Born down in a dead man’s town The first kick I took was when I hit the ground You end up like a dog that’s been beat too much ‘Til you spend half your life just covering up
Born in the U.S.A. is the seventh studio album by Bruce Springsteen, it was released on June 4, 1984. A critical and commercial triumph, it found Springsteen marking a departure in his sound.
While the predecessor, the dark and acoustic Nebraska featured songs of pessimism and isolation, Born in the U.S.A.’s lyrics expressed signs of hope in the daily fight of the standard American in following the American Dream, a new feeling complemented by synthesized arrangements and a pop-flavored, radio-oriented sound that helped Springsteen to extend his popularity and appeal to mainstream audiences.
Born in the USA (Live Paris, 1985):
Ronald Reagan, during his 1984 re-election campaign, tried to coast on the rising popularity of Bruce Springsteen and Born in the U.S.A. :
“America’s future rests in a thousand dreams inside our hearts,” Reagan said at a stump speech in Hammonton, New Jersey. “It rests in the message of hope in the songs of a man so many young Americans admire: New Jersey’s own Bruce Springsteen.”
Has a song ever been so misunderstood? Maybe if he heard the following version he would have hesitated…
Born in the USA (acoustic, slow bluesy):
Born in the U.S.A. is not so different from Nebraska, it told stories of the same struggle, but this time it was set to a faster rhythm and accompanied by electric guitars (and The E-Street Band in top form). I played it a lot when it came out, bought all the singles (7 of them reached top 10!). Got the Maxi- single vinyl box and then the CD. These days I’m streaming the album on Spotify but the music is the same and it reminds me of 1984 every time I play it. Maybe it’s the production (those terribly sharp drums) or maybe it’s just a strong 1984 reference for me.
It took a while before I understood the seriousness of the lyrics, the songs where so happy or anthemic. I understand why Reagen made his mistake.
I still like the album, but there are at least 4 Springsteen albums i rather choose to play. Not because it’s bad, but because radio (and MTV) played it literary, to death. When I do put in on the record player it always amazes me, the strong songs the playing and the full force rock’n roll.
Live , the songs shine even brighter!
They have been lifted up and sound thunderous in concert. Springsteen has embraced their anthemic nature and their happy feel live. He is not ashamed to give us a good time and to let us shout along .
Bruce Springsteen & The E Street Band Perform Bobby Jean in London (2013):
Curtis Mayfield is one of those artists that sounded cool no matter what he sang, he was a master songwriter and a tremendous guitar player.
Freddie’s Dead (live, early 70s?):
Curtis Lee Mayfield (June 3, 1942 – December 26, 1999) is best known for his anthemic music with The Impressions during the Civil Rights Movement of the 1960s and for composing the soundtrack to the blaxploitation film Super Fly, Mayfield is highly regarded as a pioneer of funk and of politically conscious African-American music. He was also a multi-instrumentalist who played the guitar, bass, piano, saxophone, and drums.
Paul Weller interviewing his hero, the late Curtis Mayfield, most likely before Mayfield’s gig at Ronnie Scott’s Jazz club in the Soho area of London on 31st July 1988:
Curtis Mayfield is a winner of both the Grammy Legend Award (in 1994) and the Grammy Lifetime Achievement Award (in 1995), and was a double inductee into The Rock and Roll Hall of Fame, inducted as a member of The Impressions into The Rock and Roll Hall of Fame in 1991, and again in 1999 as a solo artist. He is also a two-time Grammy Hall of Fame inductee.
Curtis Mayfield in concert Montreux 1987 (full concert):
Curtis Mayfield died in 1999 at age 57, nine years after he was left paralyzed from the neck down by a tragic accident during a concert in Brooklyn.
Awards and legacy
Mayfield has left a remarkable legacy for his introduction of social consciousness into R&B and for pioneering the funk style. Many of his recordings with the Impressions became anthems of the Civil Rights Movement in the 1960s, and his most famous album, Super Fly, is regarded as an all-time great that influenced many and truly invented a new style of modern black music.
Mayfield’s solo Super Fly is ranked #69 on Rolling Stone’s list of the 500 Greatest Albums of All Time.
The Impressions’ album/CD The Anthology 1961–1977 is ranked at #179 on Rolling Stone Magazine’s list of the 500 Greatest Albums of all time.
Along with his group The Impressions, he was inducted into the Rock and Roll Hall of Fame in 1991.
In 1999, he was inducted into The Rock and Roll Hall of Fame as a solo artist making him one of the few artists to become double inductees.
Posthumously, in 2000, he was inducted into the Songwriters Hall of Fame.
He was a winner of the prestigious Grammy Legend Award in 1994.
He received the Grammy Lifetime Achievement Award in 1995.
