….Bringing It All Back Home, that was like a break through point, it’s the kind of music I’ve been striving to make and I believe that in time people will see that. It’s hard to explain it, it’s that indefinable thing..
~Bob Dylan (Paul Gambaccini Interview, Jun. 1981)
The first session didn’t result in any master versions… but on the second session Dylan nailed 5 masters: Love Minus Zero/No Limit, Subterranean Homesick Blues, Outlaw Blues, She Belongs To Me & Bob Dylan’s 115th Dream
Some background from wikipedia:
Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released in March 1965 by Columbia Records. The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as “Blowin’ in the Wind” and “A Hard Rain’s a-Gonna Fall”), as his lyrics continued their trend towards the abstract and personal.
The album reached No. 6 on Billboard’s Pop Albums chart, the first of Dylan’s LPs to break into the US top 10. It also topped the UK charts later that Spring. The lead-off track, “Subterranean Homesick Blues”, became Dylan’s first single to chart in the US, peaking at #39.
Continue reading Jan 14: Bob Dylan – The Second Recording Session for “Bringing It All Back Home” in 1965 →