Jonas Fjeld (born Terje Lillegård Jensen; 24 September 1952 in Bodø, Norway) is a Norwegian singer, songwriter, and guitarist. He is best known in the English-speaking world for two albums recorded by Danko/Fjeld/Andersen, a collaboration with Canadian Rick Danko of The Band and American singer-songwriter Eric Andersen. Fjeld also recorded two albums with the American bluegrass group Chatham County Line.
He is 60 years old today!
We celebrate him with a collection of his finest songs.
The Bells are ringing for you now (1985):
Paying Back (with The Chatham County Line):
Engler i sneen/angels in the snow (norwegian and english) (with Chatham County Line):
And the same song with Rick Danko, Eric Andersen and Jonas Fjeld:
Blue Hotel (Rick Danko, Eric Andersen and Jonas Fjeld, audio only):
We end this little tribute with the lovely, Mary I’m coming back home (Danko/Fjeld/Andersen):
May–June 1991 at Sound City Studios, Van Nuys and Devonshire, North Hollywood,California
“Polly” recorded in April 1990 atSmart Studios, Madison, Wisconsin
Nevermind is the second studio album by the American rock band Nirvana, released on September 24, 1991. Produced by Butch Vig, Nevermind was the group’s first release on DGC Records. Frontman Kurt Cobain sought to make music outside the restrictive confines of the Seattle grunge scene, drawing influence from groups such as the Pixies and their use of song volume dynamics.
Despite low commercial expectations by the band and its record label, Nevermind became a surprise success in late 1991, largely due to the popularity of its first single, “Smells Like Teen Spirit“. By January 1992, it had replaced Michael Jackson‘s album Dangerous at number one on the Billboard charts. The album also produced three other charting singles; “Come as You Are“, “Lithium” and “In Bloom“.The Recording Industry Association of America has certified the album Diamond (over 10 million copies shipped), and the album has sold over 30 million copies worldwide.Nevermind was responsible for bringing alternative rock to a large mainstream audience, and critics subsequently regarded it as one of the best albums of all time.
From allmusic.com – Stephen Thomas Erlewine:
Nevermind was never meant to change the world, but you can never predict when the Zeitgeist will hit, and Nirvana‘s second album turned out to be the place where alternative rock crashed into the mainstream. This wasn’t entirely an accident, either, since Nirvana did sign with a major label, and they did release a record with a shiny surface, no matter how humongous the guitars sounded. And, yes,Nevermind is probably a little shinier than it should be, positively glistening with echo and fuzzbox distortion, especially when compared with the black-and-white murk of Bleach. This doesn’t discount the record, since it’s not only much harder than any mainstream rock of 1991, its character isn’t on the surface, it’s in the exhilaratingly raw music and haunting songs. Kurt Cobain‘s personal problems and subsequent suicide naturally deepen the dark undercurrents, but no matter how much anguish there is on Nevermind, it’s bracing because he exorcizes those demons through his evocative wordplay and mangled screams — and because the band has a tremendous, unbridled power that transcends the pain, turning into pure catharsis. … read more @ allmusic.com
Legacy:
Michael Azerrad argued in his Nirvana biography Come as You Are: The Story of Nirvana (1993) that Nevermind marked the emergence of a generation of music fans in their twenties in a climate dominated by the musical tastes of the baby boomer generation that preceded them. Azerrad wrote, “Nevermind came along at exactly the right time. This was music by, for, and about a whole new group of young people who had been overlooked, ignored, or condescended to.”
In its citation placing it at number 17 in its 2003 list of the 500 greatest albums of all time, Rolling Stone said, “No album in recent history had such an overpowering impact on a generation—a nation of teens suddenly turned punk—and such a catastrophic effect on its main creator.”
Time placed Nevermind, which writer Josh Tyrangiel called “the finest album of the 90s”, on its 2006 list of “The All-TIME 100 Albums”.
Pitchfork named the album the sixth best of the decade, noting that “anyone who hates this record today is just trying to be cool, and needs to be trying harder.”
In 2006, readers of Guitar World ranked Nevermind 8th on a list of the 100 Greatest Guitar Recordings.
In 2005, the Library of Congress added Nevermind to the National Recording Registry, which collects “culturally, historically or aesthetically important” sound recordings from the 20th century.
Track listing:
All songs written by Kurt Cobain, except where noted.
“Smells Like Teen Spirit” (Cobain, Dave Grohl, Krist Novoselic) – 5:01
“In Bloom” – 4:14
“Come as You Are” – 3:39
“Breed” – 3:03
“Lithium” – 4:17
“Polly” – 2:57
“Territorial Pissings” (intro lyrics from “Get Together”, written by Chet Powers) – 2:22
Ok, so where do I start? Do I pick one from each of his ten best albums, or do I divide his career into 10 year periods and pick equally from every period? Or do I simply let my emotions decide, and pick what feels right today? That’s what I ‘ll do, like I allways do, I go with what feels right at this particular moment.
Springsteen is a fantastic songwriter and a formidable performer, for me he is easily in the top 3 both as a singer/songwriter and as a performing artist.
To pick 10 songs from the hundreds he has written is not easy, but here we go.
They call him the Boss. Well that’s a bunch of crap. He’s not the boss. He works FOR us. More than a boss, he’s the owner, because more than anyone else, Bruce Springsteen owns America’s heart.
~Bono (induction speech for at the 1999 Rock and Roll Hall of Fame)
From Wikipedia:
Also known as
The Boss, Bad Scooter
Born
September 23, 1949 (age 63)
Long Branch, New Jersey, United States
Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed “The Boss“, is an American singer-songwriter and multi-instrumentalist who records and tours with the E Street Band. Springsteen is widely known for his brand of heartland rock, poetic lyrics, Americana sentiments centered on his native New Jersey and his lengthy and energetic stage performances, with concerts from the 1970s to the present decade running up to an uninterrupted 250 minutes in length.
