Today: Bob Dylan recorded “Like A Rolling stone” in 1965 – 48 years ago

Bob Dylan - like-a-rolling-stone

….would be Like A Rolling Stone because I wrote that after I’d quit. I’d literally quit singing and playing, and I found myself writing this song, this story, this long piece of vomit about twenty pages long, and out of it I took Like A Rolling Stone and made it as a single. And I’d never written anything like that before and it suddenly came to me that that was what I should do, you know. I mean, nobody had ever done that before.
~Bob Dylan (to Martin Bronstein – Feb 1966)

.. The sound is so rich the song never plays the same way twice
~Greil Marcus

The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody had kicked open the door to your mind
~Bruce Springsteen (Jan 1988)

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First time I really listened to “Like A Rolling Stone”, I felt I entered a parallel universe.. a place of intense beauty.. a place filled with this wonderful blues-fueled rock music… and a spellbinding ..organ! I had never heard anything like it.. anything this good..

That was the day I understood that there is bad music, good music, great music & then there is Bob Dylan. He plays in another league. His musical universe is still as beautiful now as it was first time I flew into it.. “Like A Rolling Stone” still sounds as fresh as it did the first time I listened ~25 years ago.

..HOW does it feeeeeel?

Let’s not start with the original version (as most of you reading this probably have heard hundreds of times), but instead a frightening version.. a slow & demanding versions… an “ugly” version (some people might say).. a dangerous version.. but most importantly a BRILLIANT version:

…We get to hear a rarity on the tour… Bob introduces The Band. Then he kicks into the highlight of disc one… a paifully slow Like A Rolling Stone in which Bob spits words at the crowd with venom, and drags them into eternity.
~bobsboots.com

@ Royal Albert Hall – London, England – 26 May 1966:

Everything is changed now from before. Last spring I guess I was going to quit singing. I was very drained and the way things were going it was a very draggy situation – I mean, when you do Everybody Loves You For Your Black Eye and meanwhile the back of your head is caving in. Anyway, I was playing a lot of songs I didn’t want to play. I was singing words I didn’t really want to sing. I don’t mean words like “God” and “mother” and “president” and “suicide” and “meat cleaver”. I mean simple little words like “if” and “hope” and “you”. But Like A Rolling Stone changed it all; I didn’t care any more after that about writing books or poems or whatever. I mean it was something that I myself could dig. It’s very tiring having other people tell you how much they dig you if you yourself don’t dig you. It’s also very deadly entertainment-wise. Contrary to what some scary people think, I don’t play with a band now for any kind of propaganda-type or commercial-type reasons. It’s just that my songs are pictures and the band makes the sound of the pictures.
~Bob Dylan (to Nat Hentoff – March 1966)

To be without a home

Continue reading Today: Bob Dylan recorded “Like A Rolling stone” in 1965 – 48 years ago

Bergenfest 2013: The Third Day – Another fine day

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Tønes
 I don’t know how many times I’ve seen Tønes in concert, but it’s a lot. He never disappoints. He is a singer/songwriter from the western part of Norway, he has released music 17 years but his final break-through came last year here in Norway.This night in the Magic Mirrors tent was fun. His lyrics are often tinted with a dry sense of humour. He has a keen eye for the small stories in everyday life, and some of the stories are more bitter-sweet than humorous. It suits him very well to sing the more serious songs, and I find that I prefer the serious Tønes these days. A little bit of both is fine.He has a great band and they’ve been with him since 87 I think.The best song this evening: Min Venn

– Hallgeir

 Tønes is always a treat. Great artist, funny, always a bit nervous & always charming. Some people come only for good laugh, but these are really good musicians. If you’d be able to remove the vocal.. it would still be wonderful music.    My highlights: Lyset, Bonde & Sån av Salve.-Egil

 

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Rival Sons
 I should really like Rival Sons, they have a retro-vibe that should fit my taste. But…they seem like a pastiche or a parody, they give me much of the same feelings I get from Lenny Kravitz’ retro tinged soul-rock. It feels like a put-on, a posed “thing”. I saw 30 minutes and people seemed to enjoy the show.- Hallgeir

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Melody’s Echo Chamber
I like Melody’s album but they/she was much better live. I think it started too soft but after a while the “psychedelic droning” kicked in, heaven!I will be following this band and want to see them in concert again if I get the chance. This was a very good show.Highlights: The final jam, Crystalized and Be proud of your kids

– Hallgeir

 

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Simone Felice
 What an intence man he is Simone Felice! He put on a very fine show in Magic Mirrors last night. I saw him at Bergenfest two years ago when he visited with the band The Duke and The King. He was great then and he was very good this time. He is a charismatic performer who seems to really mean what he sings about. Great concert, best of the day for me.      The highlights: A fantastic cover of Springsteen’s Atlantic City, Do’t wake the scarcrow  and a lovely encore, New York Times- Hallgeir
Never seen Simone Felice before…. sound check was neck-to-neck with the real concert & you felt you got to know the man a bit. He seemed like a very “demanding” man to be round.. seeking attention & recognition.   Anyways.. he has a wonderful voice, a solid presence & has written some fine songs. His version of Neil Young’s Helpless was (as expected) a highlight.. beautiful.. He also gave an intense version of Bruce Springsteen’s Atlantic City .. I think “our Man” would have approved.   Best of his own material: New York Times, Don’t Wake The Scarecrow (Felice Brothers), If You Ever Get Famous (The Duke and The King).-Egil

 

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-Hallgeir & Egil

Bergenfest 2013: The Second day – a great festival day

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The rainy weather could not spoil this lovely day @ Bergenfest. We got some fantastic concerts & had a helluva time!

Nick Cave & The Bad Seeds
 What a concert! My first show with Nick Cave, he stumbled through the first songs like an over-eager kid. Then he tightened his grip, he slammed us into the walls, he held us up to God’s jugdment and we felt like beaten sinners after the mass.I got all the songs that I hoped for, the highlights for me were; a ferocious Mercy Seat and a drawn out Stagger Lee that had the most “Motherfucks/-ing” in a song ever. And by the way, he is still the coolest motherfucker on the scene.The best concert at this years Bergenfest (so far).- Hallgeir
  His presence was immediate.. he was in for the kill. Demanding & getting our full attention even though he was a bit rusty the first couple of songs. From Here To Eternity (#3) was intense, Weeping Song (#4) a bit out of focus, false start on Deanne (#6), but with Red Right Hand things got serious. Tupelo (#9) was majestic, & when he sat down at the keyboard and did my current fav People ain’t no good (#10) we were in some kind of a “Hellish Heaven”. The Mercy Seat (#12), one of the absolute best songs  he’s written, could have been better.. but still lovely. Then came Stagger Lee (#13) – best performance yesterday – a real mother fucker version (yes… he shouted “MOTHER FUCKER” at least 20 times during this one). The last three songs were good, but could not touch Stagger Lee… (than again who/what could?)
-Egil

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Magic Mirrors – 21:15:

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John Grant
 I saw a John Grant solo concert two years ago (well, he had one guy on stage with him on some songs) and it really changed my view on Mr. Grant. I was mesmerised. I thought I was prepared for this years show, but when the man starts to sing everything else disappears. He is one of the finest singer/songwriters today. It was fantastic once again.GMF (the Greatest Motherfucker) is maybe the single best musical moment of this years festival. Marz was another highlight.I hope I get to see him and his very good band in a non-festival setting soon.- Hallgeir
 My first John Grant concert… and WHAOO!     Had done my job and listened to his albums, but this was WAY better than I ever imagined (even though Hallgeir had “warned” me).    The first two songs (Vietnam & Marz) was unbelievably good.. I was blown away.Then came 3 songs that, though still very good, contained too much synths/electronics for my taste.   Sitting down @ the keyboard he gave a quiet and lovely Where Dreams Go To Die (#6) – what a song! It Doesn’t Matter To Him (#7) was also brilliant.The last songs were solid, but not in the same league as the mentioned top 4.   A wonderful concert with exceptionally good sound. And listening to his albums today (after the concert) .. feels different in very positive way.-Egil

 

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Plenen – 17:15:

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Steve Earle & The Mastersons
Steve Earle is a hero for us at JV, in many ways he embodies all the musical styles that we write about. I have seen him before, but this was my first concert with him when he has a band with him. I had a big expectations and they were fullfilled, he told short stories and entertaining anectdotes between the tunes. It was a good concert.Highlights: Copperhead Road and The Low Highway- Hallgeir
 A real hero indeed. This was my 5th Steve Earle concert (2 solo & 3 with band), and my expectations were sky high… a bad thing.    First – 17:15, the largest stage, and poring rain.. bad, bad, bad. BUT as soon as Steve Earle’s somewhat reduced voice hit us.. things felt alright…  and one of my fav Steve Earle songs is.. I Feel Alright (Steve Earle’s top 20 according to Egil).     The band were very good & surely inspired Steve to push his performance (even though struggling with his voice).     Best songs were a beautiful This City, a hard rocking & rock solid The Revolution Starts.. (last song)a good Hard-core Troubadour The Galway Girl.
You’re Still Standing There
also needs a nod.    -Egil

 

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Plenen – 20:00:

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Band Of Horses
This was my fourth Band of Horses concert and as a band this is the best I’ve heard them since 2008, but even if they were good last night, it seemed like another day on the job. They’re a tight band and it’s too bad that it felt a bit uninspired. “Just another day on the job”. Not bad, but not great either.Highlights: Is there a ghost and The Great Salt lake- Hallgeir
 Seen them twice before.. the band is tighter, but it has been a while since Bridwell has written a real good song. I’m still listening to the first 2 albums.. if I want some Band Of Horses. The “hard-core” rain didn’t hep either… solid stuff, but no cigar.
-Egil

 

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-Egil & Hallgeir

Today – The Grateful Dead released “Workingman’s Dead” in 1970 – 43 years ago

Grateful dead - workingman's dead

Workingman’s Dead, in part inspired by the rustic soul of the Band, ranks as the Dead’s studio masterpiece, followed closely by American Beauty. The focus is on the songs, rather than the jams, and these would provide the focal point of an era, spanning 1969–74, when the Dead played some of the most remarkable concerts in American history, virtually every one available in some incarnation thanks to the band’s dedicated tapers.
~rollingstone.com

Uncle John’s Band:

Wikipedia:

Released June 14, 1970
Recorded February 1970
Genre Country rock, rock
Length 35:33
Label Warner Bros.
Producer Bob Matthews
Betty Cantor
Grateful Dead

Workingman’s Dead is the fifth album by the rock band the Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970.

In 2003, the album was ranked number 262 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

GratefulDead-1970-WorkingmansDead

Of course they don’t sing as pretty as CSNY–prettiness would trivialize these songs. The sparse harmonies and hard-won melodies go with lyrics that make all the American connections claimed by San Francisco’s counterculture; there’s a naturally stoned bemusement in their good times, hard times, high times, and lost times that joins the fatalism of the physical frontier with the wonder of the psychedelic one. And the changeable rhythms hold out the promise of Uncle John’s Band, who might just save us if we’ll only call the tune. Inspirational Verse: “Think this through with me.” A
~Robert Christgau (robertchristgau.com)

Garcia has commented that much of the sound of the album comes both from his pairing with Hunter as well as the band’s friendship with Crosby, Stills and Nash. “Hearing those guys sing and how nice they sounded together, we thought, ‘We can try that. Let’s work on it a little’” commented Garcia.

Workingmans_Dead

 

Track Listing:

All songs written by Jerry Garcia and Robert Hunter except where noted.

Side one

  1. “Uncle John’s Band” 4:42
  2. “High Time” 5:12
  3. “Dire Wolf” 3:11
  4. “New Speedway Boogie” 4:01

Side two

  1. “Cumberland Blues” (Garcia, Hunter, and Phil Lesh) 3:14
  2. “Black Peter” 5:41
  3. “Easy Wind” (Hunter) 4:57
  4. “Casey Jones” 4:24

Musicians:

  • Jerry Garcia – lead guitar, pedal steel guitar, vocals
  • Bob Weir – guitar, vocals
  • Pigpen (Ron McKernan) – keyboards, harmonica, vocals
  • Phil Lesh – bass, vocals
  • Bill Kreutzmann – drums
  • Mickey Hart – drums
  • Tom Constanten – keyboards on reissue live bonus tracks “Dire Wolf”, “Black Peter”, “Easy Wind”, “Cumberland Blues”, “Mason’s Children”

Additional musicians

  • David Nelson – acoustic guitar on “Cumberland Blues”

Album @ spotify:

 Other June 14:

Continue reading Today – The Grateful Dead released “Workingman’s Dead” in 1970 – 43 years ago

Bergenfest 2013: The first day – a nice warm-up

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It was good to be back in Bergen for another Bergenfest. The Festival area is upgraded and it looks nice and the enhanced  Magic Mirrors  is especially welcome. This Wednesday was just a warm-up with only two acts on the bill. The headliner was former Dire Straits man, Mark Knopfler. He is a solid performer, but maybe not so inspired these days… The be brutally honest [Egil] found the gig a bit boring… solid but boring nevertheless.

Our award for best concert on the first day goes to the Oregon band, Larry and his Flask. Its not an easy task to start a festival as the early act, and almost as a “support act” to Mark Knopfler. We have to be honest, almost everyone out this night came to see the famous guitar picker & thus Magic Mirrors was not packed.

Larry and his Flask gave it all and they won the audience over (after a bit of a uncertainty in the beginning). They would have benefittet with a more varied set and the two highlights for us was a good (and interesting) cover version of Marvin Gaye’s What’s Goin’ On and the one that came right after it, Slow it Down (…at least we believe that was the title). Lot’s of energy – Ian Cook (lead vocal & guitar) was literally on his toes the whole set..

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Mark Knopfler, Bergen 2013:

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-Hallgeir & Egil