The air is getting hotter
There’s a rumbling in the skies
I’ve been wading through the high muddy water
With the heat rising in my eyes
-Bob Dylan (Tryin’ To Get To Heaven)
Environment affects me a great deal,a lot of the songs were written after the sun went down. And I like storms, I like to stay up during a storm. I get very meditative sometimes, and this one phrase was going through my head: ‘Work while the day lasts, because the night of death cometh when no man can work. ‘ I don’t recall where I heard it. I like preaching, I hear a lot of preaching, and I probably just heard it somewhere. Maybe it’s in Psalms, it beats me. But it wouldn’t let me go. I was, like, what does that phrase mean? But it was at the forefront of my mind, for a long period of time, and I think a lot of that is instilled into this record.
-Bob Dylan – about “Time Out Of Mind” (to John Pareles, Sept 1997
The life here is drained, vampire-like, from a whole slew of blues songs, it’s title probably taken from the American Folk Song “The Old Ark’s A-Moverin”.. This is “Blind Willie McTell” with a hangover, a picture of the old south, “riding in a buggy with Miss Mary-Jane” and shaking the sugar down.
There is an extraordinary harmonica break, like the best of Dylan, where it carries on the sense of the lyrics into a place where language no longer works.
-Brian Hinton (Bob Dylan Complete Discography)
You will search, babe
At any cost
But how long, babe
Can you search for what’s not lost?
Everybody will help you
Some people are very kind
But if I can save you any time
Come on, give it to me
I’ll keep it with mine
“I’ll Keep It with Mine,”·a heartbreakingly lovely solo performance on piano and harmonica, did turn up on Biograph, after sitting in the vault for twenty years. How can Dylan record something so beautiful and then let it remain unreleased? This is a question that gets asked again and again, which is why so many people collect Dylan tapes or buy boodlegs (illegal, unauthorized) Dylan albums.
~Paul Williams (Bob Dylan Performing Artist I: The Early Years 1960-1973)
And what an exquisite song it is. Author Paul Cable once described “I’ll Keep It with Mine” as “possibly the best thing he had written up to that point . . . [while] the lyrics form the least patronizing way I have yet heard of saying, ‘I’m older than you—therefore I know better.’” In just three verses, bound to a three-line refrain, Dylan manages to encapsulate so much of what he had been hoping to say in the trio of songs to Suze. In her case, though, he hadn’t got beyond his tangled feelings long enough to whisper words like, “If I can save you any time / Come on, give it to me / I’ll keep it with mine.”
-Clinton Heylin (Revolution in the Air: The Songs of Bob Dylan, 1957-1973)
Blowin’ In The Wind has always been a spiritual. I took it off a song, I don’t know
whether you ever heard a song called No More Auction Block?
-Bob Dylan (Marc Rowland Interview – Sept 1978)
I wrote ‘Blowin’ in the Wind’ in 10 minutes, just put words to an old spiritual, probably something I learned from Carter Family records. That’s the folk music tradition. You use what’s been handed down.
-Bob Dylan (Robert Hilburn Interview – Nov 2003)
The 1960’s
Westinghouse Studios
New York City, New York
3 March 1963
Folk songs and more folk songs
How many roads must a man walk down
Before you call him a man?
Yes, ’n’ how many seas must a white dove sail
Before she sleeps in the sand?
Yes, ’n’ how many times must the cannonballs fly
Before they’re forever banned?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind
The big difference is that the songs I was writing last year, songs like Ballad in Plain D, they were what I call one-dimensional songs, but my new songs I’m trying to make more three-dimensional, you know, there’s more symbolism, they’re written on more than one level.
~Jenny De Yong And Peter Roche Interview, 30 April 1965
A song is anything that can walk by itself, I am called a songwriter. A poem is a naked person, some people say that I am a poet.
~Jacket notes Subterranean Homesick Blues
This is not a “best from 1965” list, just 5 Great songs Bob Dylan recorded in 1965.
It’s All Over Now, Baby Blue
Studio A
Columbia Recording Studios
New York City, New York
15 January 1965
The 3rd and last Bringing It All Back Home recording session, produced by Tom Wilson.
First released on BRINGING IT ALL BACK HOME, 22 March 1965.
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