The Newport Jazz Festival is a music festival held every summer in Newport, Rhode Island, USA. It was established in 1954 by socialite Elaine Lorillard, who, together with husband Louis Lorillard, financed the festival for many years. The couple hired jazz impresario George Wein to organize the event to help them bring jazz to the resort town. Most of the early festivals were broadcast on Voice Of America radio and many performances were recorded and have been issued by various record labels.The Newport Jazz Festival moved to New York City in 1972 and became a two-site festival in 1981 when it returned to Newport and also continued in New York. The festival was known as the JVC Jazz Festival from 1984 to 2008. During the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion. As of 2012 the festival is sponsored by Natixis Global Asset Management. The festival is hosted in Newport at Fort Adams State Park, and is often held in the same month as its sister festival, the Newport Folk Festival.
In 1960 boisterous spectators created a major disturbance, and the National Guard was called to the scene. Word that the disturbances had meant the end of the festival, following the Sunday afternoon blues presentation headlined by Muddy Waters, reached poet Langston Hughes, who was in a meeting on the festival grounds. Hughes wrote an impromptu lyric, “Goodbye Newport Blues”, that he brought to the Muddy Waters band onstage, announcing their likewise impromptu musical performance of the piece himself, before pianist Otis Spann led the band and sang the Hughes poem.The 1960 event was notable also for the presence of a rival jazz festival that took place at the Cliff Walk Manor Hotel, just a few blocks away. This was organized by musicians Charles Mingus and Max Roach in protest against the lower pay that the Newport festival offered jazz innovators in comparison with more mainstream performers; the fact that the innovators were mostly black and the mainstream performers mostly white was also an aggravating factor.
Highlights included:
The Dave Brubeck Quartet
The Cannonball Adderley Quintet, featuring Nat Adderley
Nina Simone
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The Louis Armstrong All-Stars with Trummy Young and Barney Bigard
Jazz is a white term to define black people. My music is black classical music.
~Nina Simone
Once I understood Bach’s music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.
~Nina Simone
Nina Simone was one of the most gifted vocalists of her generation, and also one of the most eclectic.
~Mark Deming (allmusic.com)
Ain’t Got No…I’ve Got Life:
Wikipedia:
Birth name
Eunice Kathleen Waymon
Born
February 21, 1933
Tryon, North Carolina, United States
Died
April 21, 2003 (aged 70)
Carry-le-Rouet, Bouches-du-Rhône, France
Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone /ˈniːnə sɨˈmoʊn/, was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop.
Born the sixth child of a preacher’s family in North Carolina, Simone aspired to be a concert pianist. Her musical path changed direction after she was denied a scholarship to the prestigious Curtis Institute of Music in Philadelphia, despite a well-received audition. Simone was later told by someone working at Curtis that she was rejected because she was black. When she began playing in a small club in Philadelphia to fund her continuing musical education and become a classical pianist she was required to sing as well. She was approached for a recording by Bethlehem Records, and her rendering of “I Loves You, Porgy” was a hit in the United States in 1958. Over the length of her career Simone recorded more than 40 albums, mostly between 1958—when she made her debut with Little Girl Blue—and 1974.
“Feelings” (Montreux Jazz Festival):
Her musical style arose from a fusion of gospel and pop songs with classical music, in particular with influences from her first inspiration, Johann Sebastian Bach, and accompanied with her expressive jazz-like singing in her characteristic contralto. She injected as much of her classical background into her music as possible to give it more depth and quality, as she felt that pop music was inferior to classical. Her intuitive grasp on the audience–performer relationship was gained from a unique background of playing piano accompaniment for church revivals and sermons regularly from the early age of six years old.
In the early 1960s, she became involved in the civil rights movement and the direction of her life shifted once again. Simone’s music was highly influential in the fight for equal rights in the United States. In later years, she lived abroad, finally settling in France in 1992.
There’s a game they play in the summertime
There’s a game they play when it’s hot outside
And I wonder why
They left me here in Merrittville
~From the song “Merritville” (Dream Syndicate)
You want to take a glass a water, turn the water into wine
Don’t call it a miracle, it happens all the time
You missed the part where the heavens start to bend?
Wait a couple minutes, it’ll happen again
~Here come the Miracles (Steve Wynn)
Merrittville:
Steve Wynn & The Miracle 3 – Amphetamine (Live on KEXP):
Steve Wynn (born February 21, 1960) is a songwriter based in New York (born in California). He led the band the Dream Syndicate from 1981 to 1989 and afterward began a solo career.
The Days Of Wine And Roses – La Edad de Oro – Madrid October 9, 1984: