Category Archives: Beatles

Today: A Hard Days Night by The Beatles was released in 1964

A_Hard_Day's_Nigth

“We were different. We were older. We knew each other on all kinds of levels that we didn’t when we were teenagers. The early stuff – the Hard Day’s Night period, I call it – was the sexual equivalent of the beginning hysteria of a relationship. And the Sgt Pepper-Abbey Road period was the mature part of the relationship.”
– John Lennon (1980)

A Hard Day’s Night is the third album by The Beatles; it was released on July 10, 1964. The album is a soundtrack to the A Hard Day’s Night film, starring the Beatles. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing. This is the first Beatles album to be recorded entirely on four-track tape, allowing for good stereo mixes.

HDN

In 2000, Q placed A Hard Day’s Night at number 5 in its list of the 100 Greatest British Albums Ever. In 2003, the album was ranked number 388 on Rolling Stone magazine’s list of the 500 Greatest Albums of All Time.

The soundtrack songs were recorded in late February, and the non-soundtrack songs were recorded in June. The title song itself was recorded on April 16.

“…but A Hard Day’s Night is perhaps the band’s most straightforward album: You notice the catchiness first, and you can wonder how they got it later.

The best example of this is the title track– the clang of that opening chord to put everyone on notice, two burning minutes thick with percussion (including a hammering cowbell!) thanks to the new four-track machines George Martin was using, and then the song spiraling out with a guitar figure as abstractedly lovely as anything the group had recorded.”

– Tom Ewing, Pitchfork

A Hard Day’s Night (Paris, 1965):

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I saw the movie before I bought the album, and the pictures roll before my eyes as I listen to the album. The film is a masterpiece and so is the album.
a-hard-days-night movie

“Considering the quality of the original material on With the Beatles, it shouldn’t have been a surprise that Lennon & McCartney decided to devote their third album to all-original material. Nevertheless, that decision still impresses, not only because the album is so strong, but because it was written and recorded at a time when the Beatles were constantly touring, giving regular BBC concerts, appearing on television and releasing non-LP singles and EPs, as well as filming their first motion picture. In that context, the achievement of A Hard Day’s Night is all the more astounding.”
– Allmusic (Stephen Thomas Erlewine)

It was my first Beatles album, and even if it has lost it’s top spot on my Beatles list, I love it dearly. It always makes me happy when i put it on.

John Lennon was the main contributor to the album. He wrote A Hard Day’s Night,  I Should Have Known Better, Tell Me Why, Any Time At All, I’ll Cry Instead, When I Get Home and You Can’t Do That.

He also wrote the majority of If I Fell and I’ll Be Back, and wrote I’m Happy Just To Dance With You with McCartney.

I Should Have Known Better (my favorite song on the album):

That doesn’t mean that Paul McCartney was  left off the record. He wrote the  ballads Things We Said Today plus And I Love Her , and lets not forget the lovely single Can’t Buy Me Love.

Can’t Buy Me Love:

As always the lines blur on some of the songs, but there are a lot of indications that this was the way the songs were composed, or rather, who wrote the songs.

“When we knew we were writing for something like an album John would write a few in his spare moments, like this batch here. He’d bring them in, we’d check ’em. I’d write a couple and we’d throw ’em at each other, and then there would be a couple that were more co-written. But you just had a certain amount of time.”
– Paul McCartney

A Hard Day’s Night is classic album that is a true testament to their collaborative writing powers, and, man, they had become a tight band!

– Hallgeir

Sources: Wikipedia, Allmusic, Pitchfork, John Lennon Interview with David Sheff in 1980, Many Years From Now by Barry Miles (book)

Today: The Beatles released Sgt Peppers Lonely Hearts Club Band in 1967 – 46 years ago

“A decisive moment in the history of Western civilisation”
– Kenneth Tynan, The Times

“Sgt Pepper is one of the most important steps in our career. It had to be just right. We tried, and I think succeeded in achieving what we set out to do.”
– John Lennon

The opening track:

We were fed up with being the Beatles. We really hated that fucking four little mop-top boys approach. We were not boys, we were men. It was all gone, all that boy shit, all that screaming, we didn’t want any more, plus, we’d now got turned on to pot and thought of ourselves as artists rather than just performers. There was now more to it; not only had John and I been writing, George had been writing, we’d been in films, John had written books, so it was natural that we should become artists.

– Paul McCartney

I love Sgt. Pepper and it will always be in my top 5 Beatles album, sometimes at number 5 sometimes at the top spot. It’s a great Beatles album,  and it’s one of the best album in Rock history. It is laid out as a concept album, but the idea held for two songs, the coda, and the album’s sleeve design.

The Beatles songs now did not sound practiced or rehearsed, and the reason for this is that they weren’t. They were studio snippets put together in sections and pieces. I think that’s the reason that the outtakes from the Sgt. Pepper sessions are so uninspiring, so unfinished. There are several bootlegs with alternative versions, and for Beatles-nerds they are of course something to seek out. That said, I think the best Sgt.Pepper outtakes are presented on Anthology 2, and, yes, they are put together in the same way as the original album, each song constructed from different takes and sound bites.

I’m guessing it would be a difficult record to play live.

I believe that this album represent a shift in popular music, we look at pop/rock music before and after Sgt. Pepper. Almost everything on the album was new. And it still sounds new and fresh.

Happy birthday, Sgt. Pepper!

The Making of Sgt. Pepper documentary made for the 25 year anniversary :

Sgt. Pepper’s Lonely Hearts Club Band (often shortened to Sgt. Pepper) is the eighth studio album by The Beatles, released on 1 June 1967 on the Parlophone label and produced by George Martin. The album is widely regarded as one of the greatest of all time, and has since been recognised as one of the most important albums in the history of popular music, including songs such as “Lucy in the Sky with Diamonds” and “A Day in the Life”. Recorded over a 129-day period beginning in December 1966, Sgt. Pepper saw the band developing the production techniques of their previous album, Revolver. Martin’s innovative and lavish production included the orchestra usage and hired musicians ordered by the band. Genres such as music hall, rock and roll, pop rock, and traditional Indian music are covered. The album cover art, by English pop artist Peter Blake, depicts the band posing in front of a collage of their favourite celebrities, and has been widely acclaimed and imitated. (Wikipedia)

“The album was always going to have Sgt Pepper at the beginning; and if you listen to the first two tracks, you can hear it was going to be a show album. It was Sgt Pepper and his Lonely Hearts Club Band with all these other acts, and it was going to run like a rock opera.”
– Ringo Starr, Anthology

Fun fact: Jimi Hendrix  performed the title track at the Roundhouse, London, three days after the album was released. In the audience that night were Paul McCartney and George Harrison. Hendrix also performed the song at the Isle Of Wight Festival in 1970.

Legacy

  • In 1987 Rolling Stone named Sgt. Pepper the best album of the last twenty years (1967–1987).
  • In 1997 Sgt. Pepper was named the number one greatest album of all time in a “Music of the Millennium” poll conducted by HMV, Channel 4, The Guardian and Classic FM.
  • In 1998 Q magazine readers placed it at number seven
  • in 2003 the TV network VH1 placed it at number 10.
  •  In 2003, the album was ranked number 1 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
  •  In 2006, the album was chosen by Time magazine as one of the 100 best albums of all time.
  • In 2002, Q magazine placed it at number 13 in its list of the 100 Greatest British Albums Ever.
  •  The album was named as one of Classic Rock magazine’s “50 Albums That Built Prog Rock”.
  •  In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.

The best song from the album: “A Day In Life”:

A Day in the Life – that was something. I dug it. It was a good piece of work between Paul and me. I had the ‘I read the news today’ bit, and it turned Paul on. Now and then we really turn each other on with a bit of song, and he just said ‘yeah’ – bang bang, like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don’t often do, the afternoon before. So we all knew what we were playing, we all got into it. It was a real groove, the whole scene on that one. Paul sang half of it and I sang half. I needed a middle-eight for it, but Paul already had one there.
– John Lennon

“As we got up to Sgt Pepper, George Martin had really become an integral part of it all. We were putting in strings, brass, pianos, etc, and George was the only one who could write it all down. He was also brilliant. One of them would mention: ‘Oh, I’d like the violin to go “de de diddle”,’ or whatever, and George would catch it and put it down. He became part of the band. “
– Ringo (Anthology)

……Lucy in the sky..:

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Continue reading Today: The Beatles released Sgt Peppers Lonely Hearts Club Band in 1967 – 46 years ago

Today: Bringing It All Back Home (48) & Please Please Me (50)

Bob Dylan - bringing it all back home

 

the beatles please please me

Bringing It All Back Home” is not included in the “Music Calendar post” … It has a separate post (part of the “Bob Dylan Albums” series):

..now let’s focus on The Beatles debut album..“Please Please Me” released 50 years ago today!

….they were a group with the luck to meet opportunities, the wit to recognize them, the drive to seize them, and the talent to fullfil them. Please Please Me is the sound of them doing all four.
~Tom Ewing (pitchfork.com)

#1 – I Saw Her Standing There 

Wikipedia:

Released 22 March 1963
Recorded 11 February 1963,
EMI Studios, London
Genre Rock and roll, pop
Length 32:45
Label Parlophone
Producer George Martin

Please Please Me is the debut album by the English rock band the Beatles. Parlophone rush-released the album on 22 March 1963 in the United Kingdom to capitalise on the success of singles “Please Please Me” (No. 1 on most lists but only No. 2 on Record Retailer) and “Love Me Do” (No. 17).

Of the album’s fourteen songs, eight were written by Lennon–McCartney (originally credited “McCartney–Lennon”), early evidence of what Rolling Stone later called “[their invention of] the idea of the self-contained rock band, writing their own hits and playing their own instruments”. In 2012, Please Please Me was voted 39th on Rolling Stone magazine’s list of the “500 Greatest Albums of All Time”.

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…It’s a blueprint of everything the Beatles would ever do, mixing up doo-wop, country, R&B, girl groups, Chuck Berry, Buddy Holly, Little Richard, and Tin Pan Alley into their own exuberant sound. John and Paul sang the openhearted originals “Ask Me Why,” “There’s a Place,” and “I Saw Her Standing There.” Ringo shouted, “All right, George!” in his gender-flipped cover of the Shirelles’ ultrafemme “Boys.” All four Beatles sang and played with total emotional urgency, holding nothing back, knowing their first shot at getting out of Liverpool could have been their last. You can hear John completely blow out his voice in the last track, “Twist and Shout.”
~Rollingstone.com

#7 – Please Please Me

Beatles Please Please Me

Recording

In order for the album to contain fourteen songs (the norm for British 12″ vinyl pop albums at that time was to have seven songs on each side, while American albums usually had only five or six songs per side) ten more tracks were needed to add to the four sides of their first two singles recorded and released previously. Therefore, at 10:00 am on Monday, 11 February 1963, the Beatles and George Martin started recording what was essentially their live act in 1963, and finished 585 minutes later (9 hours and 45 minutes). In three sessions that day (each lasting approximately three hours) they produced an authentic representation of the band’s Cavern Club-era sound, as there were very few overdubs and edits. Optimistically, only two sessions were originally booked by Martin—the evening session was added later.

beatles and george martin 1963

The day ended with a cover of “Twist and Shout”, which had to be recorded last because John Lennon had a particularly bad cold and Martin feared the throat-shredding vocal would ruin Lennon’s voice for the day. This performance, captured on the first take, prompted Martin to say: “I don’t know how they do it. We’ve been recording all day but the longer we go on the better they get.

#14 – Twist and Shout

Track Listing

All songs written by McCartney–Lennon, except where noted.

Side One

  1. “I Saw Her Standing There”
  2. “Misery”
  3. “Anna (Go to Him)” (Arthur Alexander)
  4. “Chains” (Gerry Goffin, Carole King)
  5. “Boys” (Luther Dixon, Wes Farrell)
  6. “Ask Me Why”
  7. “Please Please Me”

Side two

  1. “Love Me Do”
  2. “P.S. I Love You”
  3. “Baby It’s You” (Mack David, Barney Williams, Burt Bacharach)
  4. “Do You Want to Know a Secret”
  5. “A Taste of Honey” (Bobby Scott, Ric Marlow)
  6. “There’s a Place”
  7. “Twist and Shout” (Phil Medley, Bert Russell)

beatles please please me album back

 

Personnel

According to Mark Lewisohn:

The Beatles
  • John Lennon – lead vocals, background vocals, rhythm guitar, acoustic guitar, harmonica, hand claps
  • Paul McCartney – lead vocals, background vocals, bass guitar, hand claps
  • George Harrison – background vocals, lead vocals on “Chains” and “Do You Want to Know a Secret”, lead guitar, acoustic guitar, hand claps
  • Ringo Starr – drums, tambourine, maracas, hand claps, lead vocals on “Boys”
Additional musicians and production
  • George Martin – producer, mixer, additional arrangements, piano on “Misery”, celesta on “Baby It’s You”
  • Norman Smith – audio engineer, mixer
  • Andy White – drums on “Love Me Do” and “P.S. I Love You”

The Beatles

Reception

  • Please Please Me hit the top of the UK album charts in May 1963 and remained there for thirty weeks before being replaced by With The Beatles. This was surprising because the UK album charts at the time tended to be dominated by film soundtracks and easy listening vocalists.
  • In 2012, Please Please Me was voted 39th on Rolling Stone magazine’s list of the “500 Greatest Albums of All Time”. It was ranked first among the Beatles’ early albums, and sixth of all of the Beatles’ albums, with Sgt. Pepper’s Lonely Hearts Club BandRevolver,Rubber SoulThe Beatles (The White Album) and Abbey Road ranked higher.
  • Rolling Stone also placed two songs from the album on its list of The 500 Greatest Songs of All Time: No. 139, “I Saw Her Standing There”, and No. 184, “Please Please Me”.
  • According to Stephen Thomas Erlewine of Allmusic, “Decades after its release, the album still sounds fresh”, the covers are “impressive” and the originals “astonishing“.

Full album (UK Mono) from youtube:

Other MAR-22:

Continue reading Today: Bringing It All Back Home (48) & Please Please Me (50)

Today: The Beatles recorded “Ticket To Ride” in 1965 – 48 years ago

the beatles ticket to ride

The Beatles were such a prolific album act that it’s sometimes hard to abstract their later singles; here, they ride their roots as a bar band in Liverpool and Hamburg to a new kind of glory.
~Dave Marsh (The Heart of Rock & Soul)

The opening circular riff, played on 12-string guitar by George Harrison, was a signpost for the folk-rock wave that would ride through rock music itself in 1965.
~Richie Unterberger (allmusic.com)

Wikipedia:

Released 9 April 1965
Recorded 15 February 1965,
EMI Studios, London
Genre Rock
Length 3:10
Label Parlophone
Writer Lennon–McCartney
Producer George Martin

Ticket to Ride” is a song by the Beatles from their 1965 album, Help!. It was recorded 15 February 1965 and released two months later. In 2004, this song was ranked number 394 on Rolling Stone‘s list of “The 500 Greatest Songs of All Time”.

The-Beatles-Help

the beatles ticket to ride2

They say this was one of John’s personal favorites, probably because it has his most soulful vocal ever. But “Ticket to Ride” is intricate and interesting all the way through, with Paul playing mean lead guitar and Ringo dispelling all doubt about his prowess as a drummer: The groove comes straight out of his pure backbeat.
~Dave Marsh (The Heart of Rock & Soul)

Original 1965 Promotional Video:

Composition

The song was written primarily by John Lennon (credited to Lennon–McCartney), with Paul McCartney’s contributions in dispute. Lennon said that McCartney’s contribution was limited to “the way Ringo played the drums”. McCartney said that was an incomplete description, and that “we sat down and wrote it together… give him 60 percent of it… we sat down together and worked on that for a full three-hour songwriting session.” This song was also the first song by the band in which McCartney was featured on lead guitar.
The song features a coda with a different tempo that extends the song’s length past three minutes, the first Beatles single ever to do so. Lennon said this double-time section (with the lyric “My baby don’t care”) was one of his “favourite bits” in the song.

