Category Archives: Music Calendar

Today: The late Huddie William Ledbetter (Lead Belly) was born in 1888 – 125 years ago

leadbelly

“The blues is like this. You lay down some night and you turn from one side of the bed to the other all night long. It’s not too cold in that bed, and it ain’t too hot. But what’s the matter The blues has got you.”
~Lead Belly

I heard Leadbelly somewhere and that’s what got me into folk music, which was exploding.
~Bob Dylan (Joe Smith interview 1988)

Lead Belly was not an influence, he was the influence. If it wasn’t for him, I may never have been here. I don’t think he’s really dead. A lot of people’s bodies die but I don’t think their spirits die with them.
~Van Morrison

”Sang the blues wonderfully,but he was much bigger than that. He encompassed the whole black era, from square dance calls to the blues of the 30’s and 40’s”
~Alan Lomax

Huddie “Lead Belly” Ledbetter 1998 Folk Alliance International Lifetime Achievement Award Recipient:

The Midnight Special:

From Wikipedia

Birth name Huddie William Ledbetter
Also known as Lead Belly
Born January 1888
Mooringsport,  Louisiana, United States
Died December 6, 1949 (aged 61)
New York, New York, United States
Genres Delta blues, songster, country blues
Occupations Musician, songwriter
Instruments Vocals, guitar, accordion, piano, lap steel guitar
Years active 1936–1949
Website www.leadbelly.org

Huddie William Ledbetter (January 20, 1888 – December 6, 1949) was an iconic American folk and blues musician, and multi-instrumentalist, notable for his strong vocals, his virtuosity on the twelve-string guitar, and the songbook of folk standards he introduced.

lead_belly

Goodnight, Irene:

He is best known as Lead Belly. Though many releases list him as “Leadbelly“, he spelled it “Lead Belly”. This is also the usage on his tombstone, as well as of the Lead Belly Foundation. In 1994 the Lead Belly Foundation contacted an authority on the history of popular music, Colin Larkin, editor of the Encyclopedia of Popular Music, to ask if the name “Leadbelly” could be altered to “Lead Belly” in the hope that other authors would follow suit and use the artist’s correct appellation.

Although Lead Belly most commonly played the twelve-string, he could also play the piano, mandolin, harmonica, violin, and accordion. In some of his recordings, such as in one of his versions of the folk ballad “John Hardy”, he performs on the accordion instead of the guitar. In other recordings he just sings while clapping his hands or stomping his foot.

John Hardy (Accordion):

The topics of Lead Belly’s music covered a wide range of subjects, including gospel songs; blues songs about women, liquor, prison life, and racism; and folk songs about cowboys, prison, work, sailors, cattle herding, and dancing. He also wrote songs concerning the newsmakers of the day, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, the Scottsboro Boys, and Howard Hughes.

In 2008, Lead Belly was inducted into the Louisiana Music Hall of Fame.

lead belly accordion

Album of the day:

King of the 12-String Guitar (1991)

leadbelly king of the 12-string

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Today: Dolly Parton is 67

Dolly Parton

“Find out who you are and do it on purpose.”
― Dolly Parton

“Don’t get so busy making a living that you forget to make a life.”
― Dolly Parton

“I tried every diet in the book. I tried some that weren’t in the book. I tried eating the book. It tasted better than most of the diets.”
― Dolly Parton

Here’s a nice tribute video – Gospel Music Hall of Fame 2009:

Jolene – live 1974:

In her productivity and devotion to writing Parton is like a nineteenth-century woman novelist–a hillbilly Louisa May Alcott. What’s best about her is her spunkiness and prettiness (Jo crossed with Amy); what’s worst is her sentimentality and failures of imagination (Beth crossed with Meg).
~Robert Christgau (Christgau – Dolly Parton albums)

From Wikipedia:

Birth name Dolly Rebecca Parton
Born January 19, 1946 (age 67)
Sevierville, Tennessee, United States
Genres Country, country pop, pop, bluegrass, gospel
Occupations Singer-songwriter, record producer, actress, author, musician, businesswoman
Instruments Vocals, guitar, banjo, autoharp, piano, drums, appalachian dulcimer, harmonica, pennywhistle, recorder, fiddle, bass guitar, saxophone

Dolly Rebecca Parton (born January 19, 1946) is an American singer-songwriter, multi-instrumentalist, actress, author, and philanthropist, best known for her work in country music.

