and the Heartbreakers is the eponymous debut album by the band of the same name, it was released on November 9, 1976 by Shelter Records.
I was 10 years old when I heard this great album for the first time, a neighbour had got it from some relatives in The States. I was blown away, it was fantastic. It was so fresh and so “impatient”. It sounded as they stood on their toes when they played. It wasn’t punk, but it sounded like it anyway. I loved it then and I love it now!
Following its release, the album received little attention in the US. Following a British tour, it climbed to #24 on the UK album chart and the single “Anything That’s Rock ‘n’ Roll” became a hit in the UK. After nearly a year and many positive reviews, the album reached the U.S. charts, where it climbed to #55 in 1978 and eventually went Gold. The single “Breakdown” cracked the Top 40 in the U.S. and “American Girl” became an FM radio staple which can still be heard today.
Tom Petty & The Heartbreakers – Breakdown (Live, France 1980):
A band calling themselves “The South” in spite of being from Trondheim, Norway need to have their compass in order
When you hear The South’s self titled second album, produced by Bent Sæther of Motorpsycho, it becomes clear that this sextet has a remarkable grip on their rock history, both the map and the terrain.
They actually lift what many hold to be the zenith of rock, the music of Little Feat, Grateful Dead and The Band from the first half of the 1970’s, into our time.
Bringing with them marvellous songs, the tightness of a good oldfashioned BAND and vocal harmonies to die for.
When we decided to go to Bergenfest this year we decided to try to get an interview with The South, they’re so obviousley right up our alley, they embody most of the musical styles that JV is about. They use the rich musical past to create fresh new songs. The press people at Bergenfest said we could get a 15 minute talk, we were happy just to get an interview.
We met in the “lounge” at the hotel where both The South and we stayed. We talked for 1 hour and 15 minutes.