All posts by Egil

Today: Bob Dylan recorded “Like A Rolling stone” in 1965 – 48 years ago

Bob Dylan - like-a-rolling-stone

….would be Like A Rolling Stone because I wrote that after I’d quit. I’d literally quit singing and playing, and I found myself writing this song, this story, this long piece of vomit about twenty pages long, and out of it I took Like A Rolling Stone and made it as a single. And I’d never written anything like that before and it suddenly came to me that that was what I should do, you know. I mean, nobody had ever done that before.
~Bob Dylan (to Martin Bronstein – Feb 1966)

.. The sound is so rich the song never plays the same way twice
~Greil Marcus

The first time I heard Bob Dylan, I was in the car with my mother listening to WMCA, and on came that snare shot that sounded like somebody had kicked open the door to your mind
~Bruce Springsteen (Jan 1988)

bob-dylan-1965-bass

First time I really listened to “Like A Rolling Stone”, I felt I entered a parallel universe.. a place of intense beauty.. a place filled with this wonderful blues-fueled rock music… and a spellbinding ..organ! I had never heard anything like it.. anything this good..

That was the day I understood that there is bad music, good music, great music & then there is Bob Dylan. He plays in another league. His musical universe is still as beautiful now as it was first time I flew into it.. “Like A Rolling Stone” still sounds as fresh as it did the first time I listened ~25 years ago.

..HOW does it feeeeeel?

Let’s not start with the original version (as most of you reading this probably have heard hundreds of times), but instead a frightening version.. a slow & demanding versions… an “ugly” version (some people might say).. a dangerous version.. but most importantly a BRILLIANT version:

…We get to hear a rarity on the tour… Bob introduces The Band. Then he kicks into the highlight of disc one… a paifully slow Like A Rolling Stone in which Bob spits words at the crowd with venom, and drags them into eternity.
~bobsboots.com

@ Royal Albert Hall – London, England – 26 May 1966:

Everything is changed now from before. Last spring I guess I was going to quit singing. I was very drained and the way things were going it was a very draggy situation – I mean, when you do Everybody Loves You For Your Black Eye and meanwhile the back of your head is caving in. Anyway, I was playing a lot of songs I didn’t want to play. I was singing words I didn’t really want to sing. I don’t mean words like “God” and “mother” and “president” and “suicide” and “meat cleaver”. I mean simple little words like “if” and “hope” and “you”. But Like A Rolling Stone changed it all; I didn’t care any more after that about writing books or poems or whatever. I mean it was something that I myself could dig. It’s very tiring having other people tell you how much they dig you if you yourself don’t dig you. It’s also very deadly entertainment-wise. Contrary to what some scary people think, I don’t play with a band now for any kind of propaganda-type or commercial-type reasons. It’s just that my songs are pictures and the band makes the sound of the pictures.
~Bob Dylan (to Nat Hentoff – March 1966)

To be without a home

Continue reading Today: Bob Dylan recorded “Like A Rolling stone” in 1965 – 48 years ago

Today – The Grateful Dead released “Workingman’s Dead” in 1970 – 43 years ago

Grateful dead - workingman's dead

Workingman’s Dead, in part inspired by the rustic soul of the Band, ranks as the Dead’s studio masterpiece, followed closely by American Beauty. The focus is on the songs, rather than the jams, and these would provide the focal point of an era, spanning 1969–74, when the Dead played some of the most remarkable concerts in American history, virtually every one available in some incarnation thanks to the band’s dedicated tapers.
~rollingstone.com

Uncle John’s Band:

Wikipedia:

Released June 14, 1970
Recorded February 1970
Genre Country rock, rock
Length 35:33
Label Warner Bros.
Producer Bob Matthews
Betty Cantor
Grateful Dead

Workingman’s Dead is the fifth album by the rock band the Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970.

In 2003, the album was ranked number 262 on Rolling Stone magazine’s list of the 500 greatest albums of all time.

GratefulDead-1970-WorkingmansDead

Of course they don’t sing as pretty as CSNY–prettiness would trivialize these songs. The sparse harmonies and hard-won melodies go with lyrics that make all the American connections claimed by San Francisco’s counterculture; there’s a naturally stoned bemusement in their good times, hard times, high times, and lost times that joins the fatalism of the physical frontier with the wonder of the psychedelic one. And the changeable rhythms hold out the promise of Uncle John’s Band, who might just save us if we’ll only call the tune. Inspirational Verse: “Think this through with me.” A
~Robert Christgau (robertchristgau.com)

Garcia has commented that much of the sound of the album comes both from his pairing with Hunter as well as the band’s friendship with Crosby, Stills and Nash. “Hearing those guys sing and how nice they sounded together, we thought, ‘We can try that. Let’s work on it a little’” commented Garcia.

Workingmans_Dead

 

Track Listing:

All songs written by Jerry Garcia and Robert Hunter except where noted.

Side one

  1. “Uncle John’s Band” 4:42
  2. “High Time” 5:12
  3. “Dire Wolf” 3:11
  4. “New Speedway Boogie” 4:01

Side two

  1. “Cumberland Blues” (Garcia, Hunter, and Phil Lesh) 3:14
  2. “Black Peter” 5:41
  3. “Easy Wind” (Hunter) 4:57
  4. “Casey Jones” 4:24

Musicians:

  • Jerry Garcia – lead guitar, pedal steel guitar, vocals
  • Bob Weir – guitar, vocals
  • Pigpen (Ron McKernan) – keyboards, harmonica, vocals
  • Phil Lesh – bass, vocals
  • Bill Kreutzmann – drums
  • Mickey Hart – drums
  • Tom Constanten – keyboards on reissue live bonus tracks “Dire Wolf”, “Black Peter”, “Easy Wind”, “Cumberland Blues”, “Mason’s Children”

Additional musicians

  • David Nelson – acoustic guitar on “Cumberland Blues”

Album @ spotify:

 Other June 14:

Continue reading Today – The Grateful Dead released “Workingman’s Dead” in 1970 – 43 years ago

Today: The late Benny Goodman passed away in 1986 – 27 years ago

Benny Goodman was the first celebrated bandleader of the Swing Era, dubbed “The King of Swing,” his popular emergence marking the beginning of the era. He was an accomplished clarinetist whose distinctive playing gave an identity both to his big band and to the smaller units he led simultaneously. The most popular figure of the first few years of the Swing Era, he continued to perform until his death 50 years later.
~William Ruhlmann (allmusic.com)

Moonglow:

From Wikipedia:

Benjamin David “Benny” Goodman (May 30, 1909 – June 13, 1986) was an American jazz and swing musician, clarinetist and bandleader; widely known as the “King of Swing”.

In the mid-1930s, Benny Goodman led one of the most popular musical groups in America. His January 16, 1938 concert at Carnegie Hall in New York City is described by critic Bruce Eder as “the single most important jazz or popular music concert in history: jazz’s ‘coming out’ party to the world of ‘respectable’ music.”

Goodman’s bands launched the careers of many major names in jazz, and during an era of segregation, he also led one of the first well-known racially-integrated jazz groups. Goodman continued to perform to nearly the end of his life, including exploring his interest in classical music.

Benny_Goodman

cut from “Hollywood Hotel” film (1937) – Sing Sing Sing:

Album of the day @ JV:

Other June-13:

Continue reading Today: The late Benny Goodman passed away in 1986 – 27 years ago

Bob Dylan – US Summer Tour 1986 – True Confession Tour part 3 (Videos, Audio, and more)

bob dylan tom petty 1986

Before diving into the music of the “US Summer Tour – 86”, let’s look at some videos leading up to the tour.

Let’s kick off with the Tokyo (backstage Budokan) interview. (It should probably have been included in part 2 of this series, but I didn’t find it till now).

10 March 1986
MTV Interview, Backstage, Budokan Hall, Tokyo

…probably I’d do ANY song that I’d ever written, but to put them in a show is a different thing, because it takes time, and there’s not a lotta time when you play for a few hours.
~Bob Dylan (1986-03-10)

..and same place.. with Tom Petty (talking about touring with Dylan):

Continue reading Bob Dylan – US Summer Tour 1986 – True Confession Tour part 3 (Videos, Audio, and more)

Bob Dylan – To Ramona – Rich Stadium – Buffalo, New York – 4 July 1986 (Video)

bob dylan 1986

Ramona
Come closer
Shut softly your watery eyes
The pangs of your sadness
Shall pass as your senses will rise
The flowers of the city
Though breathlike
Get deathlike at times
And there’s no use in tryin’
T’ deal with the dyin’
Though I cannot explain that in lines

Another Great 86-show from the North-American leg. I will post more from this show soon… Here is “To Ramona”.

Rich Stadium
Buffalo, New York
4 July 1986

Musicians:

  • Bob Dylan (vocal & guitar)

Your cracked country lips
I still wish to kiss
As to be under the strength of your skin
Your magnetic movements
Still capture the minutes I’m in
But it grieves my heart, love
To see you tryin’ to be a part of
A world that just don’t exist
It’s all just a dream, babe
A vacuum, a scheme, babe
That sucks you into feelin’ like this

I can see that your head
Has been twisted and fed
By worthless foam from the mouth
I can tell you are torn
Between stayin’ and returnin’
On back to the South
You’ve been fooled into thinking
That the finishin’ end is at hand
Yet there’s no one to beat you
No one t’ defeat you
’Cept the thoughts of yourself feeling bad

I’ve heard you say many times
That you’re better ’n no one
And no one is better ’n you
If you really believe that
You know you got
Nothing to win and nothing to lose
From fixtures and forces and friends
Your sorrow does stem
That hype you and type you
Making you feel
That you must be exactly like them

I’d forever talk to you
But soon my words
They would turn into a meaningless ring
For deep in my heart
I know there is no help I can bring
Everything passes
Everything changes
Just do what you think you should do
And someday maybe
Who knows, baby
I’ll come and be cryin’ to you

Check out:

-Egil