Category Archives: Memphis

Today: Jim Dickinson passed away 4 years ago

jim dickinson

“(Jim Dickinson is)…. that magical musical maestro from Memphis….   he was the kind of guy you could call to play piano, fix a tractor, or make red cole slaw from scratch.”
-Bob Dylan

“There are cool cats and there are cool Memphis cats but no one, not Elvis, not Jerry Lee, not even the Wolf came close to epitomizing Memphis and cool like Jim Dickinson did. He was the Top Cat Daddy, an inspiration, a mentor and my friend.

If you knew his music and understood his role as one of the links between black and white culture and between blues and rock and roll, you know what I’m talking about. If he is unfamiliar to you, now’s as good time as any to get to know him, even though he’s checked out of the motel.”
-Joe Nick Patoski

John Brown (from his great 1972 album “Dixie Fried” – words by Bob Dylan):

From Wikipedia:

James Luther “Jim” Dickinson (November 15, 1941 – August 15, 2009) was an American record producer, pianist, and singer who fronted, among others, the Memphis based band, Mudboy & The Neutrons.

Some highlights:

  • In the late 1960s, Dickinson joined with fellow Memphis musicians Charlie Freeman, Michael Utley, Tommy McClure and Sammy Creason; this group became known as the “Dixie Flyers” and provided backup for musicians recording for Atlantic Records. Perhaps their best-known work was for Aretha Franklin’s 1970 Spirit in the Dark.
  • In December 1969, Dickinson played piano on The Rolling Stones’ track “Wild Horses” at Muscle Shoals Sound Studio in Alabama
  •  In 1972 Dickinson released his first solo album, “Dixie Fried”, which featured songs by Bob Dylan, Furry Lewis, and the title song by Carl Perkins.
  • In 1974 he produced Big Star’s Third
  • Co-produced with Alex Chilton on the 1979 Chilton album Like Flies on Sherbert.
  • He has produced Willy DeVille, Green on Red, Mojo Nixon, Neon Wheels, Jason & The Nashville Scorchers, The Replacements,Tav Falco’s Panther Burns, Screamin’ Jay Hawkins, and The Dick Nixons, among many others
  • in 1977 an aural documentary of Memphis’ Beale Street, Beale Street Saturday Night, which featured performances by Sid Selvidge, Furry Lewis and Dickinson’s band Mud Boy and the Neutrons.
  • He has also worked with Ry Cooder, and played on Dylan’s album Time Out of Mind.
    He played keyboards, Wurlitzer electric piano, pump organ on “Love Sick”, “Dirt Road Blues”, “Million Miles”, “Tryin’ to Get to Heaven”, “Til I Fell in Love with You”, “Not Dark Yet”, “Can’t Wait”, and “Highlands”
  • In 1998, he produced Mudhoney’s, Tomorrow Hit Today.

jim dickinson

Introducing himself – from www.artistshousemusic.org:

jim dickinson

Down in Mississippi:

Check out this great blog:

Spotify playlist of the day: 

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Today: Elvis Presley released “That’s All Right” in 1954 – 59 years ago

elvis presley that's all right single

In 2004, Elvis Presley’s “That’s All Right Mama” and Bill Haley’s “Rock Around the Clock” both celebrated their 50th anniversaries. Rolling Stone Magazine felt that Presley’s song was the first rock and roll recording. At the time Presley recorded the song, Big Joe Turner’s “Shake, Rattle & Roll”, later covered by Haley, was already at the top of the Billboard R&B charts. The Guardian felt that while there were rock’n’roll records before Presley’s, his recording was the moment when all the strands came together in “perfect embodiment”. (wikipedia)

“A lot of people seem to think I started this business, but rock ‘n’ roll was here a long time before I came along. Nobody can sing that kind of music like colored people. Let’s face it; I can’t sing it like Fats Domino can. I know that. But I always liked that kind of music.”
~Elvis Presley

elvis presley that's all right single2

Wikipedia:

B-side “Blue Moon of Kentucky”
Released 19 July 1954
Format 7″ single
Recorded 5 July 1954
Genre Rockabilly
Length 1:57
Label Sun
Writer(s) Arthur Crudup
Producer Sam Phillips

That’s All Right” is the name of the first commercial single released by Elvis Presley, written and originally performed by blues singer Arthur Crudup. Presley’s version was recorded on 5 July 1954, and released on 19 July 1954 with “Blue Moon of Kentucky” as the B-side. It is #112 on the 2004 Rolling Stone magazine list of the “500 Greatest Songs of All Time”.

