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Nov 12: Bob Dylan @ The Summit, Houston, Texas 1981

Bob Dylan - Houston 12.11.1981

Dylan sounds well-oiled with alcohol on the Houston tape, his voice very low and rich, his commentary between songs (and his
pacing, when he talks) bizarre and rather charming. That voice! If you love Dylan’s work, then you must somehow get hold of copies of “Simple Twist of Fate” and “A Hard Rain’s A-Gonna Fall” from Houston, 11/12/81. And “Solid Rock.” The new, “slow version” of “Solid Rock” performed at the fall 1981 shows is one of the highlights of a year of astonishing creativity and expressiveness for Dylan… Of course what you really want is a copy of the entire Houston concert; there are high points aplenty, and a fascinating sense of momentum from song to song, as the strange mood he’s in ebbs and flows, clashing with a song occasionally, more often discovering and magnifying itself in the folds and twists of the song’s lyrics and chord changes and rhythms and most of all in the accumulating composite message that the song exists to express..
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)

Throughout 1981, Dylan slowly began reintroducing some of his standards back into the gospel shows. By the end of the year, they outnumbered the religious songs. This soundboard recording features very little audience noise. The vocals are way out front. Dylan’s phrasing and articulation that had made the christian material so powerful is now spilling over into the secular classics.
~bobsboots.com

The Summit
Houston, Texas
12 November 1981

  • Bob Dylan (vocal & guitar)
  • Fred Tackett (guitar)
  • Steve Ripley (guitar)
  • Al Kooper (keyboards)
  • Tim Drummond (bass)
  • Jim Keltner (drums)
  • Arthur Rosato (drums)
  • Clydie King, Regina McCrary, Madelyn Quebec (background vocals

Continue reading Nov 12: Bob Dylan @ The Summit, Houston, Texas 1981

Bob Dylan: Hallelujah (Leonard Cohen)





bob dylan leonard cohen

I’ve heard there was a secret chord
That David played, and it pleased the Lord
But you don’t really care for music, do you?
It goes like this
The fourth, the fifth
The minor fall, the major lift
The baffled king composing Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

“He said, ‘I like this song you wrote called Hallelujah.’ In fact, he started doing it in concert. He said, ‘How long did that take you to write?’ And I said, ‘Oh, the best part of two years.’ He said, ‘Two years?’ Kinda shocked. And then we started talking about a song of his called I And I from Infidels. I said, ‘How long did you take to write that.’ He said, ‘Ohh, 15 minutes.’ I almost fell off my chair. Bob just laughed.”
~Leonard Cohen (quoted in Telegraph 41, p. 30)

This is one of my fav Leonard Cohen songs.

Released December 1984
Recorded June 1984
Genre Folk rock
Length 4:36
Label Columbia
Writer(s) Leonard Cohen
Producer John Lissauer

Hallelujah” is a song written by Canadian singer-songwriter Leonard Cohen, originally released on his album Various Positions(1984). Achieving little initial success, the song found greater popular acclaim through a cover by John Cale, which later formed the basis for a cover by Jeff Buckley. It is the subject of the book The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of “Hallelujah” (2012) by Alan Light. In a New York Times review of the book, Janet Maslin praises the book and the song, noting that “Cohen spent years struggling with his song ‘Hallelujah.’ . . . He wrote perhaps as many as 80 verses before paring the song down.” Many cover versions have been performed by many and various singers, both in recordings and in concert, with over 300 versions known. The song has been used in film and television soundtracks, and televised talent contests. It is often called one of the greatest songs of all time.

Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty in the moonlight overthrew you
She tied you to a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah

Hallelujah, Hallelujah
Hallelujah, Hallelujah

Continue reading Bob Dylan: Hallelujah (Leonard Cohen)

November 11: Bob Dylan – Things Have Changed, Florence, Italy, 2011 (Video)





bob dylan rome 2011

A worried man with a worried mind
No one in front of me and nothing behind
There’s a woman on my lap and she’s drinking champagne
Got white skin, got assassin’s eyes
I’m looking up into the sapphire-tinted skies
I’m well dressed, waiting on the last train

Standing on the gallows with my head in a noose
Any minute now I’m expecting all hell to break loose

People are crazy and times are strange
I’m locked in tight, I’m out of range
I used to care, but things have changed

Nelson Mandela Forum
Florence, Italy
11 November 2011

Continue reading November 11: Bob Dylan – Things Have Changed, Florence, Italy, 2011 (Video)

November 11: Bob Dylan – The End Of The Innocence, New York City, 2002 (video)





bob dylan NYC 2002

 

Remember when the days were long
And rolled beneath a deep blue sky?
Didn’t have a care in the world
With mommy and daddy standing by

When happily ever after fails
And we’ve been poisoned by these fairy tales
The lawyers dwell on small details
Since daddy had to fly

“The End of the Innocence” is the lead single and title track from Don Henley’s third solo studio album, The End of the Innocence, in 1989. The song was written by Bruce Hornsby, with lyrics added by Henley, and both perform the song live in their respective concerts.

Bob Dylan performed this song 9 times during 2002. Here is the MSG version:

Continue reading November 11: Bob Dylan – The End Of The Innocence, New York City, 2002 (video)

November 11: Bob Dylan @ Waterbury, Connecticut 1975





bobDylan_waterbury1975

Fantastic material. … The sound quality of the recording is as true and clean as any ever made along the Rolling Thunder tour. The vocals are crisp, powerful, and on top of the mix. All instruments are well balanced and represented in the overall sound.
The 11th recording made along the tour, this show was recorded on the 11th day of the 11th month …. and what a magical mystery tour it is. The complex, though loose weaving and interacting of the instruments and vocals create a beautiful tapestry that will not be matched on any tour before or since. With the ‘Desire’ album to be released in a few weeks, Bob relies heavily on it for the show material. The cryptic songs of desire and despair add another layer to the thick blanket of mythography that is, was, and will forever be ‘Rolling Thunder’. …. The obscure title comes from Dylan’s introduction of the song ‘Sara’. “We want to do this one for Larry, our favorite reporter, who’s out there somewhere. He tells it like it is.”
~bobsboots.com

The Dylan/Baez set 1s extended to five songs. Tonight’s set includes the version of “The Water Is Wide” used as back- ground in the “Renaldo, Clara, and the Woman in White” scene. The concert is filmed for Renaldo and Clara. However, no footage is used, probably because Dylan uses no white face makeup, for the only time on the tour.
-Clinton Heylin (Bob Dylan: A Life in Stolen Moments Day by Day 1941-1995)

Palace Theater
Waterbury, Connecticut
11 November 1975

  • Bob Dylan (vocal, guitar)
  • Bob Neuwirth (guitar)
  • T-bone J. Henry Burnett (guitar)
  • Roger McGuinn (guitar)
  • Steven Soles (guitar)
  • Mick Ronson (guitar)
  • David Mansfield (steel guitar, violin, mandolin ,dobro)
  • Rob Stoner (bass)
  • Howie Wyeth (piano, drums)
  • Luther Rix (drums, percussion)
  • Ronee Blakeley (vocal)

Continue reading November 11: Bob Dylan @ Waterbury, Connecticut 1975