This concert was the final show of the first leg of the “Working on a Dream Tour“.
Glory Days was next to last on the setlist… (Bruce ended with “Mony Mony”) and it contains the “Louie Louie” coda.
Continue reading Bruce Springsteen – Glory Days – East Rutherford, NJ – 23 May 2009 – Video
Fair Grounds Race Course, New Orleans, Louisiana
New Orleans Jazz and Heritage Festival
Neil Young & His Electric Band
May 03, 2009
Continue reading Neil Young: New Orleans Jazz and Heritage Festival, May 03, 2009 (Videos)
| Bob Dylan: Together Through Life (released 5 years ago today) …Sure, I try to stick to the rules. Sometimes I might shift paradigms within the same song, but then that structure also has its own rules. And I combine them both, see what works and what doesn’t. My range is limited. Some formulas are too complex and I don’t want anything to do with them. ~Bob Dylan (to Bill Flanagan, in 2009)– “Dylan, who turns 68 in May, has never sounded as ravaged, pissed off and lusty” |
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| Charley Patton (between April 1887 and 1891 – April 28, 1934), also known as Charlie Patton, was an American Delta blues musician. He is considered by many to be the “Father of the Delta Blues”, and is credited with creating an enduring body of American music and personally inspiring just about every Delta blues man (Palmer, 1995). Musicologist Robert Palmer considers him among the most important musicians that America produced in the twentieth century. Many sources, including musical releases and his gravestone, spell his name “Charley” even though the musician himself spelled his name “Charlie.”Check out: |  |
| Kim Althea Gordon (born April 28, 1953, Rochester, New York) is an American musician, vocalist, artist, record producer, video director and actress. She has sung and played bass and guitar in the alternative rock band Sonic Youth, and in Free Kitten with Julia Cafritz (of Pussy Galore). Gordon has collaborated with a number of musicians, including Ikue Mori, DJ Olive, William Winant, Lydia Lunch, Courtney Love, Alan Licht, Mike Watt, and Chris Corsano. |  |
| Classic Interview: Bob Dylan – Klas Burling Interview, Stockholm, Sweden – 28 April 1966 (Read more)
Immediately after the official press conference at the Hotel Flamingo at Stockholm, Dylan was interviewed for Swedish Radio 3: Stockholm: Radiohuset by Sweden’s first disc jockey, Klas Burling. Burling asked all the questions that Dylan had clearly grown sick and tired of hearing and got a really hard time as a result. You have to give poor Burling credit for lasting the distance and carrying the interview through to the end. |
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…Sure, I try to stick to the rules. Sometimes I might shift paradigms within the same song, but then that structure also has its own rules. And I combine them both, see what works and what doesn’t. My range is limited. Some formulas are too complex and I don’t want anything to do with them.
~Bob Dylan (to Bill Flanagan, in 2009)“Dylan, who turns 68 in May, has never sounded as ravaged, pissed off and lusty”
~David Fricke (rollingstone.com)
Together Through Life is an album that gets its hooks in early and refuses to let go. It’s dark yet comforting, with a big tough sound, booming slightly like a band grooving at a soundcheck in an empty theatre. And at its heart there is a haunting refrain. Because above everything this is a record about love, its absence and its remembrance.
~Danny Eccleston (mojo4music.com)
Beyond Here Lies Nothin’
I’m listening to Billy Joe Shaver
And I’m reading James Joyce
Some people they tell me
I got the blood of the land in my voice
~Bob Dylan (I Feel A Change Comin’ On)
Wikipedia:
| Released | April 28, 2009 |
|---|---|
| Recorded | December 2008 |
| Genre | Folk rock, blues rock, Americana |
| Length | 45:33 |
| Language | English |
| Label | Columbia |
| Producer | Jack Frost (Bob Dylan pseudonym) |
Together Through Life is the thirty-third studio album by singer-songwriter Bob Dylan, released in April 2009 by Columbia Records. The album debuted at number one in several countries, including the U.S. and the UK. It is Dylan’s first number one in Britain since New Morning in 1970.