Arthur Crudup – That’s All Right (original version):

arthur crudup

The song was written by Arthur “Big Boy” Crudup, and originally recorded by him in Chicago on 6 September 1946, as “That’s All Right”. It was released as a single on RCA Victor 20-2205, but was less successful than some of Crudup’s previous recordings. In early March 1949, the song was re-released under the title, “That’s All Right, Mama” (RCA Victor 50-0000), which was issued as RCA’s first rhythm and blues record on their new 45 rpm single format, on bright orange vinyl.

Elvis Presley’s version was recorded in July 1954, and released with “Blue Moon of Kentucky” as the B-side. Its catalogue number was Sun 209. The label reads “That’s All Right” (omitting “Mama” from the original title), and names the performers as Elvis Presley,Scotty and Bill. Arthur Crudup was credited as the composer on the label of Presley’s single, but Crudup had to wait until the 1960s when he received an estimated $60,000 in back royalties. Crudup used lines in his song that had been present in earlier blues recordings, including Blind Lemon Jefferson’s 1926 song That Black Snake Moan”.

elvis presley that's all right single

Live @ NBC Studio’s 1968:

During an uneventful recording session at Sun Studios on the evening of July 5, 1954, Presley, Moore, and Black were taking a break between recordings when Presley started fooling around with an up-tempo version of Arthur Crudup’s song “That’s All Right, Mama”. Black began joining in on his upright bass, and soon they were joined by Moore on guitar. Producer Sam Phillips, taken aback by this sudden upbeat atmosphere, asked the three of them to start again so he could record it.

sam phillips prestoampex

Black’s bass and guitars from Presley and Moore provided the instrumentation. The recording contains no drums or additional instruments. The song was produced in the style of a “live” recording (all parts performed at once and recorded on a single track). The following evening the trio recorded “Blue Moon of Kentucky” in a similar style, and it was selected as the B-side to “That’s All Right”.

Upon finishing the recording session, according to Scotty Moore, Bill Black remarked, “Damn. Get that on the radio and they’ll run us out of town.

Elvis Sam Phillips Scotty moore Bill blackAt Sun

Sam Phillips gave copies of the record to local disc jockeys Dewey Phillips (no relation) of WHBQ, Uncle Richard of WMPS, and Sleepy Eyed John Lepley of WHHM. On July 7, 1954, Dewey Phillips played “That’s All Right” on his popular radio show “Red, Hot & Blue”. 

Interest in the record was so intense that Dewey reportedly played the record 14 times and received over 40 telephone calls. Presley was persuaded to go to the station for an on-air interview that night. 

“That’s All Right” was officially released on July 19, 1954, and sold around 20,000 copies. This number was not enough to chart nationally, but the single reached number four on the local Memphis charts.

Live – That’s The Way It Is (1970):

Album of the day – Sunrise:

elvis_presley-sunrise-front

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Today: Donald Dunn passed away in 2012 – 1 year ago

As the bassist for Booker T. & the MG’s, Donald “Duck” Dunn became, like James Jamerson at Motown, the man who provided a groove for an entire generation to dance to. In Dunn’s case it was the legendary Memphis record label Stax/Volt, where he laid down basslines for soul stars such as Otis Redding, Wilson Pickett, and Albert King, helping to create one of the largest bodies of soul and R&B music that exists.
~Steve Kurutz (allmusic.com)

Short intro:

Booker T & the MG’s – green onions:

From Wikipedia:

Birth name Donald Dunn
Also known as Duck
Born November 24, 1941
Memphis, Tennessee, U.S.
Died May 13, 2012 (aged 70)
Tokyo, Japan
Genres Rock, soul, rhythm and blues
Occupations Songwriter, producer, actor
Instruments Bass guitar
Years active 1960–2012
Associated acts Otis Redding, Booker T & the MG’s, Albert King, Mar-Keys,The Blues Brothers, Sam and Dave
Website duckdunn.com

Donald “Duck” Dunn (November 24, 1941 – May 13, 2012) was an American bass guitarist, session musician, record producer, and songwriter. Dunn was notable for his 1960s recordings with Booker T. & the M.G.’s and as a session bassist for Stax Records, which specialized in blues and gospel-infused southern soul which became known as Memphis Soul. At Stax, Dunn played on thousands of records including hits by Otis Redding, Sam & Dave, Rufus Thomas, Carla Thomas, William Bell, Eddie Floyd, Johnnie Taylor, Albert King, and many others. Dunn also performed on recordings with The Blues Brothers, Muddy Waters, Freddie King, Isaac Hayes, Levon Helm, Neil Young, Elvis Presley, Jerry Lee Lewis, Eric Clapton, Tom Petty, Creedence Clearwater Revival, Wilson Pickett, Guy Sebastian, Rod Stewart, Bob Dylan, Roy Buchanan, Steely Dan, Tinsley Ellis and Arthur Conley.

Booker T. & The MG’s – Time Is Tight (Live, 1970):

Dunn played himself in the 1980 feature The Blues Brothers, where he famously uttered the line, “We had a band powerful enough to turn goat piss into gasoline!

