Tag Archives: On the Road

Jan 15: Bob Dylan – The third & final recording session for “Bringing It All Back Home”

bob dylan bringing it all back home

I’ve written some songs that I look at, and they just give me a sense of awe….stuff like, It’s Alright, Ma, just the alliteration in that blows me away. And I can also look back and know where I was tricky and where I was really saying something that just
happened to have a spark of poetry to it.
~Bob Dylan (to John Pareles, Sept. 1997)

This session contains some of Dylan’s strongest performances ever!
Master versions: “Maggie’s Farm”, “On The Road Again,” “It’s Alright, Ma (I’m Only Bleeding),” “Gates of Eden,” “Mr. Tambourine Man,” and “It’s All Over Now, Baby Blue.”

Some background from wikipedia:

Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released in March 1965 by Columbia Records. The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as “Blowin’ in the Wind” and “A Hard Rain’s a-Gonna Fall”), as his lyrics continued their trend towards the abstract and personal.

The album reached No. 6 on Billboard’s Pop Albums chart, the first of Dylan’s LPs to break into the US top 10. It also topped the UK charts later that Spring. The lead-off track, “Subterranean Homesick Blues”, became Dylan’s first single to chart in the US, peaking at #39.

Bob Dylan - Bringing It All Back Home sessions

Continue reading Jan 15: Bob Dylan – The third & final recording session for “Bringing It All Back Home”

Van Morrison: Exile, Place & Eternal Movement – Part.1

OLD post … You’re being redirected to a newer version……

This post is inspired by a chapter in Peter Mills great book Hymns to the Silence: Inside the Words and Music of Van Morrison.

Some of the musicians I was working with very early on were very good, but they didn’t want to leave home, so they didn’t go any further…. but I did [want to leave home] or I felt like I had to
~Van Morrison


Wikipedia: Exile means to be away from one’s home (i.e. city, state or country), while either being explicitly refused permission to return and/or being threatened with imprisonment or death upon return. It can be a form of punishment and solitude.

Exile i a key theme in Morrison’s work & he also named his recording company ‘Exile’.

His foremost song about exile has to be “Too Long in Exile” – the title cut from his 1993 double album.

Robert Christgau – review of the album:
You know, exile — like Joyce and Shaw and Wilde and, oh yeah, Alex Haley. All on account of those “Bigtime Operators” who bugged his phone back when he was green. Now getting on to grizzled, he seeks guidance from the kas of Doc Pomus and King Pleasure and “The Lonesome Road,” an unutterably sad spiritual recast as an upbeat vibraphone feature. And especially, on three cuts, his old soulmate John Lee Hooker, who doesn’t come close to sounding overexposed on Them’s “Gloria” and Sonny Boy’s “Good Morning Little Schoolgirl” and something new by Van called “Wasted Years,” about how the dumb stuff is behind them now. I don’t know about Hook, but Van’s just jiving–when he wanders “In the Forest,” it’s never a safe bet that he’ll get out. A-

 last part of the lyrics:

Too long in exile
You can never go back home again
Too long in exile
You’re about to drive me just insane

Too long in exile, been too long in exile
Just like James Joyce, baby
Too long in exile
Just like Samuel Beckett baby
Too long in exile
Just like Oscar Wilde
Too long in exile
Just like George Best, baby
Too long in exile
Just like Alex Higgins, baby

Continue reading Van Morrison: Exile, Place & Eternal Movement – Part.1