Category Archives: The Best Songs

Today: Elvis Presley recorded Heartbreak Hotel in 1956 – 57 years ago

heartbreak_hotel_cover

From Wikipedia:

Heartbreak Hotel” is a song recorded by Elvis Presley. It was released as a single on January 27, 1956, Presley’s first on his new record label RCA Victor. His first number-one pop record, “Heartbreak Hotel” topped Billboard‘s Top 100 chart, became his first million-seller, and was the best-selling single of 1956. It was written by Tommy Durden and Mae Boren Axton.

Well, Since my baby left me

These opening words set the tone, this is not a happy-song…

I got this record from my aunt when I was about 7 or 8 years old (1973/1974), I couldn’t  comprehend the heartache and suffering in the lyrics. I just thought it was the coolest thing I had ever heard. I still got that record. It is worn and scratched and it’s still the coolest record in the world.

Heartbreak Hotel (audio):

Heartbreak Hotel credits

Heartbreak Hotel is written by Thomas Durden and Mae Axton in 1955. It was written after Durden read about a suicide in the Miami Herald. A man, who had jumped out the window,  had destroyed his identity papers and left a note saying: “I walk a lonely street.”
It was written very quickly, varying sources states that it was done from a few hours down to 22 minutes.
heartbreak-hotel-a-side

From Wikipedia:

“Axton and Durden give different accounts of how the song was written. Durden’s account is that he had already written the song and performed it with his band the Swing Billys before he presented it to Axton. Axton’s account is that Durden had only penned a few lines of the song, and asked her to help him finish it.  She says that the report of the suicide “stunned” her, and she told Durden, “Everybody in the world has someone who cares. Let’s put a Heartbreak Hotel at the end of this lonely street”. They were interrupted by the arrival of Glen Reeves, a local performer who had previously worked with Axton. The duo asked Reeves to help with the song, but after hearing the title he remarked that it was “the silliest thing I’ve ever heard”, and left them to finish it themselves.The song was written within an hour, and Durden recorded it onto Axton’s tape recorder.”

The song was offered to several artists before Elvis, many of them declined and described the song as strange and morbid . Durden and Axton offered Presley a third of the writers’ credits if he would make it a single, Elvis agreed. Presley recorded the song Jan. 10, 1956. It was his second song recorded on his new label RCA, following “I Got A Woman”. It was released 27th of January 1956.

Heartbreak Hotel, Milton Berle Show:

From the british newspaper The Independent:

“Heartbreak Hotel” started with Elvis, accompanied by a walking bass from Bill Black, reminiscent of Willie Dixon’s work with Muddy Waters. Scotty Moore played assertively and Cramer’s piano pattered like rain. Elvis broke down in each verse, effectively method acting like James Dean. The song was nailed on take seven, but sadly, most of the tapes were wiped. The influence of Johnnie Ray’s “Cry” is self-evident and the song could be a parody. Presley’s dirt-seeking bio-grapher, Albert Goldman, opined, “‘Heartbreak Hotel’, which is an extravagant and highly-exaggerated account of the blues, was more a psychodrama than a musical performance. As such, however, it was an extraordinary novelty and it moved rock music into another imaginative space.”

“Heartbreak Hotel” became Elvis’ first gold record, staying the top of the pop charts for seven weeks in the spring of 1956.

Continue reading Today: Elvis Presley recorded Heartbreak Hotel in 1956 – 57 years ago

Today: Chuck Berry recorded “Johnny B. Goode” in 1958 – 55 years ago

CB - johnny b goode

DeepdowninLouisiana’crossfromNewOrleans,
waybackupinthewoodsamongtheevergreens.
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode,
Who never ever learned to read or write so well
But he could play a guitar just like a ringin’ a bell.

You can’t copyright guitar licks and maybe that’s good, because if you could, Chuck might have hoarded them as he does his Cadillacs,. Without The Chuck Berry Riff, we’d lose not just the Beach Boys, but essential elements of the Beatles, the Rolling Stones, Bob Dylan, Bob Seger, and Bruce Springsteen — to mention only the most obvious examples. In a way, what was at the center of the first wave of the British Invasion could be described as a Chuck Berry revival.
~Dave Marsh (The Heart of Rock and Soul)

Live 1958:

another great live version (much later):

 From Wikipedia:

Released March 31, 1958
Format 7″ 45 RPM, 10″ 78 RPM
Recorded January 6, 1958 at Chess Studios, Chicago, Illinois
Genre Rock and roll
Length 2:30
Label Chess
Writer(s) Chuck Berry
Producer Little “Bongo” Kraus

Johnny B. Goode” is a 1958 rock and roll song written and originally performed by Chuck Berry. The song was a major hit among both black and white audiences peaking at #2 on Billboard magazine’s Hot R&B Sides chart and #8 on the Billboard Hot 100.

