The message isn’t in the words, …. I don’t do anything with a sort of message.
I’m just transferring my thoughts into music. Nobody can give you a message like that.
~Bob Dylan (to Ray Coleman, May 1965)
Dylan’s third album reflects his mood in August-October 1963. It is also a product for his need to live up to and expand on the role he found himself in, topical poet, the restless young man with something to say, singing to and for a new generation.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
Released January 13, 1964 – 54 years ago today… it is one of his weakest albums from the 60’s.. and still a fantastic album.
“The Times They Are A-Changin'” @ The White House in Feb 2010:
–
The Lonesome Death Of Hattie Carroll – 5/7/65 – Free Trade Hall, Manchester, England:
…
Oh, but you who philosophize disgrace and criticize all fears
Bury the rag deep in your face
For now’s the time for your tears
(The Lonesome Death of Hattie Carroll)
The story I took out of the newspaper and I only changed the words.
~Bob Dylan (to Steve Allen, Feb 1964)
“Another thing about Times They Are A-Changin’ – I wanted to say in it that if you have something that you don’t want to lose, and people threaten you, you are not really free.”
~Bob Dylan (to Ray Coleman, May 1965)
“The message isn’t in the words, …. I don’t do anything with a sort of message.
I’m just transferring my thoughts into music. Nobody can give you a message like that.”
~Bob Dylan (to Ray Coleman, May 1965)
Dylan’s third album reflects his mood in August-October 1963. It is also a product for his need to live up to and expand on the role he found himself in, topical poet, the restless young man with something to say, singing to and for a new generation.
~Paul Williams (BD performing artist 1960-73)
Studio A Columbia Recording Studios New York City, New York 7 August 1963 The 2nd The Times They Are A-Changin’ session, produced by Tom Wilson
Another session at Studio A was held the following day, this time yielding master takes for four songs: “Ballad of Hollis Brown”, “With God on Our Side”, “Only a Pawn in Their Game”, and “Boots of Spanish Leather”, all of which were later included on the final album sequence.
~Wikipedia
Oh my name it ain’t nothin’
My age it means less
The country I come from
Is called the Midwest
I was taught and brought up there
The laws to abide
And that land that I live in
Has God on its side
The video is a splice between available footage from the July 27 & July 28 performances.
It starts with the first 4 verses from Freebody Park, Porch # 1 of Newport Casino, Newport, Rhode Island – 27 July 1963, and continues with 2 last verses from Freebody Park, Newport, Rhode Island – 28 July 1963.
Oh my name it is nothin’
My age it means less
The country I come from
Is called the Midwest
I’s taught and brought up there
The laws to abide
And that the land that I live in
Has God on its side
—
Originally due to appear on the English “Tonight” program on the eighth of May, Dylan appears on the program on the 12th, introduced by Cliff Michelmore. He performs a very hesitant version of “With God on Our Side.” The TV footage is obviously a video insert, so it was presumably filmed earlier in the day.
~Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)
BBC Studios London, England Early May 1964
Broadcast by BBC 1 12 May 1964 in the program Tonight. Rebroadcast 11 September 1984.
This is not a “best from 1963” list, just 5 Great songs Bob Dylan recorded in 1963.
Masters of War
Studio A
Columbia Recording Studios
New York City, New York
24 April 1963
The 8th and last Freewheelin’ Bob Dylan session, produced by John Hammond.
Released on THE FREEWHEELIN’ BOB DYLAN, 27 May 1963
Come you masters of war
You that build all the guns
You that build the death planes
You that build the big bombs
You that hide behind walls
You that hide behind desks
I just want you to know
I can see through your masks
)