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Bob Dylan, Bob Dylan recording sessions

August 2: Bob Dylan – 5th recording session for Highway 61 Revisited in 1965

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Bob_Dylan_-_Highway_61_Revisited

[vc_row][vc_column][vc_message message_box_color=”mulled_wine” icon_fontawesome=”fa fa-quote-left”]“I never wanted to write topical songs,…. Have you heard my last two records, Bringing It All Back Home and Highway 61? It’s all there. That’s the real Dylan.”
~Bob Dylan (to Frances Taylor – Aug 1965)

“Highway 61 Revisited is the product of a series of recording session in which Dylan is performing at his peak, pure creativeness, sheer intensity, inspired by and pulling forth equivalent performances from the musicians around him. Whichever way he turns, something new and remarkable happens.”
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)[/vc_message][/vc_column][/vc_row]

Studio A
Columbia Recording Studios
New York City, New York
2 August 1965
The 5th Highway 61 Revisited session, produced by Bob Johnston

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Bob Dylan, Bob Dylan recording sessions

Jan 14: Bob Dylan – The Second Recording Session for “Bringing It All Back Home” in 1965

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bob dylan bringing it all back home

….Bringing It All Back Home, that was like a break through point, it’s the kind of music I’ve been striving to make and I believe that in time people will see that. It’s hard to explain it, it’s that indefinable thing..
~Bob Dylan (Paul Gambaccini Interview, Jun. 1981)

The first session didn’t result in any master versions… but on the second session Dylan nailed 5 masters: Love Minus Zero/No Limit, Subterranean Homesick Blues, Outlaw Blues, She Belongs To Me & Bob Dylan’s 115th Dream

Some background from wikipedia:

Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan, released in March 1965 by Columbia Records. The album is divided into an electric and an acoustic side. On side one of the original LP, Dylan is backed by an electric rock and roll band—a move that further alienated him from some of his former peers in the folk song community. Likewise, on the acoustic second side of the album, he distanced himself from the protest songs with which he had become closely identified (such as “Blowin’ in the Wind” and “A Hard Rain’s a-Gonna Fall”), as his lyrics continued their trend towards the abstract and personal.

The album reached No. 6 on Billboard’s Pop Albums chart, the first of Dylan’s LPs to break into the US top 10. It also topped the UK charts later that Spring. The lead-off track, “Subterranean Homesick Blues”, became Dylan’s first single to chart in the US, peaking at #39.

bd 1965_11

 

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Bob Dylan, Bob Dylan recording sessions

Today: Bob Dylan – The third recording session for Highway 61 Revisited in 1965 – 48 years ago

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bob_dylan-highway_61_revisited-frontal

“I never wanted to write topical songs,…. Have you heard my last two records, Bringing It All Back Home and Highway 61? It’s all there. That’s the real Dylan.”
~Bob Dylan (to Frances Taylor – Aug 1965)

“If you had to sum up Highway 61 Revisited in a single sentence, suffice it to say that it is the album that invented attitude and raised it to an art form. Just take a look at the cover. Nobody from Johnny Rotten to Eminem has done it better to this day.
~Nigel Williamson (The Rough Guide To Bob Dylan)

 

Studio A
Columbia Recording Studios
New York City, New York
29 July 1965
The 3rd Highway 61 Revisited session, produced by Bob Johnston

To create the material for Highway 61 Revisited, Dylan spent a month writing in his new home in the Byrdcliffe artists’ colony of Woodstock in upstate New York. When he returned to Studio A on July 29, he was backed by the same musicians as the previous session, but his producer had changed from Wilson to Johnston.

Their first session together was devoted to three songs. After recording several takes each of “Tombstone Blues”, “It Takes a Lot to Laugh” and “Positively 4th Street”, masters were successfully recorded. “Tombstone Blues” and “It Takes a Lot to Laugh” were included in the final album, but “Positively 4th Street” was issued as a single-only release. At the close of the July 29 session, Dylan attempted to record “Desolation Row”, accompanied by Al Kooper on electric guitar and Harvey Brooks on bass. There was no drummer, as the drummer had gone home. This electric version was eventually released in 2005, on The Bootleg Series Vol. 7.  ~Wikipedia

Songs:

  1. It Takes A Lot To Laugh, It Takes A Train To Cry
  2. It Takes A Lot To Laugh, It Takes A Train To Cry
  3. It Takes A Lot To Laugh, It Takes A Train To Cry
  4. Tombstone Blues
  5. Tombstone Blues
  6. Tombstone Blues
  7. Tombstone Blues
  8. Tombstone Blues
  9. Tombstone Blues
  10. Tombstone Blues
  11. Tombstone Blues
  12. Tombstone Blues
    (recorded 10 am – 1 pm)
    released 30 Aug 2005 – The Bootleg Series Vol 7. No Direction Home: The Soundtrack
  13. Tombstone Blues
  14. Tombstone Blues
    (recorded 10 am – 1 pm)
    released 30 Aug 1965 – Highway 61 Revisited

    –
    If Salvador Dali or Luis Bunuel had picked up a Fender Strat to head a blues band, they might have come up with something like “Tombstone Blues.”
    ~Bill Janovitz (allmusic.com)
    —
  15. It Takes A Lot To Laugh, It Takes A Train To Cry
  16. It Takes A Lot To Laugh, It Takes A Train To Cry
  17. It Takes A Lot To Laugh, It Takes A Train To Cry
  18. It Takes A Lot To Laugh, It Takes A Train To Cry
    (recorded 2:30 – 5:30 pm)
    released 30 Aug 1965 – Highway 61 Revisited

    –
  19. Positively 4th Street
  20. Positively 4th Street
  21. Positively 4th Street
  22. Positively 4th Street
  23. Positively 4th Street
  24. Positively 4th Street
  25. Positively 4th Street
  26. Positively 4th Street
  27. Positively 4th Street
  28. Positively 4th Street
    (recorded 2:30 – 5:30 pm)
    released 7 Sept 1965 as a single

    –

Musicians:

  • Bob Dylan (guitar, piano, harmonica, vocal)
  • 1-14 Mike Bloomfield (guitar), Paul Griffin (piano), Bobby Gregg (drums), Joseph Machao Jr. (bass), Al Kooper (organ)
  • 15-28 Mike Bloomfield (guitar), Frank Owens (piano), Bobby Gregg (drums), Russ Savakus (bass), Al Kooper (organ)

Bob_Dylan studio 1965

Related articles @ JV:

References:

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Other July 29:

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