Category Archives: Sun

Johnny Cash: 10 best songs recorded @ SUN Studio

sam pillips & johnny cash

 

“The Sun recordings maximized the effective contrast between the hustling rhythm of the bass and acoustic guitar and the ponderous, sparse vocals & lead guitar. Phillips achievement was to keep Cash’s sound at it’s bare essentials, an then fatten it up with the use of slapback echo. Subsequent producers and engineers could never quite recapture that formula. .. Johnny Cash’s three years of recordings for Sun are a wonderful demonstration of just how far a whole can outclass the sum of it’s parts”
~Colin Escott & Martin Hawkins (Good Rockin’ Tonight: Sun Records and the Birth of Rock ‘N’ Roll)

Sun studios

I’m visiting SUN Studio again i January, and will post a series of SUN/STAX/Memphis related articles the coming months. This is the first one.

Continue reading Johnny Cash: 10 best songs recorded @ SUN Studio

Today: “Great Balls of Fire” was recorded in 1957 – 55 years ago

Well kiss me baba, woo-oooooo….it feels good
Hold me baba
I want to love you like a lover should
Your fine, so kind
I got this world that your mine mine mine mine-ine

From Wikipedia:

Released November 11, 1957
Recorded October 8, 1957Sun Studio, Memphis, Tennessee
Genre Rock and roll, Rockabilly, Country
Label Sun 281
Writer(s) Otis Blackwell (under the pseudonym Jack Hammer)

Great Balls of Fire” is a 1957 song recorded by Jerry Lee Lewis on Sun Records and featured in the 1957 movie Jamboree. It was written by Otis Blackwell (under the pseudonym Jack Hammer). The Jerry Lee Lewis 1957 recording was ranked as the 96th greatest song ever by Rolling Stone. The song is in AABA form.

From Rollingstone.com (500 greatest songs):
With Lewis pounding the piano and leering, “Great Balls of Fire” was full of Southern Baptist hellfire turned into a near-blasphemous ode to pure lust. Lewis, a Bible-college dropout and cousin to Jimmy Swaggart, refused to sing it at first and got into a theological argument with Phillips that concluded with Lewis asking, “How can the devil save souls?” But as the session wore on and the liquor kept flowing, Lewis’ mood changed considerably — on bootleg tapes he can be heard saying, “I would like to eat a little pussy if I had some.” Goodness gracious, great balls of fire, indeed.

From allmusic.com – Cub Koda:
Written by African-American songwriter Otis Blackwell under the pseudonym of Jack Hammer, this was Jerry Lee Lewis’ third release and second consecutive hit. There are only two instruments on this recording, Lewis’ piano and J.M. Van Eaton’s drumming, with the echo from the Sun studios working as a third instrument. The song is over in a little more than a minute and a half and yet is perfectly realized with probably Jerry Lee’s best solo to recommend it and a vocal that borders on lascivious. You can do many things with “Great Balls of Fire” but most covers stick damn close to the original Jerry Lee strut and arrangement, so perfectly realized and empathetically played.

The song is best known for Jerry Lee Lewis’s original recording, which was recorded in the Sun Studio in Memphis, Tennessee, on October 8, 1957, and released as a 45rpm single on Sun 281 in November 1957.

The song title is derived from a Southern expression, which some Christians consider blasphemous, that refers to the Pentecost’s defining moment when the Holy Spirit manifested itself as “cloven tongues as of fire” and the Apostles spoke in tongues.

and another (newer) version:

Other October 08:

Continue reading Today: “Great Balls of Fire” was recorded in 1957 – 55 years ago

Best early country songs – up to 1955

 

In this spirit-numbing information age, we gorge on the web and on CNN, we cannot free our hands of our Blackberrys and lap-tops and cellphones, but, in the end, we know less and less … of each other … of our hearts … of our souls.
But Johnny Cash singing “I Walk The Line” or Hank sorrowing through “I’m So Lonesome I Could Cry” still gives us more insight in three minutes, tells us more about what matters most in our lives, than we get in an entire twenty-four-hour news cycle.
Dana Jennings, in his magnificent book “Sing Me Back Home: Love, Death, and Country Music

This is our first article in a series highlighting the best country songs. We start off by nominating songs from the start up till 1955. The next post will focus on songs from 1956-1965.

When we are through nominating songs.. probably around 70-80 songs.. we will pull it all together and put a list of the 20 best Country songs ever.. in JV’s humble opinion.

Our goal is to only nominate one song from each artist.. I’ve managed to do so on this first article (although it was tough only including one Hank Williams song….)

… and btw .. the songs are presented in random order…

 

Can The Circle Be Unbroken (Bye and Bye), The Carter Family

Produced by Art Satherley
Written by A.P. Carter
1935

Continue reading Best early country songs – up to 1955