Tag Archives: Great Album

October 5: Muddy Waters Electric Mud (1968)


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Electric Mud imagines Muddy Waters as a psychedelic musician. Producer Marshall Chess suggested that Muddy Waters record experimental, psychedelic blues tracks with members of Rotary Connection in trying to revive the blues singer’s career.

The album peaked at #127 on the Billboard Pop Albums chart. It was controversial for its fusion of electric blues with psychedelic elements, but was influential on psychedelic rock bands of the era.

Allmusic.com doesn’t like it:

” It’s a classically wrongheaded, crass update of the blues for a modern audience.”

I can understand the sceptics then, but I’m not a blues-purist and I really love the record!

She’s allright (audio):

 Chuck D(Public Enemy) is a big supporter of the record:
“To me, it’s a brilliant record. I’ve played it a thousand times. It took me a while to warm up to traditional blues, but what struck me right away was the Electric Mud thing.”

And check out the great inlay cover, the man looked great! :

Continue reading October 5: Muddy Waters Electric Mud (1968)

30 best live albums countdown: 15 – Live/1975–85 by Bruce Springsteen and The E Street band

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It’s not enough. By anyone else’s standards, of course, Bruce Springsteen & the E Street Band Live/1975-85 is an embarrassment of riches — five albums and ten years’ worth of barroom, hockey-arena and baseball-stadium dynamite; greatest hits, ace covers, love songs, work songs, out-of-work songs — the ultimate rock-concert experience of the past decade finally packaged for living-room consumption, a special gift of thanks to the fans who shared those 1001 nights of stomp & sweat and the best possible consolation prize for the poor bastards who could never get tickets.

~David Fricke – rollingstone.com

Jon Landau sent a four-song cassette of ‘Born in the U.S.A.‘, ‘Seeds’, ‘The River‘ and ‘War‘ down to my house with a note attached saying he ‘thought we might have something here’. Over the following months we listened to 10 years of tapes, the music did the talkin’, and this album and its story began to emerge. We hope you have as much fun with it as we did. I’d like to thank Jon for his friendship and perseverance and the E Street Band for 1,001 nights of comradeship and good rockin’. They’re all about the best bunch of people you can have at your side when you’re goin’ on a long drive.”
– Bruce Springsteen (liner notes)

Live/1975–85 is a live album by Bruce Springsteen & the E Street Band. It consists of 40 tracks recorded at various concerts between 1975 and 1985. It was released as a box set with either five vinyl records, three cassettes, or three CDs. There was also a record club only release which came on three 8-track cartridges, which is extremely hard to find.

Thunder Road – October 18, 1975 at The Roxy Theatre:

Continue reading 30 best live albums countdown: 15 – Live/1975–85 by Bruce Springsteen and The E Street band

August 19: Neil Young and Crazy Horse released Greendale in 2003

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Greendale is the name of an album, movie and graphic novel by Neil Young. As the twenty-seventh album by Neil Young, Young and Crazy Horse’s Greendale, a 10-song rock opera, is set in a fictional California seaside town. Based on the saga of the Green family, the “audio novel” has been compared to the literary classics of Thornton Wilder’s Our Town and Sherwood Anderson’s Winesburg, Ohio for its complexity and emotional depth in exploring a small town in America.

Greendale combines many themes on corruption, environmentalism and mass media consolidation. The album, concert, film and DVDs have produced a vast divergence of critical opinion ranging from being called “amateur” to being voted as one of the best albums of 2003 by Rolling Stone magazine music critics.

Falling from above:

The CD was originally released with a DVD of live “Neil-only” acoustic performance of the Greendale material from Vicar Street, Dublin, Ireland. In 2004, the CD was released with a new DVD containing a live performance of Neil Young and Crazy Horse. A DVD-Audio version was also released, with both Advanced Resolution Stereo and 5.1 Surround sound mixes, and a video of “Devil’s Sidewalk” from the film. In late 2004, the feature-length DVD with actors lip-synching the material was released.

Continue reading August 19: Neil Young and Crazy Horse released Greendale in 2003

August 13: Eels released beautiful freak in 1996

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Eels released their debut album, “beautiful freak” on this date in 1996. For me it was the soundtrack of fall 1996, a perfect sad pop-album, for sad Norwegian weather.

“Eccentric and quirky are the best ways to describe the Eels’ debut effort, Beautiful Freak. Concise pop tunes form the backbone of the album, yet tinges of despair and downright meanness surface just when you’ve been lulled into thinking this is another pop group, as titles like “My Beloved Monster,” “Your Lucky Day in Hell” and “Novocaine for the Soul” indicate.”
– Review by James Chrispell (allmusic)

Eels is a rock band, formed in California in 1995 by singer/songwriter and multi-instrumentalist Mark Oliver Everett (son of famous physicist Hugh Everett III). Band members have changed across the years, both in the studio and on stage, making Everett the only official member for the most of the band’s work. Often filled with themes about family, death and lost love, Eels’ music straddles a range of genres, which is shown by the distinct musical style of every album. Since 1996, Eels has made eleven major studio releases, The Cautionary Tales of Mark Oliver Everett (2014) being their most recent release. 

Eels – Novocaine for the soul (live, Pinkpop 1997):

Continue reading August 13: Eels released beautiful freak in 1996

50 years ago today: A Hard Days Night by The Beatles was released


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“We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

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In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

“…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”

– Tom Ewing, Pitchfork

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