Beginning her career as a child performer, Parton issued a few modestly successful singles in the mid-1960s, showcasing her distinctive soprano voice. She came to greater prominence in 1967 as a featured performer on singer Porter Wagoner’s weekly television program; their first duet single “The Last Thing on My Mind” was a hit on the country charts and led to several successful albums before they ended their partnership in 1974. Moving towards mainstream pop music, Parton’s 1977 single “Here You Come Again” was a success on both the country and pop charts. A string of pop-country hits followed into the mid-1980s, notably recording a pair of successful albums with Linda Ronstadt and Emmylou Harris, along with the creation of the Dollywood amusement park. In the late 1990s, Parton returned to classic country/bluegrass with a series of acclaimed recordings.

Dolly Parton2

Coat Of My Colors – live 1974:

She has composed over 3,000 songs, the best known of which include “I Will Always Love You” (a two-time U.S. country chart-topper for Parton, as well as an international pop hit for Whitney Houston), “Jolene”, “Coat of Many Colors”, “Here You Come Again” (Parton’s first significant crossover hit, reaching #3 on the Billboard Hot 100), “9 to 5”, and “My Tennessee Mountain Home”. Parton is one of the most successful female country artists of all time, and with an estimated 100 million in album sales, she is also one of the best selling artists of all time in any genre.

As an actress, she starred in the movies 9 to 5The Best Little Whorehouse in TexasSteel MagnoliasGnomeo & JulietStraight TalkUnlikely Angel, and Joyful Noise.

Dolly Parton3

I Will Always Love You – live 1974:

Album of the day:

The Essential Dolly Parton (2005):

album-the-essential-dolly-parton

 

There have been many, many Dolly Parton compilations over the years, but RCA/Legacy’s 2005 set The Essential Dolly Parton is one of the handful that gets it right. Spanning two discs and 37 tracks, this set covers her entire career, from her 1967 debut, Hello, I’m Dolly, to her 2001 bluegrass comeback album, Little Sparrow, but the bulk of this set concentrates on her hitmaking years for RCA in the ’70s and ’80s. Since Dolly had so many hits, not all of them can be included even on a double-disc collection, but this does a tremendous job of picking the biggest and the best of them.
~Stephen Thomas Erlewine (allmusic.com)

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The late David Ruffin was born in 1941 – 72 years ago

david ruffin

His voice was so powerful — like a foghorn on the Queen Mary… It jumped out of the speakers and ravished my soul..
~Rod Stewart

One of the greatest lead singers the Motown stable ever had
~John Lowe (allmusic.com)

One of the greatest “Motown voices”.. and thus one of the greatest voices in recorded american music history.

The Temptations – My Girl:

From Wikipedia:

Birth name David Eli Ruffin
Born January 18, 1941
Whynot, Mississippi, U.S.
Died June 1, 1991 (aged 50)
Philadelphia, Pennsylvania, U.S.
Genres R&B, pop, soul, disco, gospel
Occupations Singer
Instruments Vocals, drums
Years active 1956–1991
Labels Anna, Chess, Motown, Warner Bros., RCA
Associated acts The Temptations, Eddie Kendrick, Jimmy Ruffin

Davis Eli “David” Ruffin (January 18, 1941 – June 1, 1991) was an American soul singer and musician most famous for his work as one of the lead singers of the Temptations from 1964 to 1968 (or the group’s “Classic Five” period as it was later known). He was the lead voice on such famous songs as “My Girl” and “Ain’t Too Proud to Beg.” Known for his unique raspy and anguished tenor vocals, Ruffin was ranked as one of the 100 Greatest Singers of All Time by Rolling Stone magazine in 2008. He was inducted into the Rock and Roll Hall of Fame in 1989 for his work with the Temptations. Fellow Motown recording artist Marvin Gaye once said admiringly of Ruffin that, “I heard in [his voice] a strength my own voice lacked.”