Springsteen’s recordings have included both commercially accessible rock albums and more somber folk-oriented works. His most successful studio albums, Born in the U.S.A. and Born to Run, showcase a talent for finding grandeur in the struggles of daily American life; he has sold more than 65 million albums in the United States and more than 120 million worldwideand he has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes and an Academy Award. In 2004, Rolling Stone ranked him as the 23rd Greatest Artist of all time, the 96th Greatest Guitarist of all time on their latest list and the 36th Greatest Singer of all time in 2008.
From allmusic.com – William Ruhlmann:
In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. Although there were a few speed bumps along the way in Springsteen‘s career, the wonder of his nearly unbroken string of critical and commercial success is that he achieved it while periodically challenging his listeners by going off in unexpected directions, following his muse even when that meant altering the sound of his music or the composition of his backup band, or making his lyrical message overtly political. Of course, it may have been these very sidesteps that kept his image and his music fresh, especially since he always had the fallback of returning to what his fans thought he did best, barnstorming the country with a marathon rock & roll show using his longtime bandmates.
.. read more over @ allmusic
Some of his recognition’s:
October 27, 1975: Bruce Springsteen appears simultaneously on the covers of Newsweek and Time
Polar Music Prize in 1997.
Inducted into the Rock and Roll Hall of Fame, 1999.
Inducted into the Songwriters Hall of Fame, 1999.
Inducted into the New Jersey Hall of Fame, 2007.
“Born to Run” named “The unofficial youth anthem of New Jersey” by the New Jersey state legislature; something Springsteen always found to be ironic, considering that the song “is about leaving New Jersey”.
The minor planet 23990, discovered September 4, 1999, by I. P. Griffin at Auckland, New Zealand, was officially named in his honor.
Ranked No. 23 on Rolling Stone magazine’s 2004 list of the 100 Greatest Artists of All Time.
Ranked No. 36 on Rolling Stone magazine’s 2004 list of the 100 Greatest Singers Of All Time.
Made Time magazine’s 100 Most Influential People Of The Year 2008 list.
Won Critic’s Choice Award for Best Song with “The Wrestler” in 2009.
Performed at the Super Bowl XLIII half time show.
Kennedy Center Honors, 2009.
Rolling Stone magazine also ranked 8 out of 16 Springsteen’s studio albums in their 500 Greatest Albums Of All Time list.
Rolling Stone magazine ranked “Born to Run” and “Thunder Road” in its 500 Greatest Songs Of All Time list, in 21st and 86th, respectively.
Forbes ranked him 6th in The Celebrity 100 in 2009
John Steinbeck Award
Named 2013 MusiCares Person of the Year
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We will post some Bruce Springsteen lists later today / tomorrow.
“If you got a trumpet, get on your feet, brother, and blow it!”
― Nick Cave
“I was about 12 years old and I was sitting watching the television and it was some kind of talent show, you know, and on marches this monkey, this ape, in a pair of red-checked trousers with a little matching jacket holding a ukelele and it started jigging around playing it, and it was looking straight into the camera, straight at me, and I remember thinking, that’s it, that’ll be me, you know, that’ll be me.”
― Nick Cave
From Wikipedia:
Born
22 September 1957 (age 55)
Warracknabeal, Victoria, Australia
Genres
Post-punk, gothic rock,alternative rock, garage rock
Nicholas Edward “Nick” Cave (born 22 September 1957) is an Australian musician, songwriter, author, screenwriter, composer and occasional film actor.
He is best known for his work as a frontman of the critically acclaimed rock band Nick Cave and the Bad Seeds, established in 1983, a group known for its eclectic influences and musical styles. Before that, he had fronted the group The Birthday Party in the early 1980s, a band renowned for its highly gothic,challenging lyrics and violent sound influenced by free jazz, blues, and post-punk. In 2006, he formed the garage rock band Grinderman that released its debut the following year. Cave’s music is generally characterised by emotional intensity, a wide variety of influences, and lyrical obsessions with religion, death, love and violence.
Upon Cave’s induction into the ARIA Hall of Fame, ARIA Awards committee chairman Ed St John said, “Nick Cave has enjoyed—and continues to enjoy—one of the most extraordinary careers in the annals of popular music. He is an Australian artist like Sidney Nolan is an Australian artist—beyond comparison, beyond genre, beyond dispute.”
“O we will know, won’t we?
The stars will explode in the sky
O but they don’t, do they? Stars have their moment and then they die
~Nick Cave ((Are You) The One That I’ve Been Waiting For?)
From allmusic – Steve Huey:
After goth pioneers the Birthday Party called it quits in 1983, singer/songwriter Nick Cave assembled the Bad Seeds, a post-punk supergroup featuring former Birthday Party guitarist Mick Harvey on drums, ex-Magazine bassist Barry Adamson, and Einstürzende Neubauten guitarist Blixa Bargeld. With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk, although in a more subdued fashion than his work with the Birthday Party. Cave also allowed his literary aspirations to come to the forefront; the lyrics are narrative prose, heavy on literary allusions and myth-making, and take some inspiration from Leonard Cohen. Cave’s gloomy lyrics, dark musical arrangements, and deep baritone voice recall the albums of Scott Walker, who also obsessed over death and love with a frightening passion. However, Cave brings a hefty amount of post-punk experimentalism to Walker’s epic dark pop.
… read more over @ allmusic.com
Here is a brilliant live version of “People Ain’t No Good” (one of his best):
The Mercy Seat:
My Nick Cave Spotify playlist for today:
Nick Cave’s best album – The Boatman’s Call (1997):
