Tag Archives: Felton Jarvis

Jazz, Music Calendar

Today: The late Dexter Gordon was born in 1923 – 90 years ago

dexter gordon

If you can’t play the blues… you might as well hang it up.
~Dexter Gordon

Jazz to me is a living music. It’s a music that since its beginning has expressed the feelings, the dreams, hopes, of the people.
~Dexter Gordon

Montmartre, Copenhagen, 1971:

Wikipedia:

Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist. He was among the earliest tenor players to adapt the bebop musical language of people like Charlie Parker, Dizzy Gillespie, and Bud Powell to the instrument. His studio and live performance career spanned over 40 years.

Gordon’s height was 6 feet 6 inches (198 cm), so he was also known as “Long Tall Dexter” and “Sophisticated Giant”. He played a Conn 10M ‘Ladyface’ tenor until it was stolen in a Paris airport in 1961. He then switched over to a Selmer Mark VI. His saxophone was fitted with an Otto Link metal mouthpiece, which can be seen in various photos.

dexter gordon

Lady Bird (Belgium, 1964):

Dexter Gordon was named a member and Officer of the French Order of Arts and Letters in 1986 by the Ministry of Culture in France. His performance in Round Midnight (Warner Bros, 1986) was nominated for an Academy Award for Best Leading Role and he won a Grammy for Best Soundtrack. Dexter Gordon died on April 25, 1990, in Philadelphia, Pennsylvania.

round midnight

Chan’s song (from the Round Midnight):

Album of the day:

Go (1962)

Dexter-Gordon-Go

From the first moments when Dexter Gordon sails into the opening song full of brightness and confidence, it is obvious that Go! is going to be one of those albums where everything just seems to come together magically. A stellar quartet including the stylish pianist Sonny Clark, the agile drummer Billy Higgins, and the solid yet flexible bassist Butch Warren are absolutely crucial in making this album work, but it is still Gordon who shines.
~Stacia Proefrock (allmusic.com)

Other Feb 27:

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Music Calendar

Today: Stephen Stills is 68

SS

An artist cannot be responsible for what people make of their art. An audience loathe giving up preconceived images of an artist.
~Stephen Stills

One thing the blues ain’t, is funny.
~Stephen Stills

He’s a musical genius
~Neil Young

Buffalo Springfield – For What It’s Worth 1967:

From Wikipedia:

Birth name Stephen Arthur Stills
Born January 3, 1945 (age 68)
Dallas, Texas, United States
Genres Rock, folk rock, blues rock, latin
Occupations Musician, songwriter, producer, political activist
Instruments Vocals, guitar, bass, piano,organ, percussion, drums, viola
Years active 1962–present
Labels Columbia, Atlantic, Reprise, Vision, Raven, Titan/Pyramid
Associated acts Buffalo Springfield, Crosby, Stills, Nash & Young, The Stills-Young Band, Au Go Go Singers, The Continentals, Manassas
Website Official website

SS2

Manassas – Stephen Stills – it does’nt matter (1972):

Stephen Arthur Stills (born January 3, 1945) is an American multi-instrumentalist and singer/songwriter best known for his work with Buffalo Springfield and Crosby, Stills & Nash (and Young). He has performed on a professional level in several other bands as well as maintaining a solo career at the same time. Stills was ranked #28 in Rolling Stone Magazine’s 2003 list of “The 100 Greatest Guitarists of All Time”. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame for his work with CSN and Buffalo Springfield. He is often considered one of the greatest musician/songwriters of the 20th century.

Album of the day:

Manassas (1972):

stills - manassas

A sprawling masterpiece, akin to the Beatles’ White Album, the Stones’ Exile on Main St., or Wilco’s Being There in its makeup, if not its sound. Rock, folk, blues, country, Latin, and bluegrass have all been styles touched on in Stephen Stills’ career, and the skilled, energetic musicians he had gathered in Manassas played them all on this album. What could have been a disorganized mess in other hands, though, here all gelled together and formed a cohesive musical statement.
~Rob Caldwell (allmusic.com)

Other January 03:

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Memphis, Music Calendar, Soul, Stax

Today: Dan Penn is 71

At the dark end of the street
That’s where we always meet
Hiding in shadows where we don’t belong
Livin in darkness to hide a wrong
You and me
At the dark end of the street
You and me

Dan Penn was an important player in the development of the “Southern Soul scene” in Memphis in the early 60’s.

Here he performs one of the greatest soul songs ever, which he wrote together with Chips Moman in 1966:

Dark End of The Street:

I also need to include the best version of this fantastic song – James Carr:

From Wikipedia:

Dan Penn (born Wallace Daniel Pennington, 16 November 1941) is an American singer, musician, songwriter, and record producer who co-wrote many soul hits of the 1960s including “Dark End Of The Street” and “Do Right Woman, Do Right Man” with Chips Moman as well as “Out Of Left Field” and “Cry Like a Baby” with Spooner Oldham. Penn also produced many hits including “The Letter” by The Box Tops. Though considered to be one of the great white soul singers of his generation, Penn has released relatively few records featuring his own vocals and musicianship preferring the relative anonymity of songwriting and producing.

I’m Your Puppet (Penn/Spooner Oldham):

Steve Kurutz (allmusic.com):
Songwriter/producer Dan Penn has been a quiet force behind Southern soul music for over thirty years. Always moving just out of view of the limelight, Penn has produced and written hits for the Box Tops, Solomon Burke, Aretha Franklin and Ronnie Milsap, among others.
Originally from Vernon, Alabama, Penn began his career as a performer, leading several white R&B bands around the Muscle Shoals area. Achieving early success by selling a hit song to Conway Twitty (“Is a Bluebird Blue?”), the songwriter eventually moved to Memphis, joining producer Chips Moman at his American Studios. Together the two, along with Penn’s writing partner, organist Spooner Oldham, wrote and/or produced several hits for the Box Tops, such as “The Letter” and “Cry Like a Baby,” throughout the late ’60s.
…read more over @ allmusic.com

Album of the day:

Do Right Man (1994):


From allmusic.com (Chris Nickson):
If James Brown is Soul Brother Number One, you can make a very credible case for Dan Penn being number two. The Alabama native has had a hand in writing a fair number of classic soul songs, and here he commits his versions of them to tape for the first time, recording, of course, in Muscle Shoals, with their fabulous house band, and a horn section including former Memphis Horn member Wayne Jackson. It’s a tall order Penn sets himself, offering himself up for comparison with greats like James Carr, Aretha Franklin, and James and Bobby Purify, who have sung his songs — and that’s just the start of the list. However, he comes out very well, beginning with a quiet take on”The Dark End of the Street,” coming across like a note to a secret lover, rather than a cry of pain.
…read more – allmusic.com 

Other November 16:

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