The Temptations

Ain’t Too Proud To Beg – Live 1966:

His voice had a certain glorious anguish that spoke to people on many emotional levels
~Daryl Hall (of Hall & Oates)

I don’t know what kind of voice I have, I really don’t… it’s just about the feeling I get for the song.
~David Ruffin

Album of the day:

The Temptations – The Ultimate Collection (1997)

The+Temptations+The+Ultimate+Collection

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Today: Steve Earle is 58

steve-earle-58

“I don’t really think in terms of obstacles. My biggest obstacle is always myself.” – Steve Earle

One of JV’s Greatest heroes

Steve Earle (born January 17, 1955) is  known for his rock, folk and Texas Country as well as his political views. He is also a producer, author, a political activist, and an actor, and has written and directed a play.

Birth name Stephen Fain Earle
Born January 17, 1955 (age 58)
Hampton, Virginia United States
Origin San Antonio, Texas, United States
Genres Country-rock, Texas country, folk,Americana, heartland rock, alt-country,roots rock
Occupations Musician, singer-songwriter, writer, actor
Instruments Guitar, mandolin, harmonica, banjo,bouzouki, bass guitar
Labels Uni. MCA Nashville, New West, E² Records, Warner Bros.
Associated acts Townes Van Zandt, Guy Clark, Del McCoury Band
Website www.steveearle.com

Me and Egil have seen Steve Earle in concert several times and have followed him since his magnificent debut. We love the man.

He is always exciting to follow, as a musician, as a writer or as an actor. He has integrity. We’re always looking forward to his new albums and hope he will return to our shores as soon as possible.

Happy birthday Steve Earle!

Allmusic:

by Stephen Thomas Erlewine

In the strictest sense, Steve Earle isn’t a country artist; he’s a roots rocker. Earle emerged in the mid-’80s, after Bruce Springsteen had popularized populist rock & roll and Dwight Yoakam had kick-started the neo-traditionalist movement in country music. At first, Earle appeared to be more indebted to the rock side than country, as he played a stripped-down, neo-rockabilly style that occasionally verged on outlaw country. However, his unwillingness to conform to the rules of Nashville or rock & roll meant that he never broke through into either genre’s mainstream. Instead, he cultivated a dedicated cult following, drawing from both the country and rock audiences. Toward the early ’90s, his career was thrown off track by personal problems and substance abuse, but he re-emerged stronger and healthier several years later…(READ MORE)

One of his best – Goodbye:

steve earle - 58 two

 Photo: Senor McGuire

Last year for his birthday we picked our favourite songs by Steve Earle.

Here is Egil’s list (follow link to read post)

Egil picked 20 songs:

  1. Fort Worth Blues (El Corazón)
  2. Goodbye  (Train a Comin’)
  3. The Mountain (The Mountain)
  4. My Old Friend the Blues (Guitar Town)
  5. Feel Alright (I Feel Alright)
  6. Guitar Town (Guitar Town)
  7. When I Fall (Transcendental Blues)
  8. Hard-Core Troubadour (I Feel Alright)
  9. Johnny Come Lately (Copperhead Road)
  10. Taneytown (El Corazón)
  11. Valentine’s Day (I Feel Alright)
  12. Billy Austin (The Hard Way)
  13. More Than I Can Do (I Feel Alright)
  14. The Galway Girl (Transcendental Blues)
  15. The Unrepentant (I Feel Alright)
  16. Over Yonder (Jonathan’s Song) (Transcendental Blues)
  17. Harlan Man (The Mountain)
  18. The Boy Who Never Cried (Transcendental Blues)
  19. Nowhere Road (Exit 0)
  20. Ellis Unit One (Sidetracks)

 

Here is Hallgeir’s list (follow the link to see videos)

 

I picked 10 songs:

  1. Fort Worth Blues
  2. The Mountain
  3. Guitar Town
  4. Copperhead Road
  5. Galway Girl
  6. Ellis Unit One
  7. My old friend The Blues
  8. Goodbye
  9. Devil’s right hand
  10. Telephone Road

For the album of today I have picked I Feel Allright from 1996:

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Today: Elvis Presley recorded “Long Black Limousine” in 1969 – 44 years ago

elvis_band_american_studios_1969

 ..But it is “Long Black Limousine” and “I’ll Hold You in My Heart” which mark the high point of the album and indeed may mark the high point of Elvis’ career to date. “Long Black Limousine” is the almost quintessential C&W ballad, whose melody bears traces of such mournful standards as “Old Shep” and “Green, Green Grass of Home”.
~Peter Guralnick (Rollingstone Magazien – Aug 1969)

One of the strongest songs from one of the best albums ever released… nothing less.