Awards:

  • In 1992, Dunn was inducted into The Rock and Roll Hall of Fame as a member of Booker T & the MG’s.
  • In 2007 Dunn and several Booker T & the MG’s members (Lewie Steinberg, Booker T. Jones, Steve Cropper, and Barbara Jackson, the widow of Al Jackson) were given a “Lifetime Achievement” Grammy award for their contributions to popular music.

Playlist of the day:

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Today: Al Green is 67

al green

I’m thankful for every moment.
~Al Green

The music is the message, the message is the music. So that’s my little ministry that the Big Man upstairs gave to me – a little ministry called love and happiness.
~Al Green

If Al decides to turn into Otis Redding after all, we may look back at this repackaging of his earliest recordings as the beginning of a great stylist. If he decides to turn into Diana Ross, as seems at least possible, we will forget it quickly enough.
~Robert Christgau (in 1972 – review of “Al Green” album)

Let’s Stay Together (Live 1972):

President Obama:

 Wikipedia:

Birth name Albert Greene
Also known as The Reverend Al Green
Born April 13, 1946 (age 67)
Origin Forrest City, Arkansas, U.S.
Genres R&B, gospel, soul, smooth soul
Occupations Reverend, vocalist, producer,songwriter
Instruments Vocals, guitar
Years active 1967–present
Labels Hi, Myrrh, The Right Stuff
Associated acts The Creations, Willie Mitchell
Website Official website

Albert Greene (born April 13, 1946), better known as Al Green or Reverend Al Green, is an American singer, better known for scoring a series of soul hit singles in the early 1970s, including “Tired of Being Alone”, “I’m Still In Love With You”, “Love and Happiness” and his signature song, “Let’s Stay Together”. Inducted to the Rock and Roll Hall of Fame in 1995, Green was referred to on the museum’s site as being “one of the most gifted purveyors of soul music”. Green was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at No. 66.

al green 2

Love and Happiness (live – HQ):

Al Green was the first great soul singer of the ’70s and arguably the last great Southern soul singer. With his seductive singles for Hi Records in the early ’70s, Green bridged the gap between deep soul and smooth Philadelphia soul. He incorporated elements of gospel, interjecting his performances with wild moans and wails, but his records were stylish, boasting immaculate productions that rolled along with a tight beat, sexy backing vocals, and lush strings.
~Stephen Thomas Erlewine (allmusic.com)

al green 3

Awards:

  • Inducted to the Rock and Roll Hall of Fame in 1995
  • In 2004, Green was inducted into the Gospel Music Association‘s Gospel Music Hall of Fame
  • In the same year he was inducted into The Songwriters Hall of Fame
  • In 2004, Rolling Stone magazine ranked him No. 65 on their list of the 100 Greatest Artists of All Time
  • He was honored with a Lifetime Achievement Award at the 2009 BET Awards on June 24, 2009 

On August 26, 2004, Green was honored as a BMI Icon at the annual BMI Urban Awards. He joined an impressive list of previous Icon honorees including R&B legends James Brown, Chuck Berry, Little Richard and Bo Diddley

Al Green Live in Chicago 78 (58min):

 Playlist of the day:

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Today: The late Furry Lewis was born in 1893 – 120 years ago

furry lewis

Good Morning, Judge.
What will be my fine?
Good Morning, Judge.
What will be my fine?
He said I’m glad I got to see you,
That’ll be a dollar forty-nine.

They arrested me for forgery, I can’t even sign my name
(Judge Harsh Blues)

Wikipedia:

Birth name Walter E. Lewis
Born March 6, 1893
Origin Greenwood, Mississippi, United States
Died September 14, 1981 (aged 88)
Memphis, Tennessee, United States
Genres Delta blues, country blues
Occupations Singer, guitarist, songwriter
Instruments Vocals, guitar
Years active Late 1920s – 1970s
Labels Vocalion, Victor, Barclay, Lucky Seven, Universal

Furry Lewis

When I lay My Burden Down:

Walter E. “Furry” Lewis (March 6, 1893 – September 14, 1981) was an American country blues guitarist and songwriter from Memphis, Tennessee. Lewis was one of the first of the old-time blues musicians of the 1920s to be brought out of retirement, and given a new lease of recording life, by the folk blues revival of the 1960s. (Read more...)

furry lewis memphis

Casey Jones:

Album of the day:

Shake ‘Em Down (1972)

furry lewis shake em down

….done for two Prestige/Bluesville albums (Back on My Feet Again, Done Changed My Mind) in April and May of 1961 at Sun Studios in Memphis. Lewis is in brilliant form throughout, his fingers nearly as fast and his voice as rich as they were 30-odd years earlier.
~Bruce Eder (allmusic.com)

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