Tag Archives: Great Songs

Bob Dylan: 5 great songs recorded in 1974

This is not a “best from 1974” list, just 5 Great songs Bob Dylan recorded in 1974.

Up To Me

In its own way ‘Up To Me’ is as masterful an achievement as ‘Tangled Up In Blue’, using much the same technique to create a well-crafted juxtaposition of ‘what I know to be the truth’ and what I’m projecting’.
~Clinton Heylin (Still on the Road: The Songs of Bob Dylan Vol. 2, . 1974-2008)

A & R Studios
New York City, New York
19 September 1974

4th Blood On The Tracks recording session, produced by Bob Dylan.

First released on  BIOGRAPH, October 28, 1985.

Everything went from bad to worse, money never changed a thing
Death kept followin’, trackin’ us down, at least I heard your bluebird sing
Now somebody’s got to show their hand, time is an enemy
I know you’re long gone, I guess it must be up to me

Continue reading Bob Dylan: 5 great songs recorded in 1974

Bob Dylan: 5 great songs recorded in 1981

This is not a “best from 1981” list, just 5 Great songs Bob Dylan recorded in 1981.


How to comment on this extraordinary piece of writing? Recorded at the ‘Shot of Love’ sessions of April-May 1980, Angelina is unlike anything else Bob Dylan has ever written – part Cocteau film, part Braque painting, totally surreal, it defies logic and heads off for the deepest, darkest parts of poetic mystery. Though Dylan has never commented about the song in public, chances are that he’d confess that it was as much mystery to him as to anyone else.
~John Bauldie (TBS1-3 booklet)

Rundown Studios
Santa Monica, California
26 March 1981
1st Shot Of Love recording session. Produced by Jimmy Iovine.

Released on THE BOOTLEG SERIES (RARE & UNRELEASED) 1961-1991, 26 March 1991.

Well, it’s always been my nature
To take chances
My right hand drawing back
While my left hand advances

Continue reading Bob Dylan: 5 great songs recorded in 1981

Howlin’ Wolf: Smokestack Lightning

howlin wolf

The greatest twenty words of music criticism spoken by any person in the 20th century (Paul Williams):

“When I heard Howlin’ Wolf, I said, This is for me. This is where the soul of man never dies.”
– Sam Phillips


Howlin’ Wolf is for me the second greatest blues man in history.

His voice chills me to the core.. looking at videos of him fills me with awe.. and reading about him…  makes me understand his importance in american music history. He rambled with Son House, Charlie Patton…. and stumbled upon Robert Johnson now & then…

Our Man & Son House:

Smokestack Lightning is his best song.

The late great Robert Palmer once wrote:

God, what it would be worth on film to see the fervor in that man’s face when he sang. His eyes would light up, you’d see the veins come out on his neck, and buddy, there was nothing on his mind but that song. He sang with his damn soul

Now for the Facts… from Wikipedia:

Smokestack Lightning” (or “Smoke Stack Lightning” as listed on the original single) is a classic of the blues. In 1956, Howlin’ Wolf recorded the song and it became one of his most popular and influential songs. It is based on earlier blues songs and numerous artists later interpreted it.

Single by Howlin’ Wolf
B-side “You Can’t Be Beat”
Released March 1956
Format 7″ 45 rpm & 10″ 78 rpm records
Recorded Chicago
January 1956
Genre Blues
Length 2:32
Label Chess (Cat. no. 1618)
Writer(s) Chester Burnett aka Howlin’ Wolf
Producer Leonard Chess, Phil Chess, Willie Dixon

“Smokestack Lightning”, in one form or another, “had been part of his [Wolf’s] repertoire as far back as the early 1930s” when he was performing with Charley Patton in small Delta communities. The song, called “a hypnotic one-chord drone piece” draws on earlier blues, such as Tommy Johnson’s “Big Road Blues” (1928 Victor 21279), the Mississippi Sheiks’ “Stop and Listen Blues” (1930 OKeh 8807), and Charley Patton’s “Moon Going Down” (1930 Paramount 13014). Wolf said the song was inspired by watching trains in the night: “We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning. In 1951, Howlin’ Wolf recorded the song as “Crying at Daybreak” (RPM 340). It contains the line “O-oh smokestack lightnin’, shinin’, just like gold, oh don’t you hear me cryin’ …” similar to the Mississippi Sheiks “A-ah, smokestack lightnin’, that bell shine just like gold, now don’t you hear me talkin’ …”



  • “Smokestack Lightning” received a Grammy Hall of Fame Award in 1999 honoring its lasting historical significance.
  •  It is ranked #285 in Rolling Stone magazine’s list of the “500 Greatest Songs of All Time”
  • In 1985, the song was inducted into the Blues Hall of Fame in the “Classics of Blues Recordings” category.
  •  It is also included in the Rock and Roll Hall of Fame list of the “500 Songs that Shaped Rock and Roll”.
  •  In 2009 “Smokestack Lightning” was selected for permanent preservation in the National Recording Registry at the Library of Congress in the United States


The Lyrics:

Ah, oh, smokestack lightning
Shinin’, just like gold
Why don’t ya hear me cryin’?
Ah, whoo hoo, ooh…

Whoa, oh, tell me, baby
What’s the, matter with you?
Why don’t ya hear me cryin’?
Whoo hoo, whoo hoo

Whoa, oh, tell me, baby
Where did ya, stay last night?
A-why don’t ya hear me cryin’?
Whoo hoo, whoo hoo

Whoa, oh, stop your train
Let her, go for a ride
Why don’t ya hear me cryin’?
Whoo hoo, whoo hoo

Whoa, oh, fare ya well
Never see, ah, you no more
Ah, why don’t ya hear me cryin’?
Ooh, whoo hoo, whoo hoo

Whoa, oh, who been here baby since
I, I been gone, a little, bitty boy?
Girl, be on
Ah, whoo hoo, whoo hoo

Live in England 1964:

Studio version:

– Egil