Jace Everett and his excellent band gave us a sweet but short concert in Haugesund last night, maybe it was because they had caught “The Svalbard Flu” that it was over so fast or maybe that’s the way they do it. I prefer longer shows, but I know a lot of people who prefer them short and sweet.
Mr. Everett clearly struggled with sickness but he gave his best, and we got some great tunes, old and new.
The following song was described as “A blues in E for those of you who keep track of those things” I cannot recognise the song. It might be from his new album, which he described as an album of religious songs, ” it should fit right in here in Norway”.
Edit: Thanks to Lisafemmeacadienne (check the comments)who told me the song was One of them from the 2010 album Red Revelations. How did I miss that! I think I should also say that the comment about the song and Norway was delivered in a very “tongue in cheeck” manner.
The song has some strong religious images, and it kinda reminds me of a song Tom Waits/Nick Cave could do. Good song.
“I wanted to sound like an entire record when I played. Yeah, it’s all kinda of ringy and melodic, and…. There’s a lot of emotion in there, I think. So I …I play that way cause that’s how I feel.” – Johnny Marr
“I’ve been in the studio with him, and there’s nothing he cannot do on guitar, the man’s a fuckin’ wizard.”
– Noel Gallagher
Johnny Marr (born John Martin Maher; 31 October 1963) is an English musician and songwriter. Marr rose to fame in the 1980s as the guitarist in The Smiths, with whom he formed a prolific songwriting partnership with Morrissey. Marr has been a member of Electronic, The The, and Modest Mouse. In 2008, he joined The Cribs after touring with them on 2008’s NME Awards Tour, a group in which he would remain until 2011.
Marr’s jangly Rickenbacker guitar-playing in The Smiths proved to be popular among other musicians and has influenced many guitarists that followed particularly in the Britpop era.
Marr was voted the fourth best guitarist of the last 30 years in a poll conducted by the BBC in 2010.
He is also an often used session guitarist (Pretenders, Bryan Ferry, Dinosaur Jr. and more)
Here he tries to explain his very distinct playing style:
“Rolling Stone Magazine voted him at 51 when making a list of the 100 best guitarists of all time:
“The Smiths’ guitarist was a guitar genius for the post-punk era: not a showboating soloist, but a technician who could sound like a whole band. As a kid studying Motown records, Johnny Marr would try to replicate not just guitar riffs but piano and strings too, all with his right hand. His voluptuous arpeggios – often played on a chiming Rickenbacker with incredible flow and detailing – were every bit as essential to the Smiths’ signature sound as Morrissey’s baritone. And he was a tireless explorer: For 1983’s “This Charming Man,” Marr dropped knives onto a ’54 Telecaster, a revelatory incident that Radiohead may have been alluding to in their Smiths-inspired “Knives Out.” “He was a brilliant rhythm player, rarely played solos, so full of sounds,” said Radiohead’s Ed O’Brien – part of an entire generation of British guitarists who took their cues from Marr…” Read more
He should have been much higher on the list of course, but great praise anyway.
The Smiths, Big Mouth Strikes Again:
Happy birthday, Johnny Marr!
Album of the day, The Queen is dead by The Smiths:
We had a fantastic night at Høvleriet in Haugesund last night. We want to come back, what a venue and what an atmosphere! Thank you.
– Ida Jenshus (on her webpage)
Ida Jenshus has recently released her third album, Someone to love. The album is a departure from the country on her two previous records, into a more airy sounding country/rock/songwriter style. The obvious comparison is Emmylou Harris’ collaboration with super-producer Daniel Lanois, but I can also hear Kathleen Edwards and Mary Gauthier in the quiet stuff, and Lucinda Williams in her more uptempo stuff. I like the direction she’s taken. I like the first two records but I think her concerts have showed a truer Ida Jenshus, and finally it is reflected in her recorded work.
The wonderful Tender Leaves:
We saw Ida Jenshus with a great group of musicians at Høvleriet in Haugesund last friday, there she dedicated a very fine version of Tender Leaves to Chip Taylor. An artist that Jenshus has worked with lately and have played with on several occasions. Chip Taylor is the man who wrote Wild Thing and Angel of the morning.
It was a lovely show that varied from tender moments into full blown guitar jams, never dull and, man, what a great group she’s touring with! The audience clearly liked what they heard, quiet listening and attentive, and it was great to see this many people coming out to see Ida Jenshus. Country flavoured music isn’t always the biggest audience puller.
Last night I saw I Was A King(IWAK) for the fourth time. It is a fantastic band and they just keeps getting better. They still sound a bit like a Teenage Fanclub and Byrds mix, and that’s a good thing.
The New album is a fine mix of powerpop, guitar walls and great song writing. The guitars are “byrdsy” jangly and this time they flirt even more with the American side of indie-americana-pop. So you see, they’re kinda hard to describe. But they sound terrific!
IWAK has gotten together with two fantastic popmusic masters this time, Norman Blake (Teenage Fanclub vocalist, yes him!) and Robyn Hitchcock (Power-pop godfather, The Soft Boys member and solo artist extraordinaire), what a dream-team!
When i first read about it I really couldn’t believe it, it’s a match made in heaven.
IWAK once wrote a fine song called “Norman Bleik” (on the second album, 2009), about one of their inspirations, just as Norman Blake once wrote a song about one of his own heroes Neil Young, called “Neil Jung”. Fun fact.
The result of this collaboration is IWAK’s best album, a fully realised record with great songs. It sounds so big and it is full of air, but it’s not pretentious at all. They sound more mature and more pop. The Playing is better than ever and the songwriting is spectacular, I realy love this album (You guessed that, eh?) and it is a quintessential pop album. A love letter to music, no less.
Best on the album: Frozen Disease, Superhero and Leave
Best live in Haugesund: Food Wheels and A Million Signs (with The One I love snippet as intro!)
I Was A King gave us a lesson in harmony induced pop music in Haugesund last night. I’ve never heard them better. Normally they’re not very talkative with the audience, but this night was a bit different. Anne Lise Frøkedal had several fammily members in the audience and the atmosphere was very friendly. Of course there were no sing-alongs, but it was a fun and relaxed interaction.
“Mr. Frosty Man” by Sufjan Stevens from the upcoming “Silver & Gold” box set
Animation by Lee Hardcastle.
Those of us that preordered Sufjan Stevens’ new christmas box set got the following mail today:
“Halloween is just around the corner. How better to celebrate the ghoulish occasion than with a new Sufjan Stevens Christmas clay-mation video for “Mr. Frosty Man,” a fast and furious tableau featuring a renegade snowman’s battle against flesh eating zombies.
It’s a veritable Christmas bloodbath (made especially not for children) by the infamous clay-mation master Lee Hardcastle, displaying all the gore of a classic horror flick: zombies interrupt an otherwise normal family Christmas dinner but are thwarted by a rebel snowman wielding a chainsaw, a shotgun, and chip off his shoulder. Children (and spoilers) beware: Mommy gets mauled under the mistletoe and Jolly Ol’ Saint Nick gets a hard-knock lesson in weight loss, but, rest assured, Mr. Frosty Man doesn’t go down without a fight. He’s a real American Christmas hero!”