The Impressions’ 1965 hit song, “People Get Ready”, composed by Mayfield, has been chosen as one of the Top 10 Best Songs Of All Time by a panel of 20 top industry songwriters and producers, including Paul McCartney, Brian Wilson, Hal David, and others, as reported to Britain’s Mojo music magazine.
The Impressions hits, People Get Ready and For Your Precious Love are both ranked on Rolling Stone Magazine’s list of the 500 Greatest Songs of All Time, as #24 and #327 respectively.
People Get Ready / Move on up:
Album of the day: Spotify haven’t got many of Mayfield’s albums, so we chose a good compilation, Beautiful Brother – The Essential:
It is 35 years since one of the best albums in rock history was released, Darkness On The Edge Of Town is number 2, (some days it has the top spot) on my list of favorite albums.
Today I think it is the best rock album ever released!
It came out three years after the incredibly successful Born To Run, and three years was an awful long time between albums in the 70s. Bruce Springsteen had been tied up in a legal battle with his former manager Mike Appel but reached a final settlement in this year-long litigation with Mike Appel on May 28, 1977.
Darkness on the Edge of Town (Houston, 1978):
This meant that for the first time in a long time Bruce Springsteen was allowed into a studio. And he did. The recording of what was to become Darkness On The Edge Of Town began in June 1977 in New York City. He had a lot of material in various state of completion. Many of the songs were written or finished over the course of the sessions. He was in the studio for a long time.
Adam Raised a Cain (Paramount Theatre, 2009):
The material that didn’t make the album seeped out on a lot bootlegs through the years, it is of an incredibly high quality both sound wise and artistic. in 2010 we finally got a Darkness box that in many ways ended the need for Darkness bootlegs . There must still be a few unreleased gems in the vault, as of 2011, only 33 of more than 70 songs have been officially released.
It consisted of 6 discs with the following content:
1: Darkness On The Edge Of Town (remastered ) 2. Darkness on the Edge of Town (Paramount Theatre, Asbury Park, NJ, 2009) 3:Thrill Hill Vault (1976-1978) + Houston ’78 Bootleg: House Cut 4 and 5: The Promise (double album with outtakes and alternative takes)
6: The Promise: The Making of “Darkness on the Edge of Town”
“A decisive moment in the history of Western civilisation” – Kenneth Tynan, The Times
“Sgt Pepper is one of the most important steps in our career. It had to be just right. We tried, and I think succeeded in achieving what we set out to do.” – John Lennon
The opening track:
We were fed up with being the Beatles. We really hated that fucking four little mop-top boys approach. We were not boys, we were men. It was all gone, all that boy shit, all that screaming, we didn’t want any more, plus, we’d now got turned on to pot and thought of ourselves as artists rather than just performers. There was now more to it; not only had John and I been writing, George had been writing, we’d been in films, John had written books, so it was natural that we should become artists.
– Paul McCartney
I love Sgt. Pepper and it will always be in my top 5 Beatles album, sometimes at number 5 sometimes at the top spot. It’s a great Beatles album, and it’s one of the best album in Rock history. It is laid out as a concept album, but the idea held for two songs, the coda, and the album’s sleeve design.
The Beatles songs now did not sound practiced or rehearsed, and the reason for this is that they weren’t. They were studio snippets put together in sections and pieces. I think that’s the reason that the outtakes from the Sgt. Pepper sessions are so uninspiring, so unfinished. There are several bootlegs with alternative versions, and for Beatles-nerds they are of course something to seek out. That said, I think the best Sgt.Pepper outtakes are presented on Anthology 2, and, yes, they are put together in the same way as the original album, each song constructed from different takes and sound bites.
I’m guessing it would be a difficult record to play live.
I believe that this album represent a shift in popular music, we look at pop/rock music before and after Sgt. Pepper. Almost everything on the album was new. And it still sounds new and fresh.
Happy birthday, Sgt. Pepper!
The Making of Sgt. Pepper documentary made for the 25 year anniversary :
Sgt. Pepper’s Lonely Hearts Club Band (often shortened to Sgt. Pepper) is the eighth studio album by The Beatles, released on 1 June 1967 on the Parlophone label and produced by George Martin. The album is widely regarded as one of the greatest of all time, and has since been recognised as one of the most important albums in the history of popular music, including songs such as “Lucy in the Sky with Diamonds” and “A Day in the Life”. Recorded over a 129-day period beginning in December 1966, Sgt. Pepper saw the band developing the production techniques of their previous album, Revolver. Martin’s innovative and lavish production included the orchestra usage and hired musicians ordered by the band. Genres such as music hall, rock and roll, pop rock, and traditional Indian music are covered. The album cover art, by English pop artist Peter Blake, depicts the band posing in front of a collage of their favourite celebrities, and has been widely acclaimed and imitated. (Wikipedia)
“The album was always going to have Sgt Pepper at the beginning; and if you listen to the first two tracks, you can hear it was going to be a show album. It was Sgt Pepper and his Lonely Hearts Club Band with all these other acts, and it was going to run like a rock opera.” – Ringo Starr, Anthology
Fun fact: Jimi Hendrix performed the title track at the Roundhouse, London, three days after the album was released. In the audience that night were Paul McCartney and George Harrison. Hendrix also performed the song at the Isle Of Wight Festival in 1970.
