It is my fondest wish that the gift of song that God has given me will flow from my soul to yours and help ease any burden that might weigh upon you.
~Bobby Womack
You gotta know when it’s time to hang up. But when I finally go, let me go out on stage, my perfect ending. Don’t let me go when I’m sick or asleep. Let me be in motion.
~Bobby Womack
Ron Wood inducts Bobby Womack Rock and Roll Hall of Fame:
..It speak volumes about the album’s universality that its songs have soundtracked everything from Michael Hutchence’s funeral to Shrek 2.
~Stuart Berman (pitchfork.com)
The Boatman’s Call is one of his finest albums and arguably the masterpiece he has been promising throughout his career.
~Stephen Thomas Erlewine (allmusic.com)
Westinghouse Studios New York City, New York 3 March 1963 Folk songs and more folk songs
Broadcast in the program “Folk songs and more folk songs” on Westinghouse TV stations in May 1963.
Blowin’ In The Wind How many roads must a man walk down Before you call him a man? Yes, ’n’ how many seas must a white dove sail Before she sleeps in the sand? Yes, ’n’ how many times must the cannonballs fly Before they’re forever banned? The answer, my friend, is blowin’ in the wind The answer is blowin’ in the wind Continue reading March 3: Bob Dylan – Westinghouse Studios 1963→
My favourite Bob Dylan bootleg 1983: Infidels outtakes (Rough cuts)
For the first time in his career, Dylan books a month of sessions to record an album. The sessions will take place at the Power Station in New York, across the way from Sony Studios. Dylan coproduces the album with Mark Knopfler. The band they have devised for the sessions ranks as one of his most inspired gatherings. The rhythm section is Sly Dunbar and Robbie Shakespeare. The two-pronged guitar attack is to be provided by Knopfler and ex-Stones axeman Mick Taylor. Keyboardist Alan Clark has been enlisted from Knopfler’s band. The sessions result in 16 original new songs, 14 cover versions, and a couple of instrumentals (copyrighted under the titles, “Dark Groove” and “Don’t Fly Unless It’s Safe”).
~Clinton Heylin (Still on the Road: The Songs of Bob Dylan Vol. 2, . 1974-2008)
This is a fantastic bootleg/collection, the material and versions recorded included in these month-long sessions are impressive. The Infidels albums and singles, Death is not the end on the album Down in the Groove, Five tracks on Bootleg series vol 1-3: Blind Willie McTell (acoustic), Tell Me, Someone’s got a hold of my heart, Foot of Pride and Lord Protect My Child.
“…This Power Station material has also been released, in part, in several packages; under various titles. The quality of this material is great. There is some slight tape hiss, and at times ‘dead air’ noise. The overall sound, success of ‘Infidels’, and desire for studio outtakes has been the spawn of the numerous releases.
The outtakes themselves are most highly recommended. There really seems to be no particular standout as far as the various versions of CDs, … If you own one, for all practical purposes you own then all.” – Bobsboots.com
Here we have some brilliant outtakes from the Infidels sessions. Most importantly the electric versions of “Blind Willie McTell”. This is worth the whole package, really.
Señor, señor, do you know where we’re headin’?
Lincoln County Road or Armageddon?
Seems like I been down this way before
Is there any truth in that, señor?
Interesting version, but not complete…
Heineken Music Hall
Amsterdam, The Netherlands
11 November 2003
Bob Dylan (vocal & piano)
Freddie Koella (guitar)
Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar)