Bob Dylan & The Band at Isle of Wight 1969

bob dylan isle of wight 1969

 

I once held her in my arms
She said she would always stay
But I was cruel
I treated her like a fool
I threw it all away

Woodside Bay
Near Ryde, Isle Of Wight, England
31 August 1969

  • Bob Dylan (guitar & vocal)
  • Robbie Robertson (guitar)
  • Richard Manuel (piano)
  • Garth Hudson (organ)
  • Rick Danko (bass)
  • Levon Helm (drums)
  1. She Belongs To Me
  2. I Threw It All Away
  3. Maggie’s Farm
  4. Wild Mountain Thyme (trad.)
  5. It Ain’t Me, Babe
  6. To Ramona
  7. Mr. Tambourine Man
  8. I Dreamed I Saw St. Augustine
  9. Lay Lady Lay
  10. Highway 61 Revisited
  11. One Too Many Mornings
  12. I Pity The Poor Immigrant
  13. Like A Rolling Stone
  14. I’ll Be Your Baby Tonight
  15. Quinn The Eskimo (The Mighty Quinn)
  16. Minstrel Boy
  17. Rainy Day Women # 12 & 35

isle1

 

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-Egil

 

Today: Paranoid by Black Sabbath was released in 1970

Black-Sabbath-LP-Paranoid-cover

Paranoid is the second studio album Black Sabbath. Released 18 September 1970, it was the band’s only album to top the UK Albums Chart until the release of 13 in 2013.

Paranoid contains several of the band’s best-known signature songs, including “Iron Man”, “War Pigs”, and the title track.

It is one of the first metal albums and it is my favorite among the handful metal albums that I like. Slow, heavy and very, very blues based. Black Sabbath was a great band for about 4 albums (ok, 6, and then I’m stretching it a bit), after that I lost interest. Paranoid was their crowning achievement. The playing is excellent and Ozzy sings really well. They were never better.

Black Sabbath – War Pigs (Paris, 1970):

 

“…they did one thing and did it exceptionally well. If you want proof just take a look at the world of heavy metal. Without this album there wouldn’t be one. Simple as that.” – Sid Smith (BBC)

Black_Sabbath-Paranoid_(Deluxe_Expanded_Edition)-Interior_Trasera

Classic Albums documentary: Black Sabbath – Paranoid:

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics.
– Steve Huey (Allmusic)

 

Black Sabbath – Paranoid (1970):

Black Sabbath – Paranoid on Spotify:

Hell, I have to include Iron Man as well. Here is a performance from the TV show, Beat Club (1972):

– Hallgeir

Today: Uncle Tupelo released Still Feel Gone in 1991

ut

“When the Bible is a bottle
and a hardwood floor is home
When morning comes twice a day
or not at all…”
– Still Be Around

Still Feel Gone is the second album by Uncle Tupelo. It was released 17 September 1991 on Rockville Records and re-released in 2003 by Sony Legacy. It was my first Uncle Tupelo album (I bought No Depression the next day).

Uncle Tupelo was an alt. country music group from Belleville, Illinois, they were active between 1987 and 1994. Jay Farrar, Jeff Tweedy, and Mike Heidorn formed the band after the lead singer of their earlier band, The Primitives, left to attend college. The trio recorded three albums for Rockville Records.
Uncle Tupelo broke up before it achieved commercial success, but the band is renowned for its impact on the alternative country music scene. The group’s first album, No Depression, became a byword for the genre and was widely influential. Uncle Tupelo’s sound was unlike popular country music of the time, drawing inspiration from styles as diverse as the hardcore punk of The Minutemen and the country instrumentation and harmony of the Carter Family and Hank Williams.

Uncle Tupelo is a very important band in the development of Alt.country/Americana.

“With the release of their 1990 debut LP, No Depression, the Belleville, IL, trio Uncle Tupelo launched more than simply their own career—by fusing the simplicity and honesty of country music with the bracing fury of punk, they kick-started a revolution which reverberated throughout the American underground.”
– Jason Ankeny (allmusic)

Uncle Tupelo – Gun (Bloomington,IN, 1992):

I love the contrasts in Uncle Tupelo, the country vs. punk/rock, Tweedy’s voice vs. Farrar’s voice, the heart aching ballads vs. the working class lament. The slow howls in the songs vs. the attacking guitars. The balance of innocence and rawness gives Still Feel Gone an edge and an emotional dimension seldom found.
To me the album sounds like a stew consisting of, The Clash, Neil Young, Rolling Stones, Husker Du and all the country music influences they surely got from their parents’ records and their radio listening habits. It’s a lovely stew and a contender for best album of 1991.

“The band eschews quaint rootsiness for the time-bomb attack of Jay Ferrar’s aggressive stop-start guitars and some deceptively gentle acoustic ballads that convey an underlying sense of dissatisfaction. The band’s melodic skills don’t always equal their unpretentiousness, but Still Feel Gone remains a vivid snapshot of life in a town that`s colored gray.”
– Chicago Tribune (Feb 1992)

Uncle Tupelo – Punch Drunk (Toad’s Place, New Haven CT, March 2, 1992):

“The characters that populate Still Feel Gone are far from one-dimensional caricatures of rural life. Songwriters Jay Farrar and Jeff Tweedy write with an insightful eye and ragged beauty that bring their images alive without coming off as rote shrieks of youthful disenchantment. “
– Rolling Stone Magazine (Mar 1992)

Uncle Tupelo – Still Feel Gone on Spotify:

– Hallgeir

Today: The late Hank Williams was born in 1923, 90 years ago

hank williams

It can be explained in just one word: sincerity. When a hillbilly sings a crazy song, he feels crazy. When he sings, ‘I Laid My Mother Away,’ he sees her a-laying right there in the coffin. He sings more sincere than most entertainers because the hillbilly was raised rougher than most entertainers. You got to know a lot about hard work. You got to have smelt a lot of mule manure before you can sing like a hillbilly. The people that have been raised something like the way the hillbilly has…. knows what he sings about and appreciates it
~Hank Williams (on the success of Country Music)

Nobody had a talent for making suffering enjoyable like Hank Williams
~Kris Kristofferson

Hank Williams was the first influence I would think.
~Bob Dylan (to Billy James, Oct 1961)

I started writing songs after I heard Hank Williams.
~Bob Dylan (The Les Crane Show, 17 Feb 1965)

Cold Cold Heart:

From Wikipedia:

Birth name Hiram King Williams
Also known as The Lovesick Blues Boy
Lovesick
Luke the Drifter
Hank Williams, Sr.
The Hillbilly Shakespeare
Born September 17, 1923
Mount Olive, Butler County, Alabama
Died January 1, 1953 (aged 29)
Oak Hill, West Virginia
Genres Country, Western, gospel,blues, honky-tonk, folk
Occupations Songwriter
Musician
Instruments Vocals, guitar
Years active 1937–1952
Labels Sterling, MGM
Associated acts Drifting Cowboys
Audrey Williams
Website www.hankwilliams.com

Hank Williams (September 17, 1923 – January 1, 1953), born Hiram King Williams, was an American singer-songwriter and musician regarded as one of the most important country music artists of all time. Williams recorded 35 singles (five released posthumously) that would place in the Top 10 of the Billboard Country & Western Best Sellers chart, including 11 that ranked number one.

From allmusic – Stephen Thomas Erlewine:

Hank Williams is the father of contemporary country music. He was a superstar by the age of 25; he was dead at the age of 29. In those four short years, he established the rules for all the country performers who followed him and, in the process, much of popular music. Hank wrote a body of songs that became popular classics, and his direct, emotional lyrics and vocals became the standard for most popular performers. He lived a life as troubled and reckless as that depicted in his songs. ….  read more @ allmusic.com

Legacy:

  • Alabama governor Gordon Persons officially proclaimed September 21 “Hank Williams Day”
  • In 1961, Williams was inducted into the Country Music Hall of Fame
  • he was inducted in the Alabama Music Hall of Fame in 1985
  • In 1987, he was inducted in the Rock and Roll Hall of Fame under the category Early Influence
  • He was ranked second in CMT’s 40 Greatest Men of Country Music in 2003, behind only Johnny Cash
  • His son, Hank Jr., was ranked on the same list
  • In 2004 Rolling Stone ranked him number 74 on its list of the 100 Greatest Artists of All Time
  • In 2011 Williams’s 1949 MGM number one hit, “Lovesick Blues,” was inducted into the Recording Academy Grammy Hall Of Fame.
  • In 1999, Williams was inducted into the Native American Music Hall of Fame. 
  • On April 12, 2010, the Pulitzer Prize Board awarded Williams a posthumous special citation that paid tribute to his “craftsmanship as a songwriter who expressed universal feelings with poignant simplicity and played a pivotal role in transforming country music into a major musical and cultural force in American life.” 
  • Keeping his legacy, Williams’s son, Hank Williams, Jr., daughter Jett Williams, grandson Hank Williams III, and granddaughters Hilary Williams and Holly Williams are also country musicians.

Lovesick Blues:

Hey Good Lookin’:

Album of the day – 40 Greatest Hits (1979):

hank williams 40 greatest hits

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Today: B.B. King is 88

B.B. King

The blues was like that problem child that you may have had in the family. You was a little bit ashamed to let anybody see him, but you loved him. You just didn’t know how other people would take it.
~B. B. King

I never use that word, retire.
~B. B. King

Universally hailed as the reigning king of the blues, the legendary B.B. King is without a doubt the single most important electric guitarist of the last half century. His bent notes and staccato picking style have influenced legions of contemporary bluesmen, while his gritty and confident voice — capable of wringing every nuance from any lyric — provides a worthy match for his passionate playing.
~Bill Dahl (allmusic.com)

The Thrill Is Gone (Live at Montreux 1993):

From Wikipedia:

Birth name Riley King
Also known as B.B. King, King of the Blues
Born September 16, 1925 (age 88)
Origin Itta Bena, Mississippi, United States
Genres Blues, soul blues, jazz, blues rock, electric blues, rhythm and blues, soul
Occupations Musician, songwriter, producer
Instruments Vocals, guitar, piano
Years active 1949–present
Labels Geffen/Interscope/Universal,Bullet Records, RPM Records,Crown, ABC, MCA,Reprise/Warner Bros.,Virgin/EMI
Associated acts Bobby BlandEric ClaptonPappoBig Krit

 

Riley B. King (born September 16, 1925), known by the stage name B.B. King, is an American songwriter, vocalist, and famed blues guitarist.

Rolling Stone magazine ranked him at No. 6 on its list of the 100 greatest guitarists of all time. and No. 17 in Gibson’s Top 50 Guitarists of All Time. According to Edward M. Komara, King “introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that would influence virtually every electric blues guitarist that followed.” King was inducted into the Rock and Roll Hall of Fame in 1987. He is widely considered one of the most influential blues musicians of all time, because of this he is often nicknamed ‘The King of Blues’. He is also known for performing tirelessly throughout his musical career appearing at 250-300 concerts per year until his seventies. In 1956 it was noted that he appeared at 342 shows, still at the age of 86 King appears at 100 shows a year.

Over a period of 63 years, King has played in excess of 15,000 performances.

Over the years, King has developed one of the world’s most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarists’ vocabulary. His economy and phrasing has been a model for thousands of players, from Eric Clapton and George Harrison to Jimmy Page and Jeff Beck. King has mixed blues, jazz, swing, mainstream pop and jump into a unique sound. In King’s words, “When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.”

Everyday I have the Blues:

Honors & awards:

  • In 1977, he was awarded an honorary Doctor of Music by Yale University
  • In 1980, he was inducted into the Blues Hall of Fame.
  • In 1987, he was inducted into the Rock & Roll Hall of Fame.
  • In 1990, he was awarded the National Medal of Arts.
  • In 1991, he was awarded the National Heritage Fellowship from the NEA.
  • King was awarded the Kennedy Center Honors in 1995. This is given to recognize “the lifelong accomplishments and extraordinary talents of our nation’s most prestigious artists.”
  • In 2004, the Royal Swedish Academy of Music awarded him the Polar Music Prize for his “significant contributions to the blues”.
  • On December 15, 2006, President George W. Bush awarded King the Presidential Medal of Freedom.
  • On May 27, 2007, King was awarded an honorary doctorate in music by Brown University.
  • On May 14, 2008, King was presented with the keys to the city of Utica, New York; and on May 18, 2008, the mayor of Portland, Maine, Edward Suslovic, declared the day “B.B. King Day” in the city. Prior to King’s performance at the Merrill Auditorium, Suslovic presented King with the keys to the city.
  • In 2009, TIME named B.B. King No.3 on its list of the 10 best electric guitarists of all time.
  • Each year during the first week in June, a B.B. King Homecoming Festival is held in Indianola, Mississippi.
  • A Mississippi Blues Trail marker was added for B.B. King, commemorating his birthplace.
  • On May 29, 2010, Sabrosa Park (at the small town of Sabrosa, north of Portugal) was renamed B.B. King Park in honor of King and the free concert he played before 20,000 people.

How Blue Can You Get (Legends of Rock ‘n’ Roll):

Album of the day – Live At The Regal (1965):


 

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