Legacy
In 1987 Rolling Stone named Sgt. Pepper the best album of the last twenty years (1967–1987).
In 1997 Sgt. Pepper was named the number one greatest album of all time in a “Music of the Millennium” poll conducted by HMV, Channel 4, The Guardian and Classic FM.
In 1998 Q magazine readers placed it at number seven
in 2003 the TV network VH1 placed it at number 10.
In 2003, the album was ranked number 1 on Rolling Stone magazine’s list of the 500 greatest albums of all time.
In 2006, the album was chosen by Time magazine as one of the 100 best albums of all time.
In 2002, Q magazine placed it at number 13 in its list of the 100 Greatest British Albums Ever.
The album was named as one of Classic Rock magazine’s “50 Albums That Built Prog Rock”.
In 2003, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry.
The best song from the album: “A Day In Life”:
A Day in the Life – that was something. I dug it. It was a good piece of work between Paul and me. I had the ‘I read the news today’ bit, and it turned Paul on. Now and then we really turn each other on with a bit of song, and he just said ‘yeah’ – bang bang, like that. It just sort of happened beautifully, and we arranged it and rehearsed it, which we don’t often do, the afternoon before. So we all knew what we were playing, we all got into it. It was a real groove, the whole scene on that one. Paul sang half of it and I sang half. I needed a middle-eight for it, but Paul already had one there.
– John Lennon
“As we got up to Sgt Pepper, George Martin had really become an integral part of it all. We were putting in strings, brass, pianos, etc, and George was the only one who could write it all down. He was also brilliant. One of them would mention: ‘Oh, I’d like the violin to go “de de diddle”,’ or whatever, and George would catch it and put it down. He became part of the band. “ – Ringo (Anthology)
I think that feeling is a lot more important than technique. It’s all very well doing a triple paradiddle – but who’s going to know you’ve done it? If you play technically you sound like everybody else. It’s being original that counts. – John Bonham
John Henry Bonham (31 May 1948 – 25 September 1980) was an English musician and songwriter, best known as the drummer of Led Zeppelin. Bonham was esteemed for his speed, power, fast right foot, distinctive sound, and “feel” for the groove.
Led Zeppelin – Full concert Live at the Royal Albert Hall in 1970:
“Bonzo had very broad listening tastes. When we weren’t listening to James Brown or Otis Redding, he might be listening to Joni Mitchell or Crosby Stills Nash & Young. Bonzo was a great lover of songs.”– John Paul Jones
He is widely considered to be one of the greatest drummers in the history of rock music by many drummers, other musicians, and commentators in the industry. Over 30 years after his death, Bonham continues to garner awards and praise, including a Rolling Stone readers’ pick in 2011 placing him in first place of the magazine’s “best drummers of all time”.
Led Zeppelin – Kashmir – Earl’s Court 1975:
Awards and accolades
While Bonham is widely considered to be one of the greatest and most influential rock drummers by other musicians and commentators in the industry, he continues to receive the greatest acclaim from fans, and several opinion polls and critic lists continue to list him in first place before any other drummer in rock history.
In 2007, Stylus magazine rated Bonham number 1 on its list of the 50 greatest rock drummers,
as did the online music magazine Gigwise.com in 2008,
Rolling Stone reader’s poll where he “led the list by a significant margin” in 2011.
Bonham was ranked at no. 1 on Classic Rock’s 2005 list of “50 Greatest Drummers in Rock”,
Modern Drummer magazine describes him as “the greatest rock ‘n’ roll drummer in history.”
In September 2008, Bonham topped the Blabbermouth.net’s list of “Rockers fans want brought back to life”, ahead of Elvis Presley and Freddie Mercury.
Rhythm magazine voted him the greatest drummer ever, topping their reader’s poll to determine the “50 greatest drummers of all time” for its October 2009 issue.
At the end of the BBC Two series I’m in a Rock ‘n’ Roll Band! on 5 June 2010, John Bonham was named the best drummer of all time.
John Bonham has been described by Allmusic as one of the most important, well-known and influential drummers in rock. Adam Budofsky, managing editor of Modern Drummer magazine, writes “If the king of rock ‘n’ roll was Elvis Presley, then the king of rock drumming was certainly John Bonham.”
Moby Dick – great video w/focus on Bonham (the whole 30 minutes with a long drum solo) 24 May 1975:
Led Zeppelin is not available @ Spotify, so let’s roll another video..
Whole lotta love:
