Category Archives: Great albums

September 24: Steve Earle released Jerusalem in 2002

Steve_Earle-Jerusalem-Frontal

“I woke up this mornin’ and none of the news was good 
And death machines were rumblin’ ‘cross the ground where Jesus stood 
And the man on my TV told me that it had always been that way 
And there was nothin’ anyone could do or say

And I almost listened to him 
Yeah, I almost lost my mind 
Then I regained my senses again 
And looked into my heart to find

That I believe that one fine day all the children of Abraham 
Will lay down their swords forever in Jerusalem”
– Steve Earle (Jerusalem)

Steve Earle released this “protest album” post 9/11, but contrary to widespread belief it is not a concept album about the tragic events on that date. Yes, there are some songs relating to it, but only three out of eleven (maybe four). There were som controversy when it came out, especially the song John Walker’s Blues were widely discussed and often slated in right wing media. It is not a song that takes sides, it is a song that tells us that an ordinary American kid fell in with the wrong crowd (in this case, the Taliban). Earle make us look at this boy, and he does not say that he is innocent, but he says that he should be treated like a human being despite his faults and despite his guilt. It is a fantastic song.

“…Earle has crafted a vision of America thrown into chaos, where the falling of the World Trade Center towers is just another symbol of a larger malaise which surrounds us. Before its release,Jerusalem already generated no small controversy over the song “John Walker’s Blues,” which tells the tale of “American Taliban” John Walker Lindh as seen through his own eyes. While “John Walker’s Blues” is no more an endorsement of Lindh’s actions than Bruce Springsteen’s “Nebraska” was a tribute to mass-murderer Charles Starkweather, even though it’s one of the album’s strongest songs, if anything, it doesn’t go quite far enough.”
– Mark Demming (allmusic.com)

steve earle bergenfest 2013
photo: alldylan

Steve Earle made a “state of the nation” album, and he is confused and he doesn’t come up with the answers, but he asks the important questions!

He sings about fears in Ashes to Ashes and Conspiracy Theory,  the ever-growing differences between the rich and the poor in Amerika V. 6.0 (The Best We Can Do), desperation of a Mexican man who lost his job in one of the many oppressive, foreign-owned assembly plants in What’s A Simple Man to Do and  the injustice of the American judicial system in The Truth. Earle seems not so angry, but rather sad about the state of things.

He did not make a protest album all through, he has (as always) room for some sweet country ballads on the record. I especially like his duet with Emmylou Harris, I Remember You.

Steve Earle ends the album with a message of  hope, a hope that the answers can be found in peace and forgiveness.

Jerusalem is the bold work of a thinking man and the album is a thought-provoking work of art.

Live @ Palladium, Malmö, Sweden 2009/10/28. Steve Earle do John Walker’s Blues from Jerusalem for the first time on the European leg of his 2009 tour:

Steve Earle Mix 2013
Photo: alldylan

Steve Earle performing Jerusalem(the song) live at Factory Theatre in Sydney on 8 April 2012 (with an incredible intro):

Steve Earle – Jerusalem on Spotify:

– Hallgeir (photos of Steve Earle taken at Bergenfest 2013, Norway)

Today: Paranoid by Black Sabbath was released in 1970

Black-Sabbath-LP-Paranoid-cover

Paranoid is the second studio album Black Sabbath. Released 18 September 1970, it was the band’s only album to top the UK Albums Chart until the release of 13 in 2013.

Paranoid contains several of the band’s best-known signature songs, including “Iron Man”, “War Pigs”, and the title track.

It is one of the first metal albums and it is my favorite among the handful metal albums that I like. Slow, heavy and very, very blues based. Black Sabbath was a great band for about 4 albums (ok, 6, and then I’m stretching it a bit), after that I lost interest. Paranoid was their crowning achievement. The playing is excellent and Ozzy sings really well. They were never better.

Black Sabbath – War Pigs (Paris, 1970):

 

“…they did one thing and did it exceptionally well. If you want proof just take a look at the world of heavy metal. Without this album there wouldn’t be one. Simple as that.” – Sid Smith (BBC)

Black_Sabbath-Paranoid_(Deluxe_Expanded_Edition)-Interior_Trasera

Classic Albums documentary: Black Sabbath – Paranoid:

Paranoid was not only Black Sabbath’s most popular record (it was a number one smash in the U.K., and “Paranoid” and “Iron Man” both scraped the U.S. charts despite virtually nonexistent radio play), it also stands as one of the greatest and most influential heavy metal albums of all time. Paranoid refined Black Sabbath’s signature sound — crushingly loud, minor-key dirges loosely based on heavy blues-rock — and applied it to a newly consistent set of songs with utterly memorable riffs, most of which now rank as all-time metal classics.
– Steve Huey (Allmusic)

 

Black Sabbath – Paranoid (1970):

Black Sabbath – Paranoid on Spotify:

Hell, I have to include Iron Man as well. Here is a performance from the TV show, Beat Club (1972):

– Hallgeir

Today: Uncle Tupelo released Still Feel Gone in 1991

ut

“When the Bible is a bottle
and a hardwood floor is home
When morning comes twice a day
or not at all…”
– Still Be Around

Still Feel Gone is the second album by Uncle Tupelo. It was released 17 September 1991 on Rockville Records and re-released in 2003 by Sony Legacy. It was my first Uncle Tupelo album (I bought No Depression the next day).

