Ok, I know, they released their first album in 2007 so they’re not exactly a new band. Well, they are new to me, and I reckon they should get a lot more attention than they have.
I discovered them through veteran singer/songwriter Mike McClure (I love his album, 50 Billion), I was wondering what he was doing and the name Turnpike Troubadours popped up when I looked around the web.
They have released three albums so far, all excellent. We did not include them on our year-end list for 2012, and I fear it is just as big a mistake as when we failed to include Johnathan Wilson on the 2011 list. Those things are bound to happen but it is really annoying when they do.
Gin, Smoke, Lies , great video/song beautiful shot but with a dark undertone:
They come from Oklahoma and they play a country tinged roots-rock. It sounds effortless and clever at the same time, kind of the same way that Steve Earle or Townes Van Zandt sounds so easy at first and are so intricate and smart when you really listen.
Wikipedia has a short description of them, I guess it will expand in the near future… :
Turnpike Troubadours is an American Red Dirt group from Oklahoma composed of Evan Felker, R.C. Edwards, Kyle Nix, Ryan Engelman and Gabe Pearson. They are signed to Bossier City Records and have released three studio albums since 2007. Their 2012 album Goodbye Normal Street peaked at number 57 on the Billboard 200.
OLD post … You’re being redirected to a newer version……
..Johnny was and is the North Star; you could guide your ship by him – the greatest of the greats then and now. I first met him in ‘62 or ‘63 and saw him a lot in those years. Not so much recently, but in some kind of way he was with me more than people I see every day.
~Bob Dylan (Statement on Johnny Cash – Sept 2003)
I love to go to the studio and stay there 10 or 12 hours a day. I love it. What is it? I don’t know. It’s life.
~Johnny Cash
You build on failure. You use it as a stepping stone. Close the door on the past. You don’t try to forget the mistakes, but you don’t dwell on it. You don’t let it have any of your energy, or any of your time, or any of your space.
~Johnny Cash
Lyle Lovett Inducts Johnny Cash into the Rock and Roll Hall of Fame:
I Walk The Line – 1956:
Wikipedia:
Birth name
John R. Cash
Born
February 26, 1932
Kingsland, Arkansas, United States
Died
September 12, 2003 (aged 71)
Nashville, Tennessee, United States
Genres
Country, rock and roll, gospel
Occupations
Singer-songwriter, musician, actor
Instruments
Vocals, guitar
Years active
1954–2003
Labels
Sun, Columbia, Mercury, American, House of Cash, Legacy Recordings
Associated acts
The Tennessee Three, The Highwaymen, June Carter Cash, The Statler Brothers, The Carter Family, Area Code 615
John R. “Johnny” Cash (February 26, 1932 – September 12, 2003) was an American singer-songwriter, actor, and author who was considered one of the most influential musicians of the 20th century. Although he is primarily remembered as a country music icon, his songs and sound spanned other genres including rockabilly and rock and roll—especially early in his career—and blues, folk, and gospel. This crossover appeal won Cash the rare honor of induction in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and the Gospel Music Hall of Fame.
San Quentin (Live):
Cash was known for his deep, distinctive bass-baritone voice, for the “boom-chicka-boom” sound of his Tennessee Three backing band; for a rebelliousness, coupled with an increasingly somber and humble demeanor; for providing free concerts inside prison walls; and for his dark performance clothing, which earned him the nickname “The Man in Black”. He traditionally began his concerts with the phrase “Hello, I’m Johnny Cash.”, followed by his standard “Folsom Prison Blues”.
Much of Cash’s music echoed themes of sorrow, moral tribulation and redemption, especially in the later stages of his career. His best-known songs included “I Walk the Line”, “Folsom Prison Blues”, “Ring of Fire”, “Get Rhythm” and “Man in Black”. He also recorded humorous numbers like “One Piece at a Time” and “A Boy Named Sue”; a duet with his future wife, June Carter, called “Jackson”; and railroad songs including “Hey, Porter” and “Rock Island Line”. During the last stage of his career, Cash covered songs by several late 20th-century rock artists, most notably “Hurt” by Nine Inch Nails.
Hurt:
Some awards & Honors:
His diversity was evidenced by his presence in three major music halls of fame:
Nashville Songwriters Hall of Fame (1977)
Country Music Hall of Fame (1980)
Rock and Roll Hall of Fame (1992)
Only thirteen performers are in both of the last two, and only Hank Williams Sr., Jimmie Rodgers, Bob Wills, and Bill Monroe share the honor with Cash of being in all three. However, only Cash was inducted into the Rock and Roll Hall of Fame in the regular manner, unlike the other country members, who were inducted as “early influences.”
His pioneering contribution to the genre has also been recognized by the Rockabilly Hall of Fame. He received the Kennedy Center Honors in 1996. Cash stated that his induction into the Country Music Hall of Fame, in 1980, was his greatest professional achievement. In 2001, he was awarded the National Medal of Arts. He was nominated for an MTV Video Music Award for best cinematography for “Hurt” and was supposed to appear, but died during the night.
We saw Billy Bragg do a very fine solo set in Oslo last summer, he hasn’t mellowed too much. He is still the workingman’s troubadour. While that is certainly true, he has always had the melodies, he is a great tunesmith and a folksinger in the truest sense.
Now he’s back with a song that is going on repeat in our household, the incredibly catchy No On Knows Nothing Anymore. The great new country tinged track is from Bill Bragg’s upcoming release Tooth and Nail produced by Joe Henry.
No One Knows Nothing Anymore:
Crossing my fingers and hoping that the whole album has the same countryfied feeling, it really suits Mr. Bragg.
Here’s a promo for the record and yes! it sounds quite country and it sounds fantastic! (out 18 March):
Mickey Newbury’s most famous song, his biggest hit, is An American Trilogy. A song that pairs a southern song written by a northerner with a slave spiritual imported from the Caribbean. Actually it combines three songs that was not supposed to work together, it interlace “Dixie”, “Battle Hymn of the Republic”, and “All My Trials”. It is quite ironic that the song Mickey Newbury is best-known for is the only one he didn’t write, the medley that was adopted by Elvis as a centrepiece of his Vegas-era shows.
In 1970 the political climate in USA was extremely tense. Nixon, Vietnam, Cambodia, demonstrations against the war , Business Week Magazine wrote: “This is a dangerous situation…it threatens the whole social structure of the nation…”
White students in integrated southern schools insisted on using Dixie as a school-fight song, while black students protested, as they saw it as an anthem for white supremacy. Dixie was even banned in some states in the south.
Mickey Newbury decided to sing it as a statement against censorship. The arrangers advised him strongly against it, but Newbury told them to get the riot squad in.
Joan Baez, Odetta, Barbara Streisand, Mama Cass and Kris Kristofferson were in the audience.
“…the great and the good of Hollywood who had gathered on Thanksgiving weekend 1970 to see and hear this modes fellow from The Lone Star state make his West Coast Debut and were stunned into silence as they witnessed Mickey Newbury give the performance of his life.
It seemed as if the song was not just coming from inside him but as if he was outside himself and inside the song. The sound pushed out in waves. Calming, resolute, cleansing. The atmosphere in the club seemed to be frozen in slow motion, moving with the illusion of stillness. The entire audience rapt in the moment, as if trapped in amber, attention fixed upon the solitary figure on stage illuminated by a soft curtain of light, with just his guitar for accompaniment.
And that illusion was broken only by a tear that rolled down the cheek of a great gospel singer sitting in the audience. ” (liner notes: An American Trilogy 4 disc set)
This is fine version two years later, from the British Tv-show The Old Grey Whistle Test:
…Musically, however, it sounds overly serious and antiquated, almost quaint– more an artifact from the period than a durable piece of music.
And yet, “An American Trilogy” reveals Newbury’s complex approach to songwriting and album sequencing: Every word or line or stanza or song complements the others and shades their meanings, contributing crucially to the whole.
“Originally I intended to do just Dixie. It had the connotation of being strictly a Southern song that was associated with racism…I thought it was unfair so…in the middle of the show I started to do Dixie” – Mickey Newbury
Everybody held their breath…
“I was sitting next to Odetta, and I have to admit I turned a little green. What happened the next seven or eight minutes was magic.” – Susan (Mick’s wife)
The way Newbury presented Dixie, was not as a battle anthem, but as the slow, intense tune that we know today. He brought out its beauty and significance by slowing it down. He in fact had gotten the idea after hearing Barbara Streisand slowing down the song Happy Days Are Here Again and thereby infusing the song with the meaning and impact that was “hidden” in the song.
Here is another fine rendition, probably from the 80s:
Ok, she is not new in the game, she has released two (good) albums before, but there haven’t been enough people paying attention. She’s a great artist.
In a couple of days (5 Feb), her new album will be released. It is called The Highway and she is releasing it independently, and she describes it as a new beginning. It will be released on Holly’s own label, Georgiana Records.
Her first single off the record is Drinkin’, what a wonderful song!
Holly Williams was born March 12, 1981 she is the granddaughter of Hank Williams Sr., the daughter of Hank Williams, Jr. and half-sister of country singer Hank Williams III.
Let you go (live on Leno):
Here are even more tracks from Holly Williams via the excellent Noisetrade website:
“It’s all about the songwriting for me. I still love songs that I wrote when I was 17. I was always attracted to the heavier stuff and the real stories that painted a very clear picture for you in your head. Tom Waits songs read like little movies in my head, and I hope listeners always walk away feeling like I’ve taken them somewhere. That desire has remained the same through and through.”
