Talkin’ New York:
Shine your light
You burned so bright
Roll on, John
Three years have gone since we was offered Tempest from Bob Dylan, it still sounds great.
Tempest is the thirty-fifth studio album by Dylan, released on September 7 to 11 (different countries and continents), 2012 . The album was recorded at Jackson Browne’s Groove Masters Studios in Santa Monica, California. Dylan wrote all of the songs himself with the exception of the track “Duquesne Whistle”, which he co-wrote with Robert Hunter.
Tempest was very well received by contemporary music critics, who praised its traditional music influences and Dylan’s dark lyrics. The album peaked at number three on the Billboard 200.
The album’s title initially spurred rumors that it would be Dylan’s final album, based on its similarity to the title of Shakespeare’s final play.
Dylan later responded:
“Shakespeare’s last play was called The Tempest. It wasn’t called just plain “Tempest”. The name of my record is just plain Tempest. It’s two different titles.”
Some facts from Wikipedia:
|Released||From September 7 to September 11, 2012|
|Recorded||January–March 2012 at Groove Masters Studios in Santa Monica, California|
|Genre||Rock, folk rock|
Here are three tracks from Tempest (with my analysis, sort of…):
“For me, after listening to it for two days, the most obvious masterpiece on Bob Dylan’s new album is the murder ballad, Tin Angel. It’s a story-song, the kind Dylan has done so magnificently many times before. Cross the Green Mountain, Tweeter and the Monkey Man and Brownsville Girl springs to mind. They are extremely cinematic songs and they tell a story over many verses. Another song that pops up in my head is the wonderful story of Spanish Jack by Willy DeVille, not very like in sound but in tone.” Read More…
Pay in Blood
“Bob Dylan says the stigma of slavery ruined America and he doubts the country can get rid of the shame because it was “founded on the backs of slaves.”
Bob Dylan told in a recent interview with Rolling Stone Magazine that in America “people are at each other’s throats just because they are of a different color, it will hold any nation back.” He went on to say that black people know that some white people “didn’t want to give up slavery.”” Read more…
“The song feels like a mash of several songs, and that’s actually what it is. He draws inspiration from the old ballad Barbara Allen, but he just uses it as a framework to tell an even more sinister tale. The new parts of the song also feels like a split between two different songs, one set in biblical times and the other addressing the state of USA/The Western world today.” Read more…
August 10: Bob Dylan released Shot of Love in 1981
I hear the ancient footsteps like the motion of the sea
Sometimes I turn, there’s someone there, other times it’s only me
I am hanging in the balance of the reality of man
Like every sparrow falling, like every grain of sand
Shot of Love is Bob Dylan’s 21st studio album, it was released by Columbia Records in August 1981.
It is generally considered to be Dylan’s last of a trilogy of overtly religious, Christian albums. Also, it was his first since becoming born-again to focus on secular themes, from straight-ahead love songs to an ode to the deceased comedian Lenny Bruce. Arrangements are rooted more in rock’n’roll, less in gospel than on Dylan’s previous two albums. So maybe it is more of a new start than a gospel-tinged end?
June 15: Bob Dylan released Street-Legal in 1978
“On this album, I took a few steps backward, but I also took a bunch of steps forward because I had a lot of time to concentrate on it. I also had the band sounding like I want it to sound. It’s got that organ sound from ‘Blonde on Blonde’ again. That’s something that has been missing.”
~Bob Dylan (to Robert Hilburn – May 1978)
Jonathan Cott interview – Sept. 1978:
Jonathan Cott: What do you think of all the criticisms of Street Legal?
Bob Dylan: I read some of them. In fact, I didn’t understand them. I don’t think these people have had the experiences I’ve had to write those songs. The reviews didn’t strike me as being particularly interesting one way or another, or as compelling to my particular scene. I don’t know who these people are. They don’t travel in the same crowd, anyway. So it would be like me criticizing Pancho Villa.
First of all… “Street-Legal” is a fantastic album. I have never “understood” all the criticism it got.. and still gets, and I even dig the original overall sound & production.
June 10: Empire Burlesque by Bob Dylan was released in 1985
Empire Burlesque is singer-songwriter Bob Dylan’s 23rd studio album, it was released by Columbia Records 10 June 1985. The album peaked at #33 in the US and #11 in the UK.
“Say what you want about Empire Burlesque — at the very least, it’s the most consistent record Bob Dylan has made since Blood on the Tracks, even if it isn’t quite as interesting as Desire. However, it is a better set of songs, all deriving from the same place and filled with subtle gems — the most obvious being “Tight Connection to My Heart (Has Anybody Seen My Love?),” but also “Emotionally Yours” and “Dark Eyes” — proving that his powers are still there.”
I’ll Remember You (my favorite version from the movie Masked and Anonymous):
Bob Dylan fans and music critics continue to debate the album’s merits, especially when compared to the styles he pioneered in the 1960s and 1970s. It is one of Dylan’s most discussed albums in terms of quality, having a distinct “80s style” production to the songs. There are some really great songs on this album, but they seem hidden under the “80s sound”.
The sessions for Empire Burlesque were held in New York and Hollywood from July 1984 to April 1985.