The song is one of Chuck Berry’s most famous recordings, has been covered by many artists, and has received several honors and accolades. It is also considered to be one of the most recognizable songs in music history.

ChuckBerry

another version:

Go Go
Go Johnny Go Go (x4)
Johnny B. Goode

Written by Berry in 1955, the song is about a poor country boy who plays a guitar “just like ringing a bell,” and who might one day have his “name in lights.” Berry has acknowledged that the song is partly autobiographical, and originally had “colored boy” in the lyrics, but he changed it to “country boy” to ensure radio play. The title is suggestive that the guitar player is good, and hints at autobiographic elements because Berry was born at 2520 Goode Avenue in St. Louis. The song was initially inspired by Berry’s piano player, Johnnie Johnson, though developed into a song mainly about Berry himself. Though Johnnie Johnson played on many other Chuck Berry songs, it was Lafayette Leake who played piano on this song.

The opening guitar riff on “Johnny B. Goode” is essentially a note-for-note copy of the opening single-note solo on Louis Jordan’s “Ain’t That Just Like a Woman” (1946), played by guitarist Carl Hogan.

Louis Jordan – Ain`t That Just Like A Woman:

Musicians

  • Chuck Berry – vocals, guitar
  • Lafayette Leake – piano
  • Willie Dixon – bass
  • Fred Below – drums

Bruce Springsteen & Chuck Berry – Johnny B Goode (Live 1995):

Legacy

  • Berry’s recording of the song was included on the Voyager Golden Record, attached to the Voyager spacecraft as representing rock and roll, one of four American songs included among many cultural achievements of humanity.
  • When Chuck Berry was inducted into the Rock and Roll Hall of Fame in 1986, he performed “Johnny B. Goode” and “Rock and Roll Music,” backed by Bruce Springsteen and theE Street Band. The Hall of Fame included these songs and “Maybellene” in their list of the 500 songs that shaped Rock and Roll.
  • It was inducted into the Grammy Hall of Fame in 1999, for its influence as a rock & roll single.

Chuck+Berry

Accolades

List Publisher Rank Year of Publication
500 Greatest Songs of All Time Rolling Stone 7 2010
100 Greatest Guitar Tracks Q 42 2005
100 Greatest Guitar Songs of All Time Rolling Stone 1 2008
Top 3000 Songs Acclaimed Music 6 N/A
500 Songs That Shaped Rock Rock & Roll Hall of Fame N/A 1995
50 Greatest Guitar Solos Guitar World 12 2009

And Dave Marsh put in on number 2 in his brilliant list of “The 1001 Greatest Singles Ever Made“..

heartofrock

Album of the day:

The Anthology (2000):

Chuck berry anthology

Other January 06:

Continue reading Today: Chuck Berry recorded “Johnny B. Goode” in 1958 – 55 years ago

Bob Dylan’s best songs – A Hard Rain’s A-Gonna Fall – #16, released version

The hard rain is gonna fall is in the last verse when I say “when the pellets of poison are flooding the waters”. I mean, all the lies, you know, all the lies that people get told on their radios and their newspapers which, all you have to do is
just think for a minute, y’know, try and take peoples brains away, y’know, which maybe’s been done already. I dunno, maybe, I hate to think it’s been done, but all the lies, which are considered poison, y’know, er…
Bob Dylan (to Studs Terkel, April 63)

‘Hard Rain’s A-Gonna Fall’… I wrote the words of it on a piece of paper. But there was just no tune that really fit to it, so I just sort of play chords without a tune. If all this comes under the heading of a definition, then I don’t care really to define what I do. Other people seem to have a hard time doing that.
~Bob Dylan (to Max Jones, May 64)

From “The Witmark Demos” (Bootleg Series 9):

@ #16 on my list of Dylan’s 200 best songs. The original version from “The Freewheelin’ Bob Dylan” was recorded on December 6 – 1962…. 50 year’s ago today. The Witmark version above was recorded sometime in December 62.

‘A Hard Rain’s A-Gonna Fall’, recorded December 6, 1962, is another song whose genius and power are so great that our analytical minds (not our hearts) may have difficulty accepting and recognizing it’s simplicity.
~Paul Williams (Performing Artist 60-73)

from 1964:

 

Continue reading Bob Dylan’s best songs – A Hard Rain’s A-Gonna Fall – #16, released version

Bob Dylan’s best songs – It’s Alright, Ma (I’m Only Bleeding) – #7, released version

Well, I still do that song [It’s Alright Ma]. It’s still very relevant to me.
~Bob Dylan (June 1985)

“I’ve written some songs that I look at, and they just give me a sense of awe,… Stuff like, It’s Alright, Ma, just the alliteration in that blows me away. And I can also look back and know where I was tricky and where I was really saying something that just
happened to have a spark of poetry to it.”
~Bob Dylan (to John Pareles, Sept 1997)

Ironically, this song, which Dylan performs unaccompanied on the “folk-side” of his half-folk, half electric album, is more of a rock and roll performance than anything else on the record.
~Paul Williams (Performing Artist 60-73)