Wikipedia

Released June 17, 1969
Genre Rhythm and blues
Length 3:44
Label RCA Victor
Writer Vern Stovall, Bobby George
Producer Chips Moman, Felton Jarvis

Long Black Limousine is a song written by Vern Stovall and Bobby George; the best known version is probably the one by Elvis Presley, who turned the original country tune into a soulful rhythm and blues song.

Stovall and George, country musicians based in southern California, probably wrote the song in 1958, when it was first recorded (but not released until many years later) by Wynn Stewart. The first released version was Stovall’s, in 1961, followed by Glen Campbell’s in 1962. The only charting single of the song (in 1968 it reached #73 on the US country charts) was Jody Miller’s, her version was also on her 1968 album The Nashville Sound of Jody Miller. O. C. Smith’s version was released as the B-side of his million-selling crossover hit “Little Green Apples” in 1968. Elvis Presley’s version appeared on his classic 1969 From Elvis in Memphis album.

Elvis - from elvis in memphis

The sound produced at American had little to do with high-tech equipment and everything to do with its stable of musicians, who had developed a heavily R&B-influenced style that far transcended any bluesy  edges the Nashville players might have boasted.
~Ernst Jorgensen (Elvis Presley – A life in music)

Chipc Moan & ElvisElvis & Chips Moman

All southerners, all close to Elvis’s age, they shared a musical heritage that blended country, gospel, and rhythm and blues.
To the musicians Chips Moman was a godfather-like figure in the studio, who would tolerate nothing less than total commitment.
~Ernst Jorgensen (Elvis Presley – A life in music)

An even better version – Long Black Limousine (Take 6):

Lyrics

There’s a long line of mourners driving down our little street
Their fancy cars are such a sight to see, oh, yeah
They’re all of your rich friends who knew you in the city
And now they’ve finally brought, brought you home to me

When you left you know you told me that some day you’d be returnin’
In a fancy car all the town to see, oh, yeah
Well, now everyone is watching you, you finally had your dream
Yeah, and you’re ridin’ in a long black limousine

You know the papers told of how you lost your life, oh, yeah
The party, the party and the fatal crash that night
Well, the race upon the highway, oh, the curve you didn’t see
When you’re riding in that long black limousine

You’re riding in that long black limousine

Through tear filled eyes I watch as you ride by, oh, yeah
A chauffeur, a chauffeur at the wheel dressed up so fine
Well, I never, I never, never, never, oh, my heart, all my dreams
Yeah, they’re with you in that long black limousine

Yeah, yeah, they’re with you in that long black limousine
Yeah, yeah, yeah, they’re with you in that long black limousine
Yeah, yeah, they’re with you in that long black limousine

Producer: Chips Moman & Felton Jarvis

Produced by Felton Jarvis and Chips Moman
Engineered by Al Pachucki
Overdubs arranged by Mike Leech and Glen Spreen
Digital Engineer: Dick Baxter

Personnel

  • Elvis Presley – vocals, guitar, piano
  • String and Horn Arrangements – Glen Spreen
  • Ed Kollis – harmonica
  • John Hughey – pedal steel guitar on “In the Ghetto”
  • Reggie Young, Dan Penn – electric guitar
  • Bobby Wood – piano
  • Bobby Emmons – organ
  • Tommy Cogbill, Mike Leech – bass
  • Gene Chrisman – drums

Overdubbed:

  • Wayne Jackson, Dick Steff, R.F. Taylor – trumpets
  • Ed Logan, Jack Hale, Gerald Richardson] – trombones
  • Tony Cason, Joe D’Gerolamo – french horns
  • Andrew Love, Jackie Thomas, Glen Spreen, J.P. Luper – saxophones
  • Joe Babcock, Dolores Edgin, Mary Greene, Charlie Hodge, Ginger Holladay, Mary Holladay Millie Kirkham, Ronnie Milsap, Sonja Montgomery, June Page, Susan Pilkington, Sandy Posey, Donna Thatcher, Hurschel Wiginton – backing vocals

Spotify:

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