Shea Stadium Live 1965 – HQ:

Critical Response

Music critics Richie Unterberger of Allmusic and Ian MacDonald both describe “Ticket to Ride” as an important milestone in the evolution of the musical style of the Beatles. Unterberger said, “the rhythm parts on ‘Ticket to Ride’ were harder and heavier than they had been on any previous Beatles outing, particularly in Ringo Starr’s stormy stutters and rolls.” MacDonald described it as “psychologically deeper than anything the Beatles had recorded before … extraordinary for its time — massive with chiming electric guitars, weighty rhythm, and rumbling floor tom-toms.” MacDonald also notes that the track uses the Indian basis of drone which might have influenced the Kinks’ “See My Friends”.

the beatles ticket to ride3

 

Meaning of ‘Ticket To Ride’

While the song lyrics describe a girl “riding out of the life of the narrator”, the inspiration of the title phrase is unclear. McCartney said it was “a British Railways ticket to the town of Ryde on the Isle of Wight”, and Lennon said it described cards indicating a clean bill of health carried by Hamburg prostitutes in the 1960s. The Beatles played in Hamburg early in their musical career, and “ride/riding” was slang for having sex.

the beatles 1965

So we round off with The Beatles final appearance @ “Ed Sullivan Show” – 14th August 1965

They performed six songs: I Feel Fine, I’m Down, Act Naturally, Ticket To Ride, Yesterday and Help!

Other February 15

Continue reading Today: The Beatles recorded “Ticket To Ride” in 1965 – 48 years ago

Today: The Beatles played the Rooftop concert, Apple building 30 Jan 1969

rooftop1

“I’d like to say thank you on behalf of the group and ourselves, and I hope we passed the audition” – John Lennon 

Trying to come up with a conclusion for the film, Let it be, it was suggested that the band play an unannounced lunchtime concert on the roof of the Apple building. On 30 January, The Beatles with Preston played on the rooftop in the cold wind for 42 minutes, about half of which ended up in the film.

The songs performed in the Rooftop concert, Apple building:

  • Get Back (5 versions)
  • I Want You (She’s So Heavy)
  • Don’t Let Me Down (2 versions)
  • I’ve Got A Feeling
  • One After 909
  • Danny Boy (in between the main songs)
  • Dig A Pony (2 versions)
  • God Save The Queen (incompl.)
  • A Pretty Girl Is Like A Melody (between main songs)

The Concert:

The Beatles started with a rehearsal of “Get Back,” then played the five songs which are shown in the film. After repeating “I’ve Got a Feeling” and “Don’t Let Me Down,” takes which were left out of the film, the Beatles are shown in the film closing with another pass at “Get Back” as the police arrive to shut down the show.  (Wikipedia)

The songs were used as a whole or in parts on the album, in the film and later on Anthology 3 and on the re-release/reworking of Let it be, Let it be…naked.

The Apple building concert was the first live gig since The Beatles stopped touring 29. August 1966 (tired of  screaming girls and not beeing able to hear themselves through the screams) and it was to be their last. It’s a fantastic show, sweet and short, really makes us long for more. It gives us a glimpse of what could have been, and it shows us what a magnificent live band they were.

rooftop2

 “We went on the roof in order to resolve the live concert idea, because it was much simpler than going anywhere else; also nobody had ever done that, so it would be interesting to see what happened when we started playing up there. It was a nice little social study.

We set up a camera in the Apple reception area, behind a window so nobody could see it, and we filmed people coming in. The police and everybody came in saying, ‘You can’t do that! You’ve got to stop.'” – George Harrison (Anthology)

Whatever animosity there was between the four guys it doesn’t show, it looks like they have the time of their life, it is a magnificent live farewell.

It is also one of the most bootlegged shows in rock’n roll history, both on audio and film.

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Let’s hope for an official Let it Be Blu-Ray release, maybe with the rooftop concert as a separate extra feature (with all available footage).

Other January 30:

Continue reading Today: The Beatles played the Rooftop concert, Apple building 30 Jan 1969