Dylan wrote all but one of the album’s songs with Grateful Dead lyricist Robert Hunter, with whom he had previously co-written two songs on his 1988 album Down in the Groove. In an interview with Rolling Stone magazine, Dylan commented on the collaboration:
“Hunter is an old buddy, we could probably write a hundred songs together if we thought it was important or the right reasons were there… He’s got a way with words and I do too. We both write a different type of song than what passes today for songwriting.”
The only other writer Dylan has ever collaborated with to such a degree is Jacques Levy, with whom he wrote most of the songs on Desire (1976).
Rumors of the album, reported in Rolling Stone magazine, came as a surprise, with no official press release until March 16, 2009 — less than two months before the album’s release date. Dylan produced the record under his pseudonym of Jack Frost, which he used for his previous two studio albums, “Love and Theft” and Modern Times. The album was rumored to contain “struggling love songs” and have little similarity to Modern Times.
In a conversation with music journalist Bill Flanagan, published on Bob Dylan’s official website, Flanagan suggested a similarity of the new record to the sound of Chess Records and Sun Records, which Dylan acknowledged as an effect of “the way the instruments were played.” He said that the genesis of the record was when French film director Olivier Dahan asked him to supply a song for his new road movie, My Own Love Song, which became “Life is Hard” – indeed, ‘according to Dylan, Dahan was keen to get a whole soundtrack’s worth of songs from the man’ – and “then the record sort of took its own direction.”
Beyond Here Lies Nothin’ live 2011 Tucson, AZ:
Dylan is backed on the album by his regular touring band, plus David Hidalgo of Los Lobos and Mike Campbell of Tom Petty and the Heartbreakers. Dylan commented on Campbell’s guitar work in his interview with Flanagan: “He’s good with me. He’s been playing with Tom for so long that he hears everything from a songwriter’s point of view and he can play most any style.”
In the interview with Bill Flanagan, Dylan discusses the only known outtake to “Together Through Life”, “Chicago After Dark”. Apparently, this song was in the running to be on the album but was left off the final version, as Flanagan talks about the song as if it is on the album. The song is not circulating among collectors.
“Bill Flanagan: In that song CHICAGO AFTER DARK, were you thinking about the new President?
Bob: Not really. It’s more about State Street and the wind off Lake Michigan and how sometimes we know people and we are no longer what we used to be to them. I was trying to go with some old time feeling that I had.”
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Described at length in a 2009 interview to promote the album Together Through Life, according to Dylan, it’s about “how sometimes we know people and we are no longer what we used to be to them”. In fact, this song never existed.He made it all up. How fitting.
~Clinton Heylin (telegraph.co.uk)
Forgetful Heart, Memphis, 2011:
Track listing:
My ratings (0-10):
Personnel:
Continue reading Today: Bob Dylan released Together Through Life in 2009 – 4 years ago
1974 (7 min.):
2009 (4 and a half minute), without Neil Young but good version, but those other guys also knows how to handle a guitar:
Both good, but the 1974 version is out of this world!
This David Crosby anthem of rebellion and personal freedom was recorded on January 9, 1970, at Wally Heider’s “Studio C” in San Francisco. It is likewise one of the few songs from Déjà Vu to have been recorded live by CSN&Y. The truly inspired interaction exhibits the raw and unabashed fury that became synonymous with the supergroup’s “electric” material with sizable instrumental contributions from all four. However, there is no doubt that it is Crosby who dominates the proceedings with perhaps the most impassioned lead vocal of his career. “Almost Cut My Hair” also amply demonstrates the three-way electric guitar “cross talk” between Crosby, Stephen Stills, and Neil Young. This is most prominent during the instrumental break prior to the “When I finally get myself together…” verse.
There is an extended and unedited version of this break included on the Crosby, Stills & Nash box set. This song is also notable for first popularizing the phrase “let[ting] my freak flag fly” — which took on new meaning in the late ’80s after Crosby served a year in a Texas prison. He began performing the song with a lyrical alteration to the line “…it increases my paranoia, like looking in my mirror and seeing a lit up Texas trooper.”
– Hallgeir