@ no.7 on my list of Dylan’s 200 best songs.. comes this acoustic masterpiece with lyrics that still makes me shiver in awe…

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the president of the United States
Sometimes must have to stand naked

best of the best:

Pointed threats, they bluff with scorn
Suicide remarks are torn
From the fool’s gold mouthpiece the hollow horn
Plays wasted words, proves to warn
That he not busy being born is busy dying

original version:

Lyrics:

Darkness at the break of noon
Shadows even the silver spoon
The handmade blade, the child’s balloon
Eclipses both the sun and moon
To understand you know too soon
There is no sense in trying

Pointed threats, they bluff with scorn
Suicide remarks are torn
From the fool’s gold mouthpiece the hollow horn
Plays wasted words, proves to warn
That he not busy being born is busy dying

Temptation’s page flies out the door
You follow, find yourself at war
Watch waterfalls of pity roar
You feel to moan but unlike before
You discover that you’d just be one more
Person crying

So don’t fear if you hear
A foreign sound to your ear
It’s alright, Ma, I’m only sighing

As some warn victory, some downfall
Private reasons great or small
Can be seen in the eyes of those that call
To make all that should be killed to crawl
While others say don’t hate nothing at all
Except hatred

Disillusioned words like bullets bark
As human gods aim for their mark
Make everything from toy guns that spark
To flesh-colored Christs that glow in the dark
It’s easy to see without looking too far
That not much is really sacred

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the president of the United States
Sometimes must have to stand naked

An’ though the rules of the road have been lodged
It’s only people’s games that you got to dodge
And it’s alright, Ma, I can make it

Advertising signs they con
You into thinking you’re the one
That can do what’s never been done
That can win what’s never been won
Meantime life outside goes on
All around you

You lose yourself, you reappear
You suddenly find you got nothing to fear
Alone you stand with nobody near
When a trembling distant voice, unclear
Startles your sleeping ears to hear
That somebody thinks they really found you

A question in your nerves is lit
Yet you know there is no answer fit
To satisfy, insure you not to quit
To keep it in your mind and not forget
That it is not he or she or them or it
That you belong to

Although the masters make the rules
For the wise men and the fools
I got nothing, Ma, to live up to

For them that must obey authority
That they do not respect in any degree
Who despise their jobs, their destinies
Speak jealously of them that are free
Cultivate their flowers to be
Nothing more than something they invest in

While some on principles baptized
To strict party platform ties
Social clubs in drag disguise
Outsiders they can freely criticize
Tell nothing except who to idolize
And then say God bless him

While one who sings with his tongue on fire
Gargles in the rat race choir
Bent out of shape from society’s pliers
Cares not to come up any higher
But rather get you down in the hole
That he’s in

But I mean no harm nor put fault
On anyone that lives in a vault
But it’s alright, Ma, if I can’t please him

Old lady judges watch people in pairs
Limited in sex, they dare
To push fake morals, insult and stare
While money doesn’t talk, it swears
Obscenity, who really cares
Propaganda, all is phony

While them that defend what they cannot see
With a killer’s pride, security
It blows the minds most bitterly
For them that think death’s honesty
Won’t fall upon them naturally
Life sometimes must get lonely

My eyes collide head-on with stuffed
Graveyards, false gods, I scuff
At pettiness which plays so rough
Walk upside-down inside handcuffs
Kick my legs to crash it off
Say okay, I have had enough, what else can you show me?

And if my thought-dreams could be seen
They’d probably put my head in a guillotine
But it’s alright, Ma, it’s life, and life only

….and proceeded to record the final versions of “Mr. Tambourine Man”, “It’s Alright, Ma” & “Gates of Eden” in a single take, with no playback between songs! ….. It is as though all three songs came out of him in one breath, easily the greatest breath drawn by an american artist since Ginsberg & Kerouac exhaled “Howl” & “On the Road” a decade earlier.
~Paul Williams (Performing Artist 60-73)

Continue reading Bob Dylan’s best songs – It’s Alright, Ma (I’m Only Bleeding) – #7, released version

Great Song: Friend of the Devil by Grateful Dead

This album, American Beauty, was released 42 years ago today. It is one of the two best Grateful Dead albums, the other is of course, Workingman’s Dead.

There are many good songs on this record, my favourite is Friend of the Devil. It is a refinement of their country rock sound from Workingman’s Dead.

I lit up from Reno
I was trailed by twenty hounds
Didn’t get to sleep that night
Till the morning came around

I set out running but I’ll take my time
A friend of the Devil is a friend of mine
If I get home before daylight
I just might get some sleep tonight

I ran into the Devil, babe
He loaned me twenty bills
I spent that night in Utah
In a cave up in the hills

Friend of the Devil, 1970 Studio version:


Continue reading Great Song: Friend of the Devil by Grateful Dead