Tag Archives: best songs

Bob Dylan’s best songs: Call Letter Blues

Bob Dylan call letter blues

The children cry for mother
I tell ’em, “Mother took a trip.”
Well, the children cry for mother
I tell ’em, “Mother took a trip.”
Well, I walk on pins and needles
I hope my tongue don’t slip.
~Bob Dylan (Call Letter Blues)

Such self-consciously autobiographical imagery probably told for it in the end. I just can’t imagine Dylan releasing the line ‘Children ask for mother, I tell ’em mother took a trip’ into the world back in 1974. But at least he got as far recording this one with Weissberg’s band on that first night, cutting it in three takes, before deciding that he would rather replace it with an entirely fanciful morning blues, a.k.a. ‘Meet Me In The Morning’. The tune, he kept. Literally. As the 1991 release of ‘Call Letter Blues’ fully revealed.
~Clinton Heylin (Still on the Road: The Songs of Bob Dylan Vol. 2, . 1974-2008)

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Townes Van Zandt: His 11 best songs

Townes

Marie she didn’t wake up this morning
She didn’t even try
She just rolled over and went to Heaven
My little boy safe inside

I laid them in the sun where somebody’d find them
Caught a Chesapeak on the fly
Marie will know I’m headed south
So’s to meet me by and by

Marie will know I’m headed south
So to meet me by and by

– Townes Van Zandt

Townes Van Zandt is one of the greatest songwriters in music-history. To narrow down my choice to just 11 songs is a pain. His 9 studio albums, and some compilations released after his death in 97 are so full of great songs that my task has been nearly impossible. I could pick 11 other songs in his songbook that are just as good, but today this is my list.

Marie:

Kurt Wolff (allmusic):
Townes Van Zandt’s music doesn’t jump up and down, wear fancy clothes, or beat around the bush. Whether he was singing a quiet, introspective country-folk song or a driving, hungry blues, Van Zandt’s lyrics and melodies were filled with the kind of haunting truth and beauty that you knew instinctively. His music came straight from his soul by way of a kind heart, an honest mind, and a keen ear for the gentle blend of words and melody. He could bring you down to a place so sad that you felt like you were scraping bottom, but just as quickly he could lift your spirits and make you smile at the sparkle of a summer morning or a loved one’s eyes — or raise a chuckle with a quick and funny talking blues. The magic of his songs is that they never leave you alone.

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The Best Songs: Tecumseh Valley by Townes Van Zandt

The Best Songs: Tecumseh Valley by Townes Van Zandt

I first heard this song when Emmylou Harris sang it, then I heard Nanci Griffith’s version on the album, Other voices other rooms. Great interpretations both of them. It made me seek out Townes Van Zandt’s versions, they’re even better!

John Townes Van Zandt I (March 7, 1944 – January 1, 1997), best known as Townes Van Zandt, was an American singer-songwriter. Many of his songs, including “If I Needed You” and “To Live Is to Fly”, are considered standards of their genre.

While alive, Van Zandt had a small and devoted fanbase, but he never had a successful album or single and even had difficulty keeping his recordings in print. In 1983, six years after Emmylou Harris had first popularized it, Willie Nelson and Merle Haggard covered his song “Pancho and Lefty,” scoring a number one hit on the Billboard country music charts. Despite achievements like these, the bulk of his life was spent touring various dive bars, often living in cheap motel rooms, backwoods cabins, and on friends’ couches. Van Zandt was notorious for his drug addictions, alcoholism, and his tendency to tell tall tales. (Wikipedia)

Early version from the album, For the sake of the song:

Late version (more like the one on Our Mother The Mountain):

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Bob Dylan’s best songs: You’re A Big Girl Now

Bob Dylan & Sara

I’m going out of my mind, oh, oh
With a pain that stops and starts
Like a corkscrew to my heart
Ever since we’ve been apart
~Bob Dylan (You’re A Big Girl Now)

You’re Big Girl Now” is startling in the originality of its musical structure as well as in the raw power of Dylan’s lyrics and the way he sings them. Each verse of this song is a separate monolog, as if Dylan were an actor stepping to the back of the stage and then coming forward again as he thinks of something else he wants to say to the lady.
~Paul Williams (Bob Dylan: Performing Artist, Vol 2: The Middle Years 1974-1986)

..‘You’re a Big Girl Now’ presses on still further with the unsparing examination of whether a decaying relationship can withstand the strains of time and other lovers
~Michael Gray (The Bob Dylan Encyclopedia)

Original version (BOOT version):

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The Beatles 40 best songs: at 22 “Dear Prudence”

dear-prudence

“Dear Prudence” is a song written by John Lennon, and credited to Lennon–McCartney. It was released by the Beatles as the second track on their 1968 double-disc album entitled The Beatles, commonly known as The White Album. The subject of the song is Prudence Farrow, actress Mia Farrow’s sister, who was present when the Beatles went to India to study with Maharishi Mahesh Yogi.

John Lennon was asked to “contact her and make sure she came out more often to socialize”. As a result, Lennon wrote the song “Dear Prudence”. In the song Lennon asks Farrow to “open up your eyes” and “see the sunny skies” reminding her that she is “part of everything”. The song was said to be “a simple plea to a friend to ‘snap out of it'”. Lennon said later that “She’d been locked in for three weeks and was trying to reach God quicker than anyone else”.

Dear Prudence is me. Written in India. A song about Mia Farrow’s sister, who seemed to go slightly barmy, meditating too long, and couldn’t come out of the little hut that we were livin’ in. They selected me and George to try and bring her out because she would trust us. If she’d been in the West, they would have put her away.
– John Lennon

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