I fuckin’ hope so, man, because it’s a great album
(in 2002, when asked if he didn’t fear burning out and ending up making albums such as “Self Portrait”)
Maybe not Bob Dylan’s proudest moment, but there are good songs on the record.
Here are our 6 best songs from the album:
Copper Kettle (The Pale Moonlight)
Days of’ 49
Early Mornin’ Rain
Let It Be Me
Living The Blues
In Search of Little Sadie
Like a Rolling Stone (great with the re-mastered sound!)
“Well that was a joke, that album was put out at a time I didn’t like the attention I was getting. I never did want attention. At that time I was getting the wrong kind of attention for things I hadn’t done. So we released that album to get people off my back, so they would not like me anymore, that’s the reason the album was put out, so people would stop buying my records, and they did. “ – Bob Dylan (press conference 1981, Germany)
“I said: “Well, fuck it I wish these people would just forget about me. I wanna do something they can’t possibly like, they can’t relate to. They’ll see it and they’ll listen and they’ll say: “Well let’s go on to the next person. He ain’t sayin’ it no more. He ain’t givin’ us what we want,” you know? They’ll go on to somebody else.” But the whole idea back-fired. Because the album went out there, and the people said, “This ain’t what we want”, and they got more resentful. “ – Bob Dylan (Rolling Stone Magazine, 1984) Continue reading June 8: Bob Dylan released Self Portrait in 1970→
May 27: Bob Dylan released The Freewheelin’ Bob Dylan 1963
“..easily the best of [Dylan’s] acoustic albums and a quantum leap from his debut—which shows the frantic pace at which Dylan’s mind was moving.You can see why this album got the Beatles listening. The songs at its core must have sounded like communiques from another plane.”
~John Harris (Q Magazine, 2000)
” I think it was the first time I ever heard Dylan at all… And for the rest of our three weeks in Paris, we didn’t stop playing it.”
– John Lennon (about The Freewheelin’ Bob Dylan)
April 23: Bob Dylan at Budokan was released in 1979
The Budokan album was only supposed to be for Japan. They twisted my arm to do a live album for Japan. It was the same band I used on Street Legal, and we had just started findin’ our way into things on that tour when they recorded it. I never meant for it to be any type of representation of my stuff or my band or my live show.
~Bob Dylan (to Kurt Loder – March 1984)
I believe this double LP was made available so our hero could boast of being outclassed by Cheap Trick, who had the self-control to release but a single disc from this location.
~Robert Christgau (robertchristgau.com)
Released 38 years ago today (April 23).
The album was slaughtered by many critics.. especially in the US.
“The writers complain the show’s disco or Las Vegas. I don’t know how they came up with those theories. We never heard them when we played Australia or Japan or Europe. It’s like someone made it up in one town and the writer in the next town read it. I don’t know what the reviewers mean half the time. I don’t even care.”
~Bob Dylan (to Robert Hilburn – Nov 1978)
….when we recorded Bringing It All Back Home, that was like a break through point, it’s the kind of music I’ve been striving to make and I believe that in time people will see that. It’s hard to explain it, it’s that indefinable thing..
~Bob Dylan (Paul Gambaccini Interview, June 81)
This is the point where Dylan eclipses any conventional sense of folk and rewrites the rules of rock, making it safe for personal expression and poetry, not only making words mean as much as the music, but making the music an extension of the words. A truly remarkable album.
~Stephen Thomas Erlewine (allmusic.com)
#1 – Subterranean Homesick Blues
Johnny’s in the basement
Mixing up the medicine
I’m on the pavement
Thinking about the government
The man in the trench coat
Badge out, laid off
Says he’s got a bad cough
Wants to get it paid off
Look out kid
It’s somethin’ you did
God knows when
But you’re doin’ it again
You better duck down the alley way
Lookin’ for a new friend
The man in the coon-skin cap
By the big pen
Wants eleven dollar bills
You only got ten
..His talent takes many forms. He is one of the most compelling white blues singers ever recorded. He is a songwriter of exceptional facility and cleverness. He is an uncommonly skillful guitar player and harmonica player.
~Stacy Williams (“Bob Dylan” LP. liner notes)
Dylan’s first album can hardly be faulted. It is a brilliant debut, a performer’s tour de force,….
~Michael Gray (BD Encyclopedia)