Uncle Tupelo was an alt. country music group from Belleville, Illinois, they were active between 1987 and 1994. Jay Farrar, Jeff Tweedy, and Mike Heidorn formed the band after the lead singer of their earlier band, The Primitives, left to attend college. The trio recorded three albums for Rockville Records.
Uncle Tupelo broke up before it achieved commercial success, but the band is renowned for its impact on the alternative country music scene. The group’s first album, No Depression, became a byword for the genre and was widely influential. Uncle Tupelo’s sound was unlike popular country music of the time, drawing inspiration from styles as diverse as the hardcore punk of The Minutemen and the country instrumentation and harmony of the Carter Family and Hank Williams.

Uncle Tupelo is a very important band in the development of Alt.country/Americana.

“With the release of their 1990 debut LP, No Depression, the Belleville, IL, trio Uncle Tupelo launched more than simply their own career—by fusing the simplicity and honesty of country music with the bracing fury of punk, they kick-started a revolution which reverberated throughout the American underground.”
– Jason Ankeny (allmusic)

Uncle Tupelo – Gun (Bloomington,IN, 1992):

I love the contrasts in Uncle Tupelo, the country vs. punk/rock, Tweedy’s voice vs. Farrar’s voice, the heart aching ballads vs. the working class lament. The slow howls in the songs vs. the attacking guitars. The balance of innocence and rawness gives Still Feel Gone an edge and an emotional dimension seldom found.
To me the album sounds like a stew consisting of, The Clash, Neil Young, Rolling Stones, Husker Du and all the country music influences they surely got from their parents’ records and their radio listening habits. It’s a lovely stew and a contender for best album of 1991.

“The band eschews quaint rootsiness for the time-bomb attack of Jay Ferrar’s aggressive stop-start guitars and some deceptively gentle acoustic ballads that convey an underlying sense of dissatisfaction. The band’s melodic skills don’t always equal their unpretentiousness, but Still Feel Gone remains a vivid snapshot of life in a town that`s colored gray.”
– Chicago Tribune (Feb 1992)

Uncle Tupelo – Punch Drunk (Toad’s Place, New Haven CT, March 2, 1992):

“The characters that populate Still Feel Gone are far from one-dimensional caricatures of rural life. Songwriters Jay Farrar and Jeff Tweedy write with an insightful eye and ragged beauty that bring their images alive without coming off as rote shrieks of youthful disenchantment. “
– Rolling Stone Magazine (Mar 1992)

Uncle Tupelo – Still Feel Gone on Spotify:

– Hallgeir

Today: Eric Clapton released From The Cradle in 1994

Eric_Clapton-From_The_Cradle-Frontal

From the Cradle is a blues cover album by Eric Clapton. It is also his 12th studio album. Released on 13 September 1994, the album was Eric Clapton’s long-awaited follow-up to his massively successful live album, Unplugged. The liner notes states, “This is a live recording with no overdubs or edits except for dobro overdub on ‘How Long Blues’ and drum overdub on ‘Motherless Child’.”

Although he’d long been associated with the blues, From the Cradle was Clapton’s first attempt at an all-blues album.

When I listen to the album, I am transported to a small blues club where a group of fantastic players give us  their best, fantastic musicianship. I saw Martin Scorsese’s documentary, Nothing but the blues before I heard the album. I started to seek out the songs from the film, and found From the cradle. It is one of my favorite Clapton  albums.

Nothing but the blues:Eric Clapton discusses who has influenced him throughout his career, with clips of performances by Howlin’ Wolf, Buddy Guy, Muddy Waters, B.B. King, etc. Filmed by director Martin Scorsese, this documentary was broadcast once on PBS stations, but never officially released for reasons which remain unclear. A planned release on home video was slated for early summer 1995, and Warner/Reprise produced a limited number of advance copies to be used for promotion. (it is on YouTube in 10 parts)

Eric Clapton – Five Long Years (Eddie Boyd) from Nothing but the blues(doc/live):

“It takes the assurance of a titan like Eric Clapton to muster the humility that inspires From the Cradle. The guitarist’s tribute to the gods who formed him (Muddy Waters, Freddie King, Otis Rush among them), the disc sacrifices flash to sheer blazing force. “Groaning the Blues,” “Five Long Years” — this is the bone and sinew of blues.”
– Paul Evans (Rolling Stone Magazine)

Eric Clapton – Motherless Child:

From the cradle on Spotify:

– Hallgeir

September 13: Jonathan Wilson released Gentle Spirit in 2011

Jonathan_Wilson-Gentle_Spirit-Frontal

“A hundred blowin’ up in the headlines
We’ve seen it all before
The powers are killing the paupers
For some idea of God,
or whatever”

Gentle Spirit is the first official studio album released by Los Angeles, California artist Jonathan Wilson. It was released in the United Kingdom and Europe on August 8, 2011 and in the United States on September 13, 2011 on Bella Union and received the #4 spot on Mojo Magazine’s 2011 Best of Albums of the Year.  The album was recorded at Wilson’s former studio in Laurel Canyon and mixed at his new studio in Echo Park.

Jonathan Wilson records great music and he is fantastic live, I needed some time to get into his mindset, and I must confess that I didn’t understand all the positive reviews this album got at first. We did not include it in our top 25 albums of 2011, it should have been in the top 5. We got the opportunity to see him live in 2012 and that changed everything I thought I knew about Jonathan Wilson. It was a tremendous concert, and when I got home I started to listen to Gentle Spirit in a completely different way. My stats on LastFM tells me it is my most played album of 2012.

Gentle Spirit (acoustic):

Continue reading September 13: Jonathan Wilson released Gentle Spirit in 2011