Category Archives: Rock’n Roll

Brown Sugar by Rolling Stones was released 16 April in 1971

Rolling-Stones-Brown-Sugar

“The lyric was all to do with the dual combination of drugs and girls. This song was a very instant thing, a definite high point.”
– Mick Jagger

“I’ve got a new one myself. No words yet, but a few words in my head – called Brown Sugar – about a woman who screws one of her black servants. I started to call it Black Pussy but I decided that was too direct, too nitty-gritty.” – Mick Jagger (1969, The True Adventures of Rolling Stones by Stanley Booth)

Brown Sugar is the opening track and lead single from their 1971 album Sticky FingersRolling Stone magazine ranked it #495 on their list of the 500 Greatest Songs of All Time and at #5 on their list of the 100 Greatest Guitar Songs of All Time.

The group sings the lyric with all the enthusiasm of tongue-wagging dogs swooping onto a prime rib, leading up to one of the band’s strongest shout-along choruses. As on other Stones classics of the period like “Honky Tonk Women” and “Bitch,” beefy horns start to duel with the buzzing electric guitars in the instrumental break; few if any other groups have used guitars and horns as deftly in unison. The crowning embellishment is the final choruses, which vary the melody and tempo so that the group sings and make a high-pitched exclamation in a rhythm that very much resembles that of a sexual climax.

– Richie Unterberger (allmusic)

It is credited, like most of their songs, to  Mick Jagger and Keith Richards, but the song was primarily the work of Jagger, who wrote it sometime during the filming of Ned Kelly in 1969.

Brown Sugar from the fantastic concert film Ladies and Gentlemen (1972):

This version of the song features Mick Jagger on vocals, Keith Richards and Mick Taylor on guitar, Charlie Watts on drums, Bill Wyman on bass, Nick Hopkins on piano, Bobby Keys on saxophone, and Jim Price on horns.

Brown Sugar, Lyrics:

Gold coast slave ship bound for cotton fields,
Sold in a market down in new orleans.
Scarred old slaver know he’s doin alright.
Hear him whip the women just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should
A-huh.

Drums beating, cold english blood runs hot,
Lady of the house wondrin where it’s gonna stop.
House boy knows that he’s doin alright.
You should a heard him just around midnight.
Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a black girl should
A-huh.

I bet your mama was a tent show queen, and all her boy
Friends were sweet sixteen.
Im no schoolboy but I know what I like,
You should have heard me just around midnight.

Ah brown sugar how come you taste so good
(a-ha) brown sugar, just like a young girl should.

I said yeah, I said yeah, I said yeah, I said
Oh just like a, just like a black girl should.

Continue reading Brown Sugar by Rolling Stones was released 16 April in 1971

Today: Ray Charles recorded “What’d I Say” in 1959 – 54 years ago

Ray_Charles_-_What'd_I_Say

I’m not one to interpret my own songs, but if you can’t figure out ‘What I Say’, then something’s wrong. Either that, or you’re not accustomed to the sweet sounds of love.
—Ray Charles

The feel comes from gospel but the resulting witty, elegant essay on rhythm and sex and why they’re inseparable is purely pagan.
~Dave Marsh (The Heart of Rock & Soul)

wikipedia:

Released July 1959
Format 7-inch single
Recorded February 18, 1959
Genre Soul, blues, gospel, rock and roll
Length 6:30
Label Atlantic
Writer(s) Ray Charles
Producer Jerry Wexler

What’d I Say” (or “What I Say“) is a song by American rhythm and blues (R&B) musician Ray Charles, released in 1959 as a single divided into two parts. It was improvised one evening late in 1958 when Charles, his orchestra, and backup singers had played their entire set list at a show and still had time left; the response from many audiences was so enthusiastic that Charles announced to his producer that he was going to record it.

 ray charles what'd I say

 After his run of R&B hits, this song finally broke Charles into mainstream pop music and itself sparked a new sub-genre of R&B titled soul, finally putting together all the elements that Charles had been creating since he recorded “I Got a Woman” in 1954. The gospel influences combined with the sexual innuendo in the song made it not only widely popular but very controversial to both white and black audiences. It earned Ray Charles his first gold record and has been one of the most influential songs in R&B and rock and roll history. For the rest of his career, Charles closed every concert with the song. It was added to the National Recording Registry in 2002 and ranked at number 10 in Rolling Stone‘s “The 500 Greatest Songs of All Time”.

ray charles what'd i say

“Ray would call and say that he had a few songs but he wouldn’t usually comment on them beforehand. He called me up before he brought “What’d I Say” in and said, “I think you might like this one pretty well.” That constituted a rave from him and it was very easy to record. It was hardly a song: it was an extended rhythm lick with a few jingle-like verses: “See that girl with the red dress on, She can do the Birdland all night long”, not exactly Shakespearian innovation. He had strung a few lines together but the essence of that record was the boiling rhythm track and the exchanges between himself and the Raelets.”
– Jerry Wexler (Co-owner of Atlantic Records & legendary producer)

Live – 1960:

Album of the day:

The Best of Ray Charles – Atlantic Years (1994)

Ray_Charles_-_The_Best_of_Ray_Charles_-_The_Atlantic_Years

Other February 18

Continue reading Today: Ray Charles recorded “What’d I Say” in 1959 – 54 years ago

Today: The late Gene Vincent was born in 1935 – 78 years ago

Gene Vincent

“When I first started I never meant to make money. My only thought was to make a living singing, but all of a sudden I was getting $1500 a night. And if you take a 19-year-old boy and put him in those circumstances…it was a bad scene, it shouldn’t have happened on that first record. I didn’t know how to handle a hit: I was only a child, a boy.”
~Gene Vincent in 1969

Gene Vincent only had one really big hit, “Be-Bop-a-Lula,” which epitomized rockabilly at its prime in 1956 with its sharp guitar breaks, spare snare drums, fluttering echo, and Vincent’s breathless, sexy vocals. Yet his place as one of the great early rock & roll singers is secure, backed up by a wealth of fine smaller hits and non-hits that rate among the best rockabilly of all time.
~Richie Unterberger (allmusic.com)

Gene Vincent tribute:

Be-Bop-A-Lula:

Wikipedia:

Birth name Vincent Eugene Craddock
Born February 11, 1935
Norfolk, Virginia, United States
Died October 12, 1971 (aged 36)
Genres Rockabilly, rock and roll
Occupations Singer, musician
Instruments Vocals, guitar
Years active 1955–1971

Vincent Eugene Craddock (February 11, 1935 – October 12, 1971), known as Gene Vincent, was an American musician who pioneered the styles of rock and roll and rockabilly. His 1956 top ten hit with his Blue Caps, “Be-Bop-A-Lula”, is considered a significant early example of rockabilly. He is a member of both the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame.

gene vincent 2

 

Legacy

  • He was the first inductee into the Rockabilly Hall of Fame upon its formation in 1997
  • The following year he was inducted into the Rock and Roll Hall of Fame
  • Vincent has a star on the Hollywood Walk of Fame at 1749 N. Vine Street
  • In 2012, his band, the Blue Caps, would be retroactively inducted into the Rock and Roll Hall of Fame by a special committee, alongside Vincent.

Album of the day

Gene Vincent & His Blue Caps (1957)

gene vincent and his blue caps album

Other February 11:

Continue reading Today: The late Gene Vincent was born in 1935 – 78 years ago

Today: Del Shannon passed away in 1990 – 23 years ago

del shannon

I always want to run away from A to B, and then I get to B and I wanna go back to A. I think everybody wants to run away.
~Del Shannon

One of the best and most original rockers of the early ’60s, Del Shannon was also one of the least typical. Although classified at times as a teen idol, he favored brooding themes of abandonment, loss, and rejection.
~Richie Unterberger (allmusic.com)

Del Shannon’s induction in the Rock & Roll Hall Of Fame

Runaway:

From Wikipedia

Birth name Charles Weedon Westover
Also known as Charlie Johnson
Born December 30, 1934
Grand Rapids, Michigan, U.S.
Died February 8, 1990 (aged 55)
Santa Clarita, California, U.S.
Genres Rock, country music
Occupations Singer-songwriter
Instruments Vocals, guitar
Years active 1958–90
Labels Bigtop, Twirl, Berlee, Amy, Liberty, Dunhill, United Artists,Island, Elektra, Silvertone
Website Official website

Charles Weedon Westover (December 30, 1934 – February 8, 1990), known professionally as Del Shannon, was an American rock and roll singer-songwriter who had a No. 1 hit, “Runaway”, in 1961.

del shannon

Keep Searchin’ (We’ll Follow the Sun) – live 1965

Album of the day

Greatest Hits (2010)

del shannon greatest hits

 Other February 08:

Continue reading Today: Del Shannon passed away in 1990 – 23 years ago

Today was the day that music died in 1959

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 “Look up in the sky, up towards the north
There are three new stars, brightly shining forth
They’re shining oh so bright, from heaven above
Gee we’re gonna miss you, everybody sends their love”
– Eddie Cochran

The Day the Music Died, dubbed so by Don McLean’s song “American Pie”, was an aviation accident that occurred on February 3, 1959, near Clear Lake, Iowa, killing rock and roll musicians Buddy Holly, Ritchie Valens, J. P. “The Big Bopper” Richardson, and the pilot Roger Peterson. After terminating his partnership with The Crickets, Buddy Holly assembled a new band consisting of Waylon Jennings, Tommy Allsup, and Carl Bunch, to play on the ‘”Winter Dance Party” tour. The tour also featured rising artist Ritchie Valens and Big Bopper Richardson, who were promoting their own recordings as well. The tour was to cover 24 Midwestern cities in three weeks.

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Radio news flash:

Buddy Holly terminated his association with The Crickets and his manager Norman Petty during a reunion in Lubbock, Texas, on November 3, 1958. For the start of the “The Winter Dance Party” tour, he assembled a band consisting of Waylon Jennings (bass), Tommy Allsup (guitar), and Carl Bunch (drums). The tour was set to cover 24 Midwestern cities in as many days. New hit artist Ritchie Valens, J. P. “The Big Bopper” Richardson and Dion DiMucci, joined the tour to promote their recordings and make an extra profit.

Buddy Holly – Peggy Sue:

Continue reading Today was the day that music died in 1959