Tag Archives: 1971

August 1: Watch Bob Dylan & George Harrison – The Concert for Bangladesh, New York City, 1971

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Bob Dylan & George Harrison: August 1, 1971, New York
The Concert for Bangladesh (or Bangla Desh, as the country name was spelt originally) was the name for two benefit concerts organised by George Harrison and Ravi Shankar, held at 2.30 and 8 pm on Sunday, 1 August 1971, playing to a total of 40,000 people at Madison Square Garden in New York City. The shows were organised to raise international awareness and fund relief efforts for refugees from East Pakistan (now Bangladesh), following the 1970 Bhola cyclone and the civil war-related Bangladesh atrocities. The concerts were followed by a bestselling live album, a boxed three-record set, and Apple Films’ concert documentary, which opened in cinemas in the spring of 1972.The event was the first-ever benefit concert of such a magnitude and featured a supergroup of performers that included Harrison, fellow ex-Beatle Ringo Starr, Bob Dylan, Eric Clapton, Billy Preston, Leon Russell and the band Badfinger. In addition, Shankar and another legend of Indian music, Ali Akbar Khan, performed a separate set. Decades later, Shankar would say of the overwhelming success of the event: “In one day, the whole world knew the name of Bangladesh. It was a fantastic occasion …”
~Wikipedia

This was Dylan’s first live performance in two years. Harrison had to twist his arm to get him to take part in the benefit concert, and we can be very glad he did: it’s a stunning performance (both shows), modest, confident, richly textured, with Dylan feeling and communicating genuine love for the music he’s playing (in the case of” Blowin’ in the Wind” this was his first public performance of the song in seven years). Most of all, Dylan’s voice on this midsummer afternoon and evening has a rare, penetrating beauty that is immediately noticeable to almost anyone who hears it. This is, in a very real sense, the Dylan a large part of his audience dreams of hearing; this is the voice to fit the stereotyped or mythic image of Bob Dylan, guitar strumming poet laureate of the 1960s.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)

Madison Square Garden
New York City, New York
1 August 1971
Rehearsals before the Bangla Desh Concert

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Bob Dylan: 5 great songs recorded in 1971





This is not a “best from 1971” list, just 5 Great songs Bob Dylan recorded in 1971.

Previous in this series:

George Jackson

Columbia Studio B
New York City, New York
4 November 1971
Produced by Bob Dylan

Released on single, 12 November 1971

I woke up this mornin’
There were tears in my bed
They killed a man I really loved
Shot him through the head
Lord, Lord
They cut George Jackson down
Lord, Lord
They laid him in the ground

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Bob Dylan: Greatest Hits Vol.2 recording session, 24 September 1971

bob dylan greatest hits vol2

 

“He felt there were some songs that he had written that had become hits of sorts for other people, that he didn’t actually perform himself, and he wanted to fit those on the record as well…So we just went in one afternoon and did it, it was just the two of us and the engineer, and it was very simple…we chose three [songs] on the spot and mixed them…in the space of an afternoon…Sometimes I wasn’t even sure if it was a final take until we would just finish and Bob would say, ‘Okay, let’s go and mix it.'”
~Happy Traum


I believe we can hear a surprisingly happy Dylan reasserting the expressive power and rich musicality of his own work. The soulful harmonica playing, the striking two-part singing, the confident and inventive guitar rhythms, the strong conveying of individual consciousness and specific feelings in the vocalizing of words and phrases, all work together to communicate the artist’s renewed confidence in the value of his work and in his ability as a performer to share something unique with the world.
~Paul Williams (BD Performing Artist, 1960-73)

Wikipedia:

Bob Dylan’s Greatest Hits Vol. II (1971), also known as More Bob Dylan Greatest Hits, was the second compilation album released by Bob Dylan. With Dylan not expected to release any new material for an extended period of time, CBS Records president Clive Davis proposed issuing a double LP compilation of older material. Dylan agreed, compiling it himself and suggesting that the package include a full side of unreleased tracks from his archives. After submitting a set of excerpts from the The Basement Tapes that Davis found unsatisfactory, Dylan returned to the studio in September 1971 to recut several Basement songs, with Happy Traum providing backup.

The final package included one previously uncollected single, “Watching the River Flow”, an outtake from the same sessions, “When I Paint My Masterpiece”; one song from Dylan’s April 12, 1963 Town Hall concert, “Tomorrow Is a Long Time”, and three songs from the September sessions, “I Shall Be Released”, “You Ain’t Goin’ Nowhere”, and “Down in the Flood”. The remaining tracks were drawn from existing releases.

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October 2: Dolly Parton released Coat of Many Colors in 1971

Coat of Many Colors_Dolly Parton

A new acquaintance in the night
You mean no more to her than all the others she’s held tight
But I know she’s convinced you it was love at first sight
But she’s never met a man she didn’t like

 

Coat of Many Colors is the eighth solo studio album by Dolly Parton, released in 1971 by RCA Records. The title song, which Parton has described as her favourite of all the songs she’s ever written, deals with the poverty of her childhood. It reached #4 on the U.S. country singles charts.

Dolly Parton – Coat of Many Colors (acoustic):

Over the years, Parton would re-record a number of the songs from the album. She redid “Traveling Man” (not to be confused with the Ricky Nelson song of the same name), a song that involved an unusual love triangle between a travelling salesman, a woman, and her mother, for inclusion on her 1973 album Bubbling Over. She would also re-record her composition “My Blue Tears”, an “old-timey” folk-influenced song, with Emmylou Harris and Linda Ronstadt in the mid-1970s, for an ill-fated Trio album project. (The recording would eventually surface on Ronstadt’s 1982 album Get Closer). Parton cut the song for a third time in 2001, including it on her Little Sparrow album. “Early Morning Breeze” later appeared on her 1974 Jolene album.

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August 9: Merle Haggard released “Someday We’ll Look Back” in 1971

Merle Haggard Someday We'll Look Back

Someday We’ll Look Back is a terrific early-’70s LP from Merle Haggard, one that showcases not only his exceptional songwriting skills, but also his rich, subtle eclecticism.
~Stephen Thomas Erlewine (allmusic.com)

Someday We’ll